Yongnuo YN 56mm F1.4 DA DSM WL Pro Review | A Killer Portrait lens for $270?

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[Music]
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hi I'm Dustin Abbott and I'm here today
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to give you my review of the yo yend
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56mm f1.4 da DSM WL Pro this is the
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third entry in what yongo is calling
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their Commander series and so it has
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featured a 23mm 33 mm and 550 6 mm now
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f1.4 lenses all of which are able to be
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wirelessly controlled and will
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eventually be available in Sony E which
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I'm reviewing here today Nikon Z and
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then Fuji X Mount now as we're going to
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see this is an incredibly feature Rich
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lens and it can be had for around
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$270 and so that makes it a very
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compelling option if you're looking for
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a telephoto portrait prime lens for your
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apsc camera so is this the 56mm lens to
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buy well that's what we're going to
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explore in today's review right after a
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we'll start by taking a look at the
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build and feature set here this is a 56
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mm lens and so on apsc cameras which all
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of these platforms have a 1.5 times crop
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factor it means that that is an 84 mm
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full frame equivalent so obviously that
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is probably the most
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popular focal length for portraiture
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because it is allows you to have a long
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enough focal length and a fast enough
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aperture to blur out backgrounds but
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it's not so long that you can't use it
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in a normal size room and so that makes
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it a very useful lens now as noted the
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full name name of the lens is a mouthful
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yongo 56 mm f1.4 in this case it's s or
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for Sony da DSM WL and pro so again to
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break down what all that means s stands
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for Sony or Sony emount platform here it
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da stands for the fact that it is apsc
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for whatever reason that's their
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designation DSM refers to digital
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stepping motor which is the Focus motor
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WL refers to the fact that it can be
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wirelessly controlled and pro is what
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they have applied to their kind of line
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of lenses that have a little bit more
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upscale build and have some additional
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features over the cheaper
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lenses now as noted it is very featur
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rich and we'll get to that in a moment
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but that does come at a little bit of
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cost in it being a little bit heavier
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it's also got a like aluminum alloy
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casing so we've got Metals rather than
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Plastics and that even lightweight
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Metals do tend to weigh a little bit
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more than Plastics and so this lens
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weighs in at
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368 G or 13.1 o to give you some
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perspective sigma's 56 mm f1.4 it weighs
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in at
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280 G and so it is considerably lighter
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almost 90 G lighter but the Fuji 56 mm
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f1.2 WRR a little bit faster maximum
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apture but a more similar feature set it
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actually weighs considerably more it's
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445 or 45 G and so I mean this lens I
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think probably sits at about where it
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should but obviously if you're looking
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for the lightest possible 56 mm f1.4
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there are lighter options in this the
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dimensions of all of these Commander
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series lenses are identical uh 69 mm in
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diameter or 2.7 in and 87 mm or 3.4 in
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in length all of them share a common 58
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mm front filter
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size and one thing that is unique when
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you look at the front of the lens that
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is still very rare is they actually have
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the Wi-Fi logo on there and that is a
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reminder that this lens is Wi-Fi
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compatible to allow you to have that
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remote control now outside of the remote
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control obviously if you're not
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interested in that just in the features
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that are on the lens itself we do have a
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robust approach to aperture control
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apertur ring and so you can have it
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click and when clicked it's got the 1/3
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stop to T and then a more rigid um stop
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in between F-16 and then automatic mode
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which you can switch into if you don't
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like aperture Rings um it also has a
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dclick mode which will allow you to
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quickly and smoothly rack through those
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aperture options now I will note when
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doing aperture racking you can see
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there's some visible steps even though
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it you can declick it it still is is
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pretty obvious when you're making moves
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so I'm not sure how valuable that is
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going to be for aperture racking for me
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myself I I found that to be quite
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obvious whereas there are other lenses
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where I can smoothly do that and if I'm
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careful I can avoid any of those kind of
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visible steps as the aperture changes so
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unfortunately it's not this linear
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moving throughout the aperture it still
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kind of Moves In stops along the way so
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you know take that for what it for for
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what it's worth it does have a function
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button on the side and obviously that
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can be programmed to whatever function
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you have set in the camera and then also
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it has a custom switch with two
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different positions on it so that will
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allow you to select something like AF MF
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but also it can be used as a part of the
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wireless control and they have a process
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by which you can enable wireless control
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control and uh kind of a cycle of
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setting that up and once you have done
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that you can then use that to switch
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into the time when you want to use the
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lens wirelessly it does have nine
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aperture blades in theory they're
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rounded but in practicality they're not
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very round as you can see and as the
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aperture stops down you can very clearly
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see the aperture blades and so it
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doesn't do a great job if the purpose
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was to have that keep circular looking
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specular highlights it doesn't do that
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very well like all of these lenses it
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does have a port down here near the
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Mount but not on the mount for uh where
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there's a USBC Port that's hidden behind
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that it has a gasket to keep weather
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sealing unfortunately that gasket as
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with all of these is very difficult to
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get out you're going to need something
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either have very long fingernails or use
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something small like a flat bladed
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screwdriver with a small head to pry
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that open and be careful because that
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gasket comes completely out and you're
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going to want to stick it back in there
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after you've done things like firm more
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updates and so you don't uh expose it to
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losing the weather ceiling because it
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does have some weather ceiling at least
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in the form of a gasket here and then it
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does have a flooring coating on the
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front element so again for a lens that's
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at this price tag it's pretty great to
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have any form of weather ceiling and
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definitely flooring coating on there as
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noted it does have a metal body and the
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lens actually feels pretty upscale in
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terms of the overall construction the
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manual focus ring is located near the
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front the damping is fairly light on it
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but it did Focus fine when I used it
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manually no real problem there minimum
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Focus distance here is 50 cm and that
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gives you a 0.11 times magnification
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I'll note that both the Fuji and sigma
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lenses that I've mentioned allow you to
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get a higher level of magnification
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0.14 times however this is enough to be
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useful as you can see here does a pretty
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decent job up close
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so overall this is a really compelling
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package uh there really isn't anything
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that I have seen on apsc at this focal
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link that has a more comprehensive
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package of features and options there
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and so kudos to AO for giving us a lot
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of value for the money when it comes to
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the overall features so let's talk about
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autofocus autofocus comes via that DSM
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or digital stepping motor and again I've
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never figured out what the difference
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between a digital stepping motor and a
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typical stepping motor is but you know
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that's that's part the Y no thing what
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matters is that autofocus for Stills is
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quite good and you can see here that
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Focus transitions back and forth they
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are really Snappy and no issues with
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that focus is very quiet it's confident
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it's accurate and I found whether
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shooting indoors or Outdoors that Focus
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just quickly locked on and did so
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accurately it was fast enough that even
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at f1.4 I was able to pick up uh bird in
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flight and you know lock on and get
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accurately focused so no problem there
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uh whether was human or animal subjects
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it didn't matter I got good eye
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detection and and so again that worked
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really really well and so overall uh
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Focus speed Focus sound and focus
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accuracy all good for Stills on the
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video side of things I found that video
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pulls were largely good there's not
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really any kind of visible stepping I
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did see just a little bit of a micro
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adjustment sometimes at the end of the
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uh the focus transition but overall that
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was pretty good there is some more
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obvious Focus breathing than what I saw
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on either the 23 or 33mm lenses not
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surprising with this having a longer uh
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focal length and I will note here on
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Sony that because this is a third party
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lens there will be no Focus breathing
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compensation that's reserved only for
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Sony lenses and so don't depend on that
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to smooth out some of that focused
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breathing you can see here from my hand
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tested it mostly went well transitions
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are not jarring they're relatively
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smooth however I needed I needed to
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pause an extra beat before I moved my
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hand or put it back in place because it
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wasn't always as responsive as what I
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would liked and transitioning to my hand
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but I did find in other video clips that
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video W was largely good and it also
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stayed stable when I was just shooting
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uh static shots where I wanted Focus to
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be stable throughout that so overall
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autofocus works really quite well here
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so let's talk about the Optics and I'll
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give you my overview here and then the
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Deep dive breakdown as always is going
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to be at the end of the video Optical
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design here's 10 elements in nine groups
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five of those as you can see from this
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diagram our various exotic elements you
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can also see that the MTF is quite
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consistently good there's a little bit
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of Dipping up and down but it stays
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relatively flat across there it's not as
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sharp not at a high high level across as
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what say for example the VTR 56 mimet
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f1.7 uh air series lens is but that lens
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is is quite exceptional in that regard
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but overall this sharpness is is pretty
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close to all of the you know top
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competing lenses that it would come up
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against I would say that there is one
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kind of significant Optical flaw that I
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can point to and that is when you're
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shooting at wide apertures there
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definitely is some fringing particularly
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in high contrast situations going back
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to the shot of a bird in Flight if I go
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into uh just a full pixel level you can
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see definitely there's some fringing
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around the edges of the bird and I also
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found that in other shots shooting for
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example here down towards the beach in
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Myrtle Beach you can see there is some
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fringing again if we punch into 100%
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magnification and that definitely showed
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up on my chart test as well some OB
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obvious uh Loca or longitudinal
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chromatic aberration there's a tiny bit
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of lateral style chromatic aberration
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but nothing that's going to be any kind
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of real issue there now for those of you
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that are interested in fullframe
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coverage it isn't much more than the
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apsc image Circle so I wouldn't
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recommend it for that purpose you can
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see there's some hard mechanical
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vignette over basically everything
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outside of the apsc image Circle when it
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comes to Distortion and vignette there
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is some moderate pin cushion Distortion
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I needed a plus 10 to correct for that
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it did correct in a linear fashion and
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so won't be any kind of problem and of
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course the correction profile for jpegs
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and videos will happen in camera and
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will help to offset that vignette is
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really quite minimal only a plus 32 to
12:24
correct for the vignette at least here
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on Sony expect as is often the case
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it'll be a bit higher on either Nikon or
12:31
Fuji mounts but here on Sony it is quite
12:33
minimal my chart test results showed
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very good results at
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f1.4 uh consistent across the frame good
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performance and as I look back and
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compared to some of the other lenses 56
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millim lenses I've tested this is a good
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performance in some ways it looks a
12:49
little bit better in the real world but
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this is testing at 26 megapixels which
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is the maximum on Sony it's going to
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look a little worse if you're shooting
12:56
on the Fuji 40 megapixel sensors but
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that's always the case and so that is a
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very very demanding platform and so
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lenses tend to look a little bit softer
13:06
there uh out in the real world as noted
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results look good in those high contrast
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situations you can you know the fringing
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will reduce the apparent sharpness a bit
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if you're in lower contrast situations
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it looks fantastic I do see some boost
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to contrast by F2 as you can see here by
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f2.8 even the corners are looking really
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quite excellent and of course of course
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that means that at landscape apertures
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you can get really great detail all
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across the frame no issues there at all
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um good performance whether you're
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shooting in the center the mid-frame or
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off into the corners it'll stay very
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similar to that through f8 at f11 you
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start to see a little bit of softening
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due to defraction and F at F-16 that
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will become more
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noticeable now boal quality is overall I
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would say pretty good I don't love
13:55
specular highlights because they do have
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some green fringing if you're shooting
13:58
at the wide apertures um I also note
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that I haven't yet seen outside of the
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Fuji 56 56 mm f1.2 typically these 56 mm
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lenses are not as good as what fullframe
14:11
85 mm lenses are when it comes to the
14:14
Boke rendering you can see that quite
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obviously in this comparison with
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another 85 fullframe 85 millimeter lens
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that just the background is much
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smoother from the 885mm fullframe lens
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but when I compare it to the bouquet
14:27
quality from other outside of that Fuji
14:29
which is much more expensive when I
14:31
compare it to the sigma or the vro I
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would say that the Boke quality is is
14:35
pretty decent here likewise flare
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resistance is pretty good you can see
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for example in this time lapse as the
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sun comes up it stays nice and stable in
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the midday when I shot right into the
14:46
Sun and I put the Sun up into the corner
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you can see a little bit of a flare
14:50
pattern coming down a ghosting pattern
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that's coming down but for most ordinary
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shots I found it to be just
14:57
fine I find that the colors from yangong
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noo and their Optical glass they are
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good but they're not great and again
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this is a budget lens so it's about what
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I would expect but images look good I
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think that most people will be happy
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with them so my conclusion is this the I
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think Chief advantage of this particular
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lens is that it does have a more robust
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feature set than basically all of the
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other 56 mm lenses and when you combine
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that with the fact that you're getting a
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really really competitive price tag of
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around
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$270 that means that you you're maybe
15:29
getting more bang for your buck when you
15:31
consider that both the autofocus and the
15:33
image quality performance is all quite
15:35
good as well now if you are looking for
15:39
the sharper lens I would say that the
15:41
sigma 56 mm f1.4 DM is a a little bit
15:46
sharper it also costs twice as much and
15:48
has fewer features the vro 56 mm f1.7
15:52
air it's only f1.7 but it's it's a
15:55
strong value because it's really good
15:57
optically if you don't really care about
15:58
the features and it's also lighter and
16:00
so if that's a priority then you can go
16:02
that way but if you're looking for kind
16:04
of the mid level in terms of price but
16:06
then being really quite set with the
16:08
features then Theo really stands its own
16:11
and has kind of a unique Niche there and
16:13
this whole series The 23mm 33 mm and 56
16:16
mm have all been uniformly really quite
16:19
great and so if you're looking for a
16:21
series of matching lenses it's an easy
16:23
recommendation for those if you want
16:26
more information you can check out my
16:27
full text review that's Linked In the
16:28
description down below there are buying
16:30
links there as well and now if you want
16:32
even more information dive into the
16:34
Optics together with me and let's do
16:36
that deep dive okay we'll start by
16:37
taking a look at the fullframe coverage
16:40
and so you can see here there is that
16:41
hard mechanical vignette because the
16:43
whole fullframe image circle is not
16:45
being covered so if I cycle forward to
16:47
where I've cropped off most of that you
16:49
can see here's what it looks like and
16:51
then this is the apsc crop and I'll
16:53
toggle back and forth so you can see
16:55
we're going a little bit wider but you
16:58
know not enough to be meaningful to
17:01
actually effect I would certainly
17:02
wouldn't buy it to shoot it primarily on
17:04
full frame now taking a look at vignette
17:06
and Distortion there is some pretty
17:08
obvious pin cushion Distortion here it's
17:10
a minus1 to correct for that vignette
17:14
here on Sony is quite low I used a plus
17:16
32 to correct you can see everything
17:17
corrects nice and clean even doing it
17:20
manually however there will be
17:21
correction profiles to clean all of that
17:23
up as noted the weak spot here is the
17:27
fact that there is some pretty
17:28
pronounced fringing and so you can
17:29
particularly see that uh green fringing
17:32
after the plane of focus showing up
17:33
pretty obviously and here in high
17:36
contrast situations I saw a little bit
17:37
of fringing you know as you see on those
17:39
transition areas some purple fringing
17:41
over the wings likewise in a shot like
17:44
this you can definitely see looking
17:46
through this Zone in those really high
17:48
contrast areas there's definitely some
17:49
fringing that are going to show up so
17:51
not perfectly corrected in that regard
17:53
so here's a shot where there's it's
17:55
obviously much lower contrast and you
17:58
can see is we go throughout this image
18:00
that I mean the detail actually looks
18:01
even at f1.4 looks really good
18:04
throughout the frame and that's because
18:06
you're not losing things to fringing in
18:08
the same way so I mean it goes to show
18:10
that even the fringing is pretty
18:12
situational but just something to be
18:14
aware of lateral style chromatic
18:16
aberration are pretty well controlled I
18:18
do see just a tiny bit here this is so
18:21
minim minimal here though and at such
18:23
high level of magnification you're
18:24
probably not going to see much of any of
18:26
that in the real world so this is 26
18:29
megapixels on Sony and we're looking at
18:31
200% magnification you can see in the
18:33
center of the frame there's good detail
18:36
and and good contrast not like
18:38
exceptionally good but very good uh you
18:40
can see in the mid-frame not a whole lot
18:42
of drop off there and as we pan on down
18:46
we can see that you know it's a little
18:48
bit softer from upper corner to lower
18:50
right corner but down here we can see
18:53
there's actually been a little bit of a
18:54
bump back up as the mtfs suggest
18:57
actually looks really quite good there
18:58
in the corner looking up here on the
19:00
upper left side also looking good and so
19:02
we can see we've got a good centering
19:05
performance here with good consistency
19:07
everywhere that we look in the frame
19:09
here's a real world f1.4 shot and you
19:11
can see I mean nothing to complain about
19:13
there when it comes to the detail that's
19:15
available at f1.4 looking really quite
19:18
crisp now there's not a significant
19:20
difference by f1.8 by F2 you can start
19:23
to see increasing contrast looking
19:26
better there as we look into this Zone
19:28
you know it's not exceptional yet but
19:30
you look at the word Canada for example
19:32
at how much better the contrast is in
19:34
the dark areas compared to this Zone
19:36
here now the big jump comes at f2.8 and
19:40
you can see just how much crisper it is
19:42
on the right at f2.8 and now we've got a
19:45
pretty consistent performance I would
19:47
say we look up here into the upper left
19:49
corner you can see really good detail
19:52
it's crisp good contrast lower right
19:54
corner again really good detail right
19:56
off there into the corner stop down to
19:59
f5.6 shows another pop particularly here
20:02
into the corner performance I don't know
20:04
if you're going to see it quite as much
20:05
in the center of the frame maybe a
20:07
little bit deeper contrast maybe a
20:09
little bit here in this mid-frame Zone
20:11
but you can see that really in the
20:13
corners is where we're seeing the most
20:14
significant uptick I'll give you a
20:17
couple of real world examples here at
20:19
100% magnification you can see really
20:21
good detail here in the center of the
20:23
frame at this shot and it continues on
20:25
right off to the very corner there
20:27
looking nice and crisp uh from up above
20:29
I'm able to get a pretty flat plane of
20:31
focus and you can see right off into the
20:33
corners this gravel everything is
20:35
looking really nice good detail there
20:38
right off into the very edges of the
20:39
frame and and so a nice performance all
20:43
around there by f11 you'll see a little
20:46
bit of softening due to the effects of
20:47
defraction however that'll be more
20:49
pronounced at the minimum apture of F16
20:52
I would probably avoid F16 unless you
20:55
know you you're just desperate to get a
20:56
deeper depth of field cuz otherwise you
20:58
are going to get noticeably softer
21:00
results the level of magnification as
21:03
we've already noted isn't exceptional up
21:05
close performance is decent but what you
21:07
can see is there's definitely a little
21:09
bit of that fringing that is impacting
21:11
in this particular uh example here and
21:14
so it's it's okay but it's not great
21:17
here also up close this is at minimum
21:20
Focus distance and again I don't think
21:22
the detail is too bad I don't love you
21:24
know some of this fringing as I've
21:26
already noted there but I also don't
21:28
think this in the three-dimensional
21:29
result it's looking too bad what I don't
21:31
love is even by F2 you're seeing those
21:34
aperture blades and f2.8 you know even
21:37
stronger more pronounced I showed you
21:39
the example comparing in the actual
21:41
review with the 85 fullframe 85mm lens
21:45
but if you just take a look at this shot
21:47
on its own uh detail looks good on the
21:50
subject like I'm happy with that this
21:53
Zone looks a little on the busy side to
21:56
me so uh I there's a little bit more
21:58
hard EDG than what I would like this
22:00
shot here I think is just more
22:01
advantageous it shows a the background's
22:04
a little bit further away Less in the
22:05
transition zone so it looks uh quite a
22:08
bit creamier here like a table that's
22:10
off in the background it's blurred out
22:12
enough in this portrait shot that you
22:14
know everything looks pretty soft in the
22:16
background here if we go back a little
22:18
bit further from the subject so things
22:20
are a little bit more in Focus but again
22:22
I don't see anything really that I'm
22:23
concerned about in this particular shot
22:25
there's a little bit more edges like on
22:27
the chairs around that table but you
22:30
know again it's not bad again this was
22:32
the worst example that I saw with the
22:34
flare with that bit of a ghosting
22:36
pattern there but in less extreme
22:38
examples where I'm not shooting right
22:39
into the midday Sun I mean you can see
22:42
here that there really is anything
22:44
marring the image and so flare
22:46
resistance overall I would say not bad
22:48
and so as you can see this is a lens
22:50
that really holds up quite well in a lot
22:52
of different categories and can produce
22:54
some beautiful images thanks for
22:56
watching to the very end have a great
22:58
day and let the light in
23:00
[Music]

Yongnuo YN 56mm F1.4 DA DSM WL Pro Review | A Killer Portrait lens for $270?

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Yongnuo YN 56mm F1.4 DA DSM WL Pro Review | A Killer Portrait lens for $270?

dustinabbott.net