Hollyland Lark M2 Compact Wireless Microphone System Review
Dustin Abbott
August 26th, 2024
The Hollyland Lark M2 is perhaps the most compact wireless microphone system that I’ve ever seen, and yet it holds up the most important things like audio quality and range. It’s not a perfect system, but I’ve liked it well enough that it has been out the 6-7 other wireless audio systems I own as the one I’m continually reaching for in my reviews. Find out why by either watching my full review linked below or reading a summary of my findings in the article points below.
Thanks to Hollyland for sending me a review sample. As always, this is a completely independent review. All thoughts and opinions expressed here are my own.
Good packaging. Everything fits inside a relatively small pouch
2x transmitters
3x Receiver (Camera, Lightning, USB-C)
Charging Case
Charge cable (USB-A to C)
2x dead cat/furry windscreen
3.5mm audio cable
2x Clips and lanyards
Stickers to personalize transmitters
Pouch for everything
Transmitters have metallic mesh to protect against interference (no mic on receiver).
Receiver has easy knob to control gain
Rated 1000’ (300m) transmission range (line of site) – LDS (Laser Direct Structuring) antenna.
10 hour transmitter battery life. With charge case you can get 40 hours of total recording time without needing to plug in. Everything recharges in under 1.5 hours
Mono or stereo recording options
Option to use ENC (Environmental Noise Cancellation)
Transmitters weigh just 9g and very discrete
USB Audio Class (UAC) compatibility – connect direct to computer via USB.
Love the compact size – means magnetic option works well even if I’m wearing a crew new shirt.
The biggest thing that has won me over is the audio quality (48kHz/24 bit audio) – better match to the very good podcasting mic I use for image quality sections.
Like the universal kit – can use the same mic for all of your recording needs.
Like the easy to use gain function on receiver
Extremely plug and play – anyone can us it
Pass through charging option for receiver on mobile device
Keywords: Hollyland, Lark, M2, Lark M2 Review, Hollyland Review, Wireless, Mic, Godox Review, WEC-S Review, 21 hour battery, Hands On, Review, Audio Tests, Range Test, Dustin Abbott, demonstration, photography, let the light in, #letthelightin, DA, #da
DISCLAIMER: This article and description contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission. As an Amazon Associate I earn from qualifying purchases.
Macro photographer is a blast. It opens up a whole new world of details that the naked eye simply can’t see, and the resulting images are often ones that delight viewers. But macro photography has a major challenge: the laws of physics dictate that as you get into macro range your effective aperture closes down by multiple stops. If that is a little too technical for you, let me put it this way: you need at least three times as much light at macro range as you would with the same camera settings and a subject that was, say, a meter or more away from the camera. Add to this the challenge that sometimes your equipment gets so close to the subject that it actually shadows it, effectively removing even more light. Many macro photographers find the simplest and best solution is to introduce more light to the subject, but this can get expensive. Enter Godox, a company that has built a great reputation for developing quality lighting at a reasonable price. In this case, that lighting comes from their wireless MF12 Macro lights.
The Godox MF12 system works best off of Godox’s 2.4ghz wireless system. You can purchase/control a single unit, or you can add many units to get the job done.
These MF12 units are very compact, but they are fairly powerful. Each unit has a guide number of 16, and the built-in lithium battery gives you up to 500 full power flashes before needing a recharge. I liked the fact that they also have a built-in modeling light, which further extends the usefulness of the units when working in a very dim environment. There is a ring mounting kit available, of you can put them on either their traditional flash “feet” (see below) or even mount them on light stands with the included adapter.
So how do you trigger these flash units? The best way (by far!) is via one of Godox’s wireless flash triggers/command units. I used the Godox X-Pro unit for these shots. It gives you full TTL control, allows you to control the flashes in groups (you can attach as many as six to the bracket), and also gives you on the fly adjustability right in front of you. I found the wireless triggering reliable and effective. They can be triggered optically (using the on-board flash, for example), but that’s a much cruder approach.
Above all, though, I love the Godox flashes and wireless systems because they just work. I find the light output and temperature to be extremely consistent, and I also get more consistent TTL results than I used to get in times past. I often went to manual with strobes in the past because TTL wasn’t consistent enough to rely on. TTL performance is much more consistent with the Godox system, and all of the shots shown in this review or gallery were shot in TTL mode. I was particularly impressed when shooting the product shots I show in this series, as it can be easy for those to get blown out by lighting that’s not correctly controlled. In the shot below I was able to get light right inside a tiny flower, and get a unique view of the inside.
So is there anything that I don’t like about the MF12? Some people have complained about the bracket mounting system on the ring and that the units don’t stay in the right spot, but I couldn’t recreate that issue myself. As long as they were in the detents on the circular bracket, they stayed where I put them. I did find that the white balance of my shots tended towards the warmer side, though that’s easy to fix in post. Every now and then I have to cycle through the settings on the units because the wireless communication isn’t working properly, but that was fortunately very rare, and the menus on the MF12 units are pretty straightforward. I would also have liked there to be a wired sync option considering that these units will mostly be used very close to the camera.
But these are mostly nitpicks. I really enjoyed the lighting potential of these little flash units, and I got some great photos with them. You can check out my full thoughts in the video review below, or just enjoy the photos in the gallery!
Thank you to Pergear for getting me a review sample of the MF12 unit. As always, this is a completely independent review. The opinions here are completely my own.
Purchasing your gear through B&H and these links helps fund this website and keeps the articles coming. You can also make a donation here if you would like. Visit my Amazon page for some of my gear of choice! Thank you for your support.
Great News! I can now offer a 5% discount on all purchases at Amplis Foto, Canada’s Leading Photographic Supplier. Please enter discount code: AMPLIS52018DA in your cart. It is good for everything in your cart, and is stackable with other coupons, too! It will take 5% off your entire order! Proceeds go towards keeping this site going and providing you with new reviews!
DISCLAIMER: This article and description contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission. As an Amazon Associate I earn from qualifying purchases.
Godox has become one of the few companies that reliably pumps out new flash and strobe options on a regular basis. I did my first Godox review in mid-2019, and, since that point, I’ve done at least a half dozen others. I’ve used bargain flashes in the past, and the bargain origins of the gear is usually pretty obvious. Godox products, however, are inexpensive compared to first party flash units, but they aren’t cheap in either build or performance. That’s true of the new Godox V860III on camera flash unit that has recently been released. There are a number of new key improvements that make the Godox V860III 76w/s camera flash worthy of your consideration if you are looking for a new TTL lighting option for your Sony, Canon, Nikon, Olympus, Panasonic, or Fuji camera system.
Let’s break down those key upgrades in bullet form, and, if you want more details, you can watch the video review below.
Inclusion of a new 2W LED modeling light, controllable in ten stages. I actually prefer this modeling light to the one on the excellent Godox V1 flashes because of the color temperature (5300k) and that it is located on the front of the flash unit rather than on the flash head, which means that it continues to work properly even if the flash is set up in bounce mode.
New quick release locking mechanism rather than rotary locking dial. This is much quicker and less clunky than the old style locking dial.
Switch to the VB26 2600 mAh lithium-ion battery pack from the V1. I love this battery pack and also the compatibility across a lot of other Godox flashes (including some of the small AD series flashes). It makes sharing batteries and/or chargers easy. The battery pack is (conservatively) rated at 480 full strength flashes and has a 1.5 second recycle time.
New switch that allows you to instantly change between Manual Flash or TTL.
The new features are all welcome ones to me that add to the real world usability of the V860III. It is also worth considering a few of the existing strengths of the flash as well. First of all, I love the Godox’ Wireless X system where wireless capability is baked into the flash unit itself. I’ve used flash triggers and receivers for years, and being able to ditch some of those components really simplifies the workflow. The Godox V860III can either be used as a command unit to control a variety of other light products from up to 100 meters away:
It can also be controlled as a wireless slave unit from a command unit on camera like the Godox X-Pro. This allows one to control multiple light units in a variety of ways and to get far more pleasing lighting results (and also total control over the direction and intensity of the light). I used the X-Pro to get the V860III off camera and to allow for more pleasing light for this shot:
And yes, it did help that I was using the brilliant Sony FE 50mm F1.2 GM for this shot as well!
The V860III is a powerful unit, with a guide rating of of 60m (197′) at 1SO 100. You can zoom from between 20-200mm, giving you flexibility for the kind of coverage you need. I had plenty of power to front fill my model while using powerful evening sun behind her to rim light her hair:
Above all, though, I love the Godox flashes and wireless systems because they just work. I find the light output and temperature to be extremely consistent, and I also get more consistent TTL results than I used to get in times past. I often went to manual with strobes in the past because TTL wasn’t consistent enough to rely on. TTL performance is much more consistent with the Godox system, and all of the shots shown in this review or gallery were shot in TTL mode. I was particularly impressed when shooting the product shots I did in this series for two reasons. First of all, I focused using the modeling light on the V860III in an otherwise dark environment (very helpful!), but I was also impressed that the lighting was soft and flattering and without blowing out the subject.
So is there anything that I don’t like about the V860III? A couple of things still could use some improvement. First of all, while I like the quick release hot shoe lock, it feels quite “plasticky” and vulnerable to breakage (though that hasn’t happened with any of my Godox flashes, fortunately). I also find that the menus are still a little confusing until you get familiar with them. I’ve tested and used about six Godox strobes, and it still took me 5-10 minutes to figure out how to wirelessly trigger the flash as a slave unit. I would like them to make the menus less obscure.
But these are mostly nitpicks. The truth of the matter is that this is a LOT of flash of $230, and gives you 95% of the performance of many first party flashes for less than 50% of the price. It’s no wonder that Godox flashes are a favorite with so many real world photographers who have to consider budget as a part of their purchasing decisions. If you want more details and footage of the V860III in action, check out my video review below…or just check out the photos in the gallery.
Thank you to Pergear for getting me a review sample of the V860III. As always, this is a completely independent review. The opinions here are completely my own.
Purchasing your gear through B&H and these links helps fund this website and keeps the articles coming. You can also make a donation here if you would like. Visit my Amazon page for some of my gear of choice! Thank you for your support.
Great News! I can now offer a 5% discount on all purchases at Amplis Foto, Canada’s Leading Photographic Supplier. Please enter discount code: AMPLIS52018DA in your cart. It is good for everything in your cart, and is stackable with other coupons, too! It will take 5% off your entire order! Proceeds go towards keeping this site going and providing you with new reviews!
DISCLAIMER: This article and description contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission. As an Amazon Associate I earn from qualifying purchases.
Godox has developed a strong following for their lighting products due to a winning combination of good engineering, reliable performance, and reasonable pricing. They saw a gap between their “pocketable” Godox AD200 Pro Flash unit and the considerably larger AD400/600 units. The solution is the AD300 Pro, a versatile wireless flash that makes for a great location light and packs a nice combination of size (1.25kg in weight and 190mm in length) while also packing a tremendous punch (300Ws of power). This is a 50% power increase over the AD200 Pro without a whole lot of extra size and bulk, and I think it will hit a sweet spot for a lot of users. It comes in a very nice carrying case with some accessories and provides a lot of versatility.
This is a slave only flash (you cannot mount it on a camera hotshoe), but the great amount of power and control via one of Godox’s wireless triggers allows you to really shape the light. You can choose to overpower your environment to give a cutout look:
…or blend in more with the ambient lighting to create a natural look:
The ability to control the flash in 1/256th increments even means that you can use this very powerful flash for more subtle lighting indoors:
The lithium-ion battery (batteries from the AD200 Pro will also work here) will give you up to 300 full power flashes with recycle times from 0.01 to 1.5 seconds. There is a built-in fan, so there is little risk of overheating, and this also allows for a useful second function. There is a 13Ws modeling light that you can also use for video due to being able to choose from 3000 to 6000 kelvin white balances in ten steps. You can use high-speed sync times up to 1/8000 second. It additionally has action-stopping flash durations from 1/220 to 1/10200 seconds.
The native accessory mount on the flash is the smaller Godox mount, but there is a broad range of reasonably priced accessories and modifiers in that mount, or you can use an adapter like the S2 to move up to the Bowens standard.
In real world use I found the light a joy to use. The power output was consistent and predictable, giving me highly repeatable results.
The menu system on the triggers and the flash unit itself are reasonably intuitive, though if you are a flash novice it will take some time to figure everything out (though I’m afraid that’s true for any flash system I’ve ever used).
Bottom line is that the AD300 Pro is like other Godox flash units that I’ve used – it delivers great results at a reasonable price point…though in this case that price still isn’t cheap. The AD300 Pro will set you back about $500 USD…but it’s most natural competitor in terms of specs – the Profoto B10 – runs more like $1700 USD! It’s all relative!
If you would like the full review, watch this video here:
Purchasing your gear through B&H and these links helps fund this website and keeps the articles coming. You can also make a donation here if you would like. Visit my Amazon page for some of my gear of choice! Thank you for your support.
Great News! I can now offer a 5% discount on all purchases at Amplis Foto, Canada’s Leading Photographic Supplier. Please enter discount code: AMPLIS52018DA in your cart. It is good for everything in your cart, and is stackable with other coupons, too! It will take 5% off your entire order! Proceeds go towards keeping this site going and providing you with new reviews!
Keywords: Godox, Godox AD300 Pro, AD300, Pro, Godox, Godox AD300 Review, Flash, Camera Flash, Dustin Abbott, Photography, HSS, Wireless, Godox X, X-Pro, X-ProS, X2T, Canon, Sony, Portrait, Sample Images, Godox AD 300 Review, Strobing, Video Test
DISCLAIMER: This article and description contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission. As an Amazon Associate I earn from qualifying purchases.
Godox has developed a strong following for their lighting products due to a winning combination of good engineering, reliable performance, and reasonable pricing. That trend continues to the Godox AD200 Pro Flash unit. While Godox styles this a “pocket flash”, that is only relative to the larger flash heads (AD400/600) in their lineups that are larger (and squarer). Let’s just say one’s pocket would be quite full with this flash, but, more importantly, the unit is definitely compact and portable. It comes in a very nice carrying case with some accessories and provides a lot of versatility.
If you would like the full review, watch this video here:
The AD series is not to be confused with a traditional speedlite unit that can be mounted on a camera hotshoe. It has no hotshoe connection, so must be controlled either via sync cable (3.5mm or USB wireless control port) or (better option) Godox’s 2.4ghz Wireless-X system. This comes either through a master flash unit (like the V1 unit I recently reviewed) or via a wireless flash trigger (I use the X-Pro).
The AD200 Pro comes with a couple of different heads (a traditional Fresnel along with a bare bulb option), though you can also use a round head (H200R) or LED Light Head (AD-L). The latter two are sold separately. The round head gives you a softer light spread than the traditional Fresnel, and the LED head is actually a way to get fixed lighting from the AD200 units, though the actual amount of light produced from 60 LEDs (3.6W) isn’t very impressive. The AD200 Pro produces 200WS of light using the included heads, which rates to a guide number of 52m (Fresnel) or 60m (Bare bulb). Here are the specs for the unit:
The bare bulb option is most useful for when one wants a big, softer spread of light that is less focused than with the Fresnel head. While the total light output is greater with the bare bulb, the light is also less focused, so in a shot with a single subject like this the same settings produce a dimmer image (at least for a big environmental portrait like this).
If I raise the ambient light in the same shot, however, you’ll find that the bare bulb result is more natural (less “strobed”).
And that’s kind of the point of the bare bulb approach. It allows you to light a group or environment with light that seems more natural and less artificial. It’s great that you have the option to use both with the AD200 Pro. It’s easy to change the heads:
The LCD screen and controls on the back of the unit are logical and fairly easy to use (though a quick scan through the manual never hurts).
Power comes from a 2900mAh Lithium battery pack (included along with a charger). It’s good for over 500 full power flashes, so for most shoots you’ll have no issue with running out of power. I also like the ability to have a confirmation beep (or not). Refresh cycles are between 0.01-1.8s, depending on intensity.
Another nice aspect of the AD200 Pro is a very nice flash holder. It’s solidly made of metals, and allows you to tilt the flash in a variety of positions. You can easily mount it to the flash unit on two different sides so that the AD200 can be setup in either a horizontal or vertical position. There’s a nicely designed locking knob that’s easy (and quick) to connect/disconnect. The flash holder also has a port to attach an umbrella or soft box.
I like using an umbrella with the AD200 to give a nice, soft light spread. Using an umbrella with the bare bulb will give a very soft and natural light pattern.
Shooting with the AD200 Pro
At the end of the day, however, it’s about the light…and the AD200 Pro gives you plenty to play with. There’s plenty of power on tap here to overpower the sun (my subject is strongly backlit by the sun in this shot).
The setup and the end result:
Hiding the AD200 Pro in bare bulb mode (the light is hidden behind the large boulder) allowed me to create a little drama in the shadowy basin near these rapids.
The setup and the end result:
Switching to the Fresnel head provides more intense, focused light, which I’ve used to pull down the amount of ambient light in the scene and allow the subject to be strobed in a more dramatic (but visually appealing) style.
I found the AD200 Pro worked seamlessly with my X-ProS control unit, allowing me to make easy changes on the fly. The working range is 100 meters (over 300 feet), which is more than plenty for most of us. I was roughly 50 feet away when shooting this shot:
I got good results whether shooting tighter headshots and just adding a bit of fill:
…to really ramping up the power to help overpower the sun:
You can do strobing (up to 90 times @99hz), HSS up to 1/8000th, and both front and rear curtain sync. There’s a lot of ways to play with the light, and the combination of power, portability, and not having to deal with a separate power pack makes these a nice location light.
So what’s changed from the Godox AD200 to the AD200 Pro? I haven’t used the original AD200, so I’m relying on what I can glean from the spec list, but here’s what I’ve spotted:
Improved flash holder
Slightly improved refresh cycles (upper limit is 1.8 vs 2.1s)
9 stop (1/256th to 1/1) output control vs 8 stop (1/128th to 1/1)
Slightly expanded flash duration options (up to 1/15380s vs 1/13000)
Compatible with more TTL systems (Canon, Nikon, Sony, Fujifilm, Pentax, and Panasonic vs Canon, Nikon, and Sony)
The tradeoff is a very slightly larger and heavier unit: 172x54x75mm (590g) vs 168x50x75mm (560g). The price is also about $50 higher, but that could be market forces due to the AD200 Pro being newer.
All in all, this is a very versatile, powerful flash unit at a reasonable price (around $349 USD). If you want an on-camera flash unit, I recommend the Godox V1 (which I love), but the AD200 Pro is a great option for either studio or environmental portraiture.
Purchasing your gear through B&H and these links helps fund this website and keeps the articles coming. You can also make a donation here if you would like. Visit my Amazon page for some of my gear of choice! Thank you for your support.
Great News! I can now offer a 5% discount on all purchases at Amplis Foto, Canada’s Leading Photographic Supplier. Please enter discount code: AMPLIS52018DA in your cart. It is good for everything in your cart, and is stackable with other coupons, too! It will take 5% off your entire order! Proceeds go towards keeping this site going and providing you with new reviews!
Keywords: Godox, Godox AD200 Pro, AD200, Pro, Godox, Godox AD200 Review, Flash, Camera Flash, Dustin Abbott, Photography, HSS, Wireless, Godox X, X-Pro, X-ProS, Sony, Portrait, Sample Images, Godox AD 200 Review, Strobing, Video Test
DISCLAIMER: This article and description contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission. As an Amazon Associate I earn from qualifying purchases.
The Godox V1 is a unique take on the portable flash design. Instead of the traditional rectangular flash head, it has a round head that produces a softer light spread and more pleasing light pattern than competing flashes. Here’s how Godox illustrates it:
Does this bear out in real life? The short answer is yes…though with some limitations. I’ve been primarily shooting Canon in the past and now shoot a hybrid kit that features Sony, Canon, and Fuji bodies, though my primary tools are Sony. The one area that I hadn’t transitioned was in my portable flash units. I’ve been using Metz 64 AF-1 units for their extreme power output and also their ability to match zoom up to 200mm. But there’s no question that the light spread, the resulting color temperature, and even the TTL function was superior with the Godox V1 unit I used for a comparison:
I used identical settings (shutters speed, ISO), and an 85mm F1.8 lens on both, though I allowed the cameras (Canon 5D Mark IV for the Metz; Sony a7RIII for the Godox) to utilize their TTL function. Clearly the Godox delivered the far more nuanced lighting. One has to remember, however, that this is still a very small light source putting out a lot of power (78Ws), so there is a limit to how soft such light will be without modification.
My favorite thing about the Godox V1, however, is a Godox trait in that it utilizes Godox’ Wireless X system, meaning that wireless capability is baked into the flash unit itself. I’ve used flash triggers and receivers for years, and being able to ditch some of those components really simplifies the workflow. The Godox V1 can either be used as a command unit to control a variety of other light products:
It can also be controlled as a wireless slave unit from a command unit on camera like the Godox X-Pro. This allows one to control multiple light units in a variety of ways and to get far more pleasing lighting results (and also total control over the direction and intensity of the light).
The Godox V1 is compatible with the AK-R1 accessory kit, which gives you a lot of options for shaping and coloring the light:
Godox V1 Observations
I recommend that you watch this video for my full review, as this text companion piece is more of a mini-review and image gallery. The video will give you all the details and demonstrate the capabilities of the flash unit:
One other advantage of the Godox V1 that I do want to highlight is its ability to position the flash head in a broader range of positions than competing units. You can go from a -7 degree position to a 120 degrees, which definitely exceed the typical 0-90 degree range:
Here are a few images of the flash unit itself, showing off the round head, the built-in modeling light (which can be controlled off camera as well), and (thankfully!) a nice locking mechanism instead of a tightening dial!
Two others areas are worth highlighting. The Godox V1 utilizes a proprietary lithium ion battery pack. The pros of this include that the battery pack delivers 480 full power shots per charge, and, in my experience, delivers very stable power delivery. I’ve had at times inconsistent performance from my flashes utilizing AA batteries, but this battery pack seems more predictable in its run-time and power delivery. The downside is that if you are doing an intensive shoot (a wedding, for example), you might need a battery replacement. It’s not so simple as just feeding in more AAs; you are going to need a second power pack, and that will run you about $60. Good news is that the tiny charging cradle is USB-C powered, which means you could charge it off a portable power-bank on the fly if needed.
The Godox V1 is also firmware upgradable, so that helps to avert any “buggy” behavior and/or deal with any system changes.
Here are some examples of using the flash on camera for portraits:
The Godox V1 obviously gives you a lot of bounce angles, and if you are using the flash on camera and have something to bounce off of (above or even behind, now), this is a great approach:
I included a few shots where I was lighting a mantle that a friend built for us. I wanted to highlight the rich color and the grain, and the V1 did a great job of providing the light I needed without blowing out the subject.
Getting the flash off the camera gives you all kinds of options for lighting a scene. Here’s a series where I used rim lighting, backlighting, remote bounce, and even a bit of mixed lighting with another light source at low power to give subtle variations on the scene:
One final mix that I love is the getting the flash off camera (on a stand), and then using one of my favorite light modifiers – the Lite Genius Super Scoop 3 – to help spread the light for a nice, natural group lighting that mixes well with the ambient light. I reviewed the Super Scoop here. Here’s a few of my and my family from Father’s Day.
The Godox V1 is available for Canon | Nikon | Sony (as tested here) | Fuji | and Olympus at a reasonable price point of $259 USD. That undercuts most competitors by a fair bit while adding more functionality. I’m really enjoying using the Godox V1S (the first Godox product I’ve used) along with the X-Pro control unit, and it will probably become a mainstay in my own personal workflow. I’m already considering letting those Metz 64 AF-1 units go…
You can purchase the X-Pro Control Unit for around $70 for Sony | Canon | Nikon | or Fuji
Purchasing your gear through B&H and these links helps fund this website and keeps the articles coming. You can also make a donation here if you would like. Visit my Amazon page for some of my gear of choice! Thank you for your support.
Great News! I can now offer a 5% discount on all purchases at Amplis Foto, Canada’s Leading Photographic Supplier. Please enter discount code: AMPLIS52018DA in your cart. It is good for everything in your cart, and is stackable with other coupons, too! It will take 5% off your entire order! Proceeds go towards keeping this site going and providing you with new reviews!
DISCLAIMER: This article and description contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission. As an Amazon Associate I earn from qualifying purchases.
August EP750 Active Noise Cancelling Bluetooth Headphones Review
Dustin Abbott
May 29th, 2017
Putting on a good pair of headphones is a revelation for a music lover. The degree of sonic immersion possible allows music to come alive in a way like nothing short of a very high end audiophile system. The EP750 are the third set of headphones that I’ve reviewed from the audio company August, and I’ve consistently been impressed by the build and audio quality from their products (I’ve also reviewed several of their Bluetooth speakers). I’ve personally used some of their headphones for several years and have also gifted a few pair to music-loving relatives. Everyone has been very positive about the great sound quality and well-executed design. When August contacted me about reviewing their new flagship Bluetooth headphones (the first to contain an active noise cancellation circuit) I happily agreed despite an incredibly busy schedule. I has taken me a while to find the time to complete and publish the review, but that extra time has given me more time to actually use the EP750 and form my conclusions.
More of a visual person? You can watch my full video review here:
EP750 Design and Features
There are certain expectations that come with being the flagship of the line, and the EP750 deliver a more robust feature set than what I’ve ever seen in a set of August headphones. These include:
Active background noise reduction (noise cancellation)
The ability to share the audio source with another headset (via the 3.5mm audio jack).
The ability to act as a wireless audio receiver (more on this in a moment)
NFC Support (Near Field Communications)
Integrated Microphone (hands-free calling)
Multipoint technology (you can connect to two devices at once).
Longer battery life than other models (about 15 hours).
aptX technology for lag-free video usage
Includes Airplane headphone socket adapter and premium cables along with a custom carrying case
I’ve always been impressed by the fit and finish of the August headphones I’ve used, but the packaging is definitely a cut above here and definitely helps this feel like a premium headset.
While the EP750 headphones represent the culmination of August’s feature set and design in a premium set of headphones, the killer feature here in the inclusion of Active Noise Cancellation. This is feature normally only featured in much more expensive headphones like those from Bose and are frequently marketed to serious travellers. If you listen to headphones in a relatively quiet environment most of the time, this may be an unnecessary feature for you. But if you frequently listen in noisy environments (commuting, air travel, etc…) this is an incredibly important feature.
Most headphones will block out a lot of external sounds if they are turned up loud enough, but the difference in headphones with Active Noise Cancellation (ANC) is that they will filter out a lot of environmental noises even with the volume set much lower. Active Noise cancellation works best at blocking out droning, consistent tones (airplane engine, background chatter, etc…) I serve as the dean of a small local leadership training center, and, as a part of that, I’m often in the classroom working in the back of the room while an instructor is teaching. I will often use headphones in that setting if I’m trying to focus on something else. I could notice a major difference with the ANC turned on. The sound of the instructor’s voice and the background noise of the classroom largely disappeared even at a relatively low volume level. This becomes a big deal if you are looking to eliminate distracting noises but don’t want to blast your eardrums to do it. The specs claim a noise reduction level of -18DB; certainly useful! I wrote most of this review in just that kind of setting.
A nice, tight seal on the headphones results in almost zero noise “leakage” even with them turned up loud. I both listened with the headphones on others and also had them listen carefully with the headphones on me. Even in a relatively quiet room (and looking for it) there is almost no detectable sound escaping.
The inclusion of the airplane headphone jack adapter along with the ability to share the audio signal with another headset further cements the EP750 as a serious option for the frequent flyer. The strong battery life (up to 15 hours) helps bolster these credentials, as does the ability to use the headphones passively once the battery is dead via the 3.5mm input.
That 3.5mm jack has developed further functionality as it now has the ability to transmit as well as receive. You can not only receive a signal from a non-Bluetooth audio source but can also output the signal you receive via Bluetooth to either a second headset (sharing) or even to a audio-in source (like a receiver). It’s an interesting application (within a limited scope) but adds to the versatility of the EP750.
I noted that both the included carry case along with even the packaged cables are a cut above what I typically see. The included micro-USB charge cable in particular stands out as the nicest I’ve seen included with, well, just about anything. It looks like something built by Monster Cable that Best Buy or a similar electronics retailer would sell for $20+.
One of the key things I look for when reviewing Bluetooth headphones is audio lag when watching video. This unfortunate (and fairly common) weakness of Bluetooth headphones will bother most people, and some severely. There can be a latency lag between the movement of the lips on the video and the sound reaching the ears. Fortunately there is no perceptible lag with the aptX-equipped EP750, and the sound is nicely synced with the video source.
The EP750 contain the now-standard suite of features like NFC (just tap them on NFC-supporting Android devices for instant pairing). My media devices are Apple products, so NFC doesn’t apply to me. I found both initial and subsequent Bluetooth pairings to be a breeze, however, and the EP750 connects extremely quickly.
The controls on the EP750 are very simple…and all located on the right headphone. There is a single button higher up the headphone that serves as the Power/Play/Pause/Answer button, and beneath it there is a small gap with a status LED. Further down are the Volume Up/Next Track button and the Volume Down/Previous track button. On the opposite side of the right headphone (facing front) is the Active Noise Cancellation switch along with a separate status LED.
It is important to note that the ANC works independent of the main power switch, so it is both possible to use ANC with the headphones off (it still makes a notable difference in the sound of background noise even with no audio source on) but also for ANC to continue to drain the battery even if the headphones are turned off. If you leave ANC running it will eventually drain the battery even if the headphones themselves are powered off, which is one of the very few points of contention that I have with the EP750. Battery life with ANC off is 15 hours, or 14 hours with it on. Recharging the battery takes 3 hours and results in a 540 hour standby time; no need to turn them off every time you get up to go do something else for a few minutes!
The built-in microphone for hand’s free calling works fine, though frankly there is a limit to how fantastic a microphone that boils down to a tiny slit on the side of a headphone can be. I’ve never heard anyone complain about the audio quality of my voice when using it for calls, so that’s really about all one can ask for. Using something like these headphones for hands-free calling can be a little disconcerting because of how much your own voice is blocked by the headphones.
EP750 Build Quality
The EP750 feel like a premium set of headphones. Not so much in having some exotic material like wood or titanium, but in the quality of the materials. Some headphones feel “plasticky”; these don’t! The band is essentially made of two materials. The first, along the top, is a similar leatherette material to the earcups. It is lightly padded on the topside and thickly padded on the inside. The earcups are also thickly padded, and the combination is very comfortable even over extended listening periods.
The lower section of the headband looks like a brushed aluminum, though I’m not entirely sure of the material. There is a metal band running internally (you can see it when extending the band for adjustment) that helps reinforce everything. The adjustment range on each side is just a little over an inch (right under 3 cm), which should allow you to find a comfortable position for your head size.
The hinged portion (they can be folded in for more compact storage) has real screws to hold things together, and after months of use everything still feels sturdy. I like the touch a strip of chrome around each earcup.
At 235g they are not exceptionally light, but neither do they feel heavy on your head, either. The EP750 feel comfortable and well-made; not much to complain about here. The fit and finish is excellent, and nothing feels “cheap” about them.
EP750 Sound Quality
This has been and continues to be an area of strength for August headphones. They know how to produce great sound. The basic specs are:
Frequency Response: 20Hz-20KHz
Speaker Output: 20mW
SNR: ≥85dB
Distortion: ≤1.0%
That says little, however, as these are fairly common specs. You have to put on the headphones to appreciate them. My pair arrived at the end of February this year, and so I had to let them play for a while to break them in (Canada’s February cold doesn’t do sound quality much good). Once they were broken in, however, the sound has been a delight. There’s great bass response, but it is balanced and nuanced, not boomy or overwhelming. Instrument placement and vocals are excellent, and the little details of music that you so often miss in inferior listening environments are easy to hear. The key word here is balanced; the headphones work well with a wide variety of audio genres. The active noise cancellation also helps in that you can hear fine detail even without resorting to high volume levels if your listening environment is less than ideal. Turning them up results in more sound, not more distortion.
Normal listening levels have the volume at under 50%, with very loud levels achieved by 75% on my iPhone 6s or iPad Pro 9.7”.
Watching movies over the headphones is an equally positive experience, as the aptX codec helps eliminate any kind of video delay (sync issue) and results in a nicely synced audio/video experience. The nuanced sound also serves well with movie soundtracks, allowing sound to be nicely placed and things like explosions to be big and powerful without distorting.
Bottom line is that the EP750 have become my go-to headphones and I feel like you would have to spend a LOT more money to get superior sound quality.
In Conclusion
I’ve found little to complain about during the past several months that I’ve spent with the August EP750. They are feature-rich in the right kind of way (nothing gimmicky), and the Active Noise Cancellation works well and is a real difference maker.
It needs to be, as the EP750 currently retails for more than twice as much as the also-excellent (but not active cancelling) EP650, which can be had for $50. The EP750 retail for right under $110, which is a new price point high for August headphones, but is actually no more than mid-pack in terms of price for Active Noise Cancelling Bluetooth headphones. The premium brands like Bose will set you back three times as much. And frankly these headphones feel pretty premium themselves, so I think this is a fair price point for the EP750. This feels like a very complete package and a far cry from many of the “cheap” alternatives you can find on Amazon.
These are very new coming to the market right now, and as of the time of this review are only available in Black and in limited quantities, so if you catch them in stock and are in the market…
Keywords: August EP750, August, EP750, Noise Cancelling Headphones, EP750 Review, August EP750 Review, Dustin Abbott, Bluetooth, Sharepoint, Sharing, ANC, Active Noise Cancelling, Noise Cancellation, Wireless, NFC, Travel, Airline, Bus, Train, Audio Review, Hands On, Long Term, How To
DISCLAIMER: This article and description contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission. As an Amazon Associate I earn from qualifying purchases.
As a tech reviewer I have amassed a fairly extensive collection of headphones. I only have two ears, but I have a few dozen sets of headphones! Every set of headphones has its own personality. It’s amazing how different a piece of music sounds when you cycle from one set of headphones to another! Some have a more “analog” sound in that they have a bit of a warmer, more “vinyl” quality, while others are more digital (bright and crisp). Some are muddy, and vocals get buried in bass that is too aggressive. But here’s the thing: look at the user reviews of any set of headphones and you will get some saying, “Too much bass” while others say, “Not enough bass”. Everyone has unique tastes in sound just like anything else. That being said, I suspect the August EP650 have the kind of sound that should make a lot of users very happy.
Prefer to Watch your Review? Here’s a video review of the EP650 for you!
Rather read instead? Read on…
Some headphones grab your attention at first depending on the piece of music that you start with, but later fall apart with a different style of music. If you only listen to one very specific genre of music your job of finding a set of headphones you really like is a little easier. Want lots of bass? There’s a lot of shoppers like you. But if you, like me, enjoy a broad range of musical genres the task of finding the right set of headphones is little more daunting. It can be challenging to find a set of headphones that handles very different music styles equally well. The August EP650 headphones didn’t blow me away the moment I put them on, but rather grew on me as I listened more and more due to having a nicely balanced sound profile that is highly flexible.
Before I became a gear reviewer I used to lament the fact that it was very hard to choose a set of headphones because in the days of Amazon it is not a matter of getting a chance to actually listen to headphones and determine if you actually liked their sound profile. It seems like Bose is the only manufacturer that still has a lot of listening stations (listening to a bunch of headphones at Bose kiosks at airports is a traveling highlight for me.) I will do my best to try to verbalize my perceptions of the sound profile of the EP650 in this review.
It is also hard these days to choose a set of headphones based on a feature set. Every set of headphones has marketing that touts its unique features. I think it is important to actually think about what is most important to you. Too often we buy based on a spec list without actually considering if certain specs that something is the “best at” actually matter to us. Case in point: NFC (Near Field Communications) “tap to connect” is a cool feature, but I use an iPhone, and NFC is an Android technology. Not a big deal for me, but important if you are an Android user. Bear this in mind as we examine the feature high points of the EP650.
EP650 Features and Specifications
Bluetooth Features: the EP650 have a fairly typical range of Bluetooth features, including the NFC “tap to connect” feature mentioned before. The range of the headphones is solid. I was able to stray quite far from my Bluetooth source without any cutout, including moving beyond an interior wall that is solid block and used to be an exterior wall (a pretty typical signal killer). I’ve found that over-the-ear Bluetooth headphones like these tend to perform better in this metric anyway, as they have much more real estate than Bluetooth buds for optimal placement of the signal receiver. I was easily able to go downstairs from my source without having signal cutout. The specs say “up to 10 meters”, but in the real world there are a lot of factors that influence this. In many cases you will be able to easily exceed this.
The EP650 also have “Multi-Point technology”, which allow them to be connected to two devices (tablet + phone, for example). This allows you to use something other than your phone as a media source but not have to worry about missing a phone call. Multi-point has both good and bad aspects, as sometimes you may not realize that you are connected to both and can start media playing on the “wrong” device. I will sometimes disconnect from a source I don’t want or need in this kind of situation.
As hinted at in the previous paragraph, the EP650 (like most Bluetooth headphones) have an integrated microphone and the ability to serve as a hand’s free device for calls. I’ll admit that this is not something I frequently use myself, as I drive a modern vehicle that has a full range of Bluetooth connectivity itself, and, when at home, still prefer using a landline to my cell (the metal roof on my house isn’t kind to cell signal sometimes!) Still, it is a nice feature to have, and this may be far more important to you than me. Voice quality through the built in mic is fine – when I used it for conversations no one ever asked if I was using anything but the phone itself. Press the play/pause button to answer a call or to disconnect. Holding the same button for two seconds will reject an incoming call. You can also double press the button during a call to transfer to or from the headphones to your phone.
If your media device is A2DP compatible (most all modern ones are), you will be able to control the media device in the typical ways (Play/Pause, Previous/Next Track, Volume Up/Down). I do note, however, like other recent headphones I’ve reviewed, that the EP650 don’t seem to control the volume of the device directly. If the volume is set very low on your device, you will only be able to boost it so much; you will hear the beep which indicates max volume without the headphones being overly loud. I find that it is typically better to turn the volume higher on your playback device (1/2 to ¾ is a good range) which will give you a big range to play with on the headphones themselves.
The EP650 have the Bluetooth version 4.1 standard and, importantly, employ the aptX codec for both improved sound quality but also to eliminate the slight lag issue that plagues some Bluetooth headphones. Headphones that lack this (or some similar technology) aren’t nearly as good for video playback as there can be a sync issue between what you see on the screen and what you hear. It’s annoying, but fortunately the EP650 has no issue with lag at all. I carefully watched close-up video and found that the sync between the moving of mouths and the sound was perfect.
I’m always happy to see a standard micro-USB port on the EP650. This has become the standard for most small rechargeable devices from flashlights to eReaders to headphones to Android phones and devices and thousands of other devices. It means that when you travel you don’t have to worry about packing a unique proprietary recharge cord, but could perhaps utilize the charge cord for your phone or at least have one cord that can service a number of devices. I’m extremely disappointed to see anything but micro-USB on small devices. A charge cord with micro-USB on one end and a standard USB 2.0 end on the other is included. This can be plugged into any USB port for charging, but (as is pretty much standard these days) an AC adapter is not included. A glance in the included print manual does raise an interesting second use for the USB port. If you connect your EP650 headphones via USB to a computer it will enable them to be an “audio out” device for the computer while simultaneously charging.
In a similar vein the EP650 have a standard 3.5mm audio in jack on the left side. I’m always happy to see this, as it means the headphones are “backwards compatible” with non-Bluetooth audio sources and also means that you can continue to use the headphones even if the battery is dead…provided you have a 3.5mm patch cord along (one is included in the package). The included patch cord is about 3 ½ feet long (right over a meter).
There is an LED light that surrounds the Play/Pause button that communicates status. It will flash blue when connected successfully, and will periodically flash blue when in standby mode. When the battery is low, this light will turn to red. When charging, it will be a constant red and will turn to a solid blue when fully charged.
The EP650 headphones will charge in about two hours, and the run time is over 10 hours. I’ve seen better battery life than this, but at the same time it feels like (in my use) that I hardly ever have to charge them. Standby time is a very impressive 30 days. The 220mAh battery is nicely efficient.
The EP650 do not have active sound cancellation, but they do perform pretty well. Even at higher listening levels there is very little “noise bleed” from the headphones. You won’t have to worry about bothering others. Likewise the sound isolation in most settings is fairly complete, though I don’t find headphones like this are as good for doing something like mowing the lawn as a good set of earbuds.
Overall the EP650 check most of the boxes on the desired spec list for me.
Ergonomics
The EP650 are immediately comfortable when you put them on. There is nice amount of padding along the headband. There is roughly an inch of adjustment travel in the headband (about typical), and there is a nice ratcheting effect with seven “clicks” or positions as they extend out. I was happy to see a metal internal band as this extends which I presume runs the length of the headband to reinforce it. There are also some visible metal components at the hinges. The arms can fold in for storage (always welcome), though no storage bag or pouch is included.
The headphones are fairly light (211g on my scale), and the nice padding means that I don’t really notice them on my head.
The ear cups themselves are the standard “leatherette” type material and are nicely padded. They fit comfortably on my ears even for prolonged listening periods. The earcups will rotate about 50 degrees to enable a more custom fit.
The physical controls are all on the right side. There is a large, nicely contoured Play/Pause button that is easy to find by touch. That button is framed all around by a top rocker button that serves as a volume button and a bottom switch that serves for track forward or backward. Everything works pretty much as it should, though I wouldn’t mind a little nub on the rocker switches to allow you to more easily find them by feel. As it stands, it is easiest to find the Play/Pause button and orient yourself from there.
Sound Quality
The EP650, like most headphones, have a frequency response between 20Hz-20,000kHz, but that doesn’t tell much of the story. It’s what headphone do with that frequency range that sets them apart. The large 50mm drivers in the headphones in the EP650 deliver.
I would call the sound profile a little more “analog”, as neither the low end nor the highs are overly boosted. Treble doesn’t tinkle like glass in your ears with extreme brightness, though high points are nicely defined. Bass is solid and deep, but not overwhelming. Overall nothing sounds artificially boosted. Listening to music with a heavy techno beat? Bass will be big and fat, as it should be. Listening to something more heavily layered where the bass isn’t supposed to dominate? The low end won’t get muddy. Stereo separation is nicely defined. Highs are pure, though I wouldn’t mind a bit more brilliance in the upper register. The strength in my mind of these headphones is their versatility. They sound good no matter what type of music I try.
I gave my brother-in-law, a music lover, a pair of the EP650’s for Christmas. He told me a day or two later that when listening to familiar music he heard instruments that he had never known were there. Such is the power of a good pair of headphones.
Sound quality is also excellent when watching video content. Sound effects are clear and balanced and are nicely directional. The overall sound stage is lively and engaging, and, as previously mentioned, there is no sync issue.
User reviews reveal a lot of people that are very pleased with the sound quality from the EP650. They handle a lot of different musical styles with aplomb, and I’ve not yet had a moment where I was playing a certain piece of music and felt the headphones weren’t up to the task.
Price and Conclusions
Here in Canada the EP650 retail for $64.95 CDN and come in Black, Blue, Gold, Silver, Red, and White. I’m personally very partial to the Red finish. They have a satin finish and a deep color that I think looks great. The very “Apple” looking “Silver” is also a great choice. On Amazon.com (US), the price is $52.95 USD, while in the UK (the home country for August International), they list for £42.45. There are cheaper headphones, and there are obviously many much more expensive options. The EP650 hit a happy medium for many users, however, offering up a very nice quality set of headphones at a reasonable price. There are over 2000 individual user ratings that add up to a 4.5 out of 5 star rating – pretty nice!
As I said at the beginning of this review, I have a lot of headphones to choose from, but I find myself reaching most often for the EP650 when I want an over-the-ear headphone. That balanced sound and the comfortable fit has won me over. I’ve been pretty happy with pretty much everything I’ve reviewed from August, and these headphones are no exception. This is a company that is building a reputation on making great sounding audio devices at very reasonable prices, and the August EP650 Bluetooth headphones are great ambassadors for that mission.
DISCLAIMER: This article and description contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission. As an Amazon Associate I earn from qualifying purchases.