The Sony FE 100-400mm F4.5-5.6 G Master OSS is an indispensable lens if you need versatile reach for sports or wildlife photography. Other telephoto lenses that reach beyond 400mm grow exponentially, leaving the 100-400mm to often being the smallest, lightest,…
The Sony FE 100-400mm F4.5-5.6 G Master OSS is an indispensable len if you need versatile reach for sports or wildlife photography. Other telephoto lenses that reach beyond 400mm grow exponentially, leaving the 100-400mm to often being the smallest, lightest,…
The Tamron 70-180mm F2.8 VXD is one of the most highly anticipated lenses of 2020…and that became clear from the moment that it was announced. Tamron has taken a different approach to its fast zooms on Sony. Sony’s own zooms…
In late March, Samyang contacted me to see if I wanted to look at a new lens. I agreed, but they didn’t specify what the lens was. I didn’t know until it arrived, but was very interested to discover a…
Years ago I reviewed the unique Zeiss Planar 50mm F1.4 for Canon EF. I call it unique, in that, contrary to expectations for Zeiss glass, it isn’t actually particularly sharp wide open. “Dreamy” is the euphemistic term. Yet it produces…
The Sony FE 135mm F1.8 G Master lens is one of the best lenses I’ve used. Full stop. Stop and think about that for a moment, because after spending time with hundreds of lenses, that amazes me. It also passes…
The Sony FE 135mm F1.8 G Master lens is one of the best lenses I’ve used. Full stop. It also passes the 24mm F1.4 GM as my favorite of the current crop of G Master lenses. If I could choose…
The Tamron 70-180mm F2.8 VXD is one of the most highly anticipated lenses of 2020. It is a fast, reasonably compact F2.8 telephoto zoom for Sony full frame mirrorless, and provides an alternative to either of the Sony 70-200mm zooms. …
Many of the new RF-mount lenses have been ultimate performers with big price tags, but fortunately there are a few “everyman” lenses on the platform, too. One of those is arguably the most practical: the Canon RF 24-240mm F4-6.3 IS…
Years ago I reviewed the unique Zeiss Planar 50mm F1.4 for Canon EF. I call it unique, in that, contrary to expectations for Zeiss glass, it isn’t actually particularly sharp wide open. “Dreamy” is the euphemistic term. Yet it produces…
I’ve owned the outstanding Voigtländer APO-Lanthar 65mm F2 Macro for several years now, and was intrigued with Voigtländer announced the Voigtländer APO-Lanthar 110mm F2.5 Macro lens. My access to Voigtländer lenses in Canada is limited, so I jumped on a…
Many of the new RF-mount lenses have been ultimate performers with big price tags, but fortunately there are a few “everyman” lenses on the platform, too. One of those is arguably the most practical: the Canon RF 24-240mm F4-6.3 IS…
I’ve owned the outstanding Voigtländer APO-Lanthar 65mm F2 Macro for several years now, and was intrigued with Voigtländer announced the Voigtländer APO-Lanthar 110mm F2.5 Macro lens. My access to Voigtländer lenses in Canada is limited, so I jumped on a…
Here’s an updated long term review on what I call the “best lens that no one is using”. The Zeiss Milvus 135mm F2 APO Sonnar is one of the best optical instruments in the world, but it is in few…
I recently began a series of long term reviews to explore the lenses that have lasted in my personal kit and continue to be favorites. One of the top lenses that I continue to feel is special is the Canon…