I cannot tell you how many times I’ve heard people request high performing telephoto prime lenses with smaller maximum apertures, smaller size, and smaller prices. Traditionally there has been a huge gap between telephoto zooms (typically costing $1000-3000) and the…
The Bluetti Elite 100 Mini blends deep storage capacity (1004.8Wh) with a reasonable inverter (700W) in a unique, upright footprint that is 15% smaller and 7% lighter than Elite 100 V2. The Elite 100 V2 shares the storage capacity but…
Sigma’s newest lens reminds me of a lot of classic lenses from “back in the day”. No frills, but an exceptionally useful zoom range, useful maximum aperture, and a compact body that is easy to take everywhere. Fujifilm shooters have…
Sony’s E-mount launched in 2010 for APS-C NEX cameras, and then expanded to support the a7 and a7R full frame cameras in 2013, and since that point, many armchair professionals on message boards and YouTube have pontificated on its limitations. …
I did a review of the 7Artisans AF 135mm F1.8 just a few months ago. Little did I know at the time that it was the first of a new series of lenses that 7Artisans calls their MAX series. The…
I’ve spent years reviewing camera gear, lenses, and accessories, but travel itself is a constant companion in this work. Long flights, multiple connections, and the inevitable luggage carousel scramble mean that the suitcase you choose matters almost as much as…
Thypoch has been one of the more intriguing new lens makers out of China in large part because of their unconventional approach. Viltrox has muscled onto the scene by sheer force of wills, standing up to the big brands and…
Tamron has proven to be the zoom king in the mirrorless era, releasing a number of popular and commercially successful zoom lenses for a variety of camera makes. They have released relatively few prime lenses (mostly leaving that space to…
I’ve noted over the years that Nikon’s marketing strategy at the typical prime focal lengths (35mm, 50mm, and 85mm) is a bit unconventional. In the past the usual strategy was entry level (F1.8), mid-tier (F1.4), and premium (F1.2) options. But…
Until this point, the Viltrox EVO series has been fairly predictable. The series has been a winning combination of compact size, rich features, excellent optics, and a reasonable price. Across the three full frame (35mm, 55mm, and 85mm) lenses and…
Before I shot DSLRs, and then mirrorless, there were ‘bridge’ cameras. I used multiple bridge cameras because of the great appeal of having better image quality than a ‘point-and-shoot’ camera (and more telephoto reach) while not having to deal with…
Just a couple of years the number of native 135mm lenses on Sony E, Nikon Z, and L-mount could be counted on one hand, but first Samyang (my review here), then Viltrox (my review here), and with a big splash,…
The Sony a7RV was already one of the most complete high-resolution cameras on the market when it launched. It took the excellent 61MP sensor and refined nearly everything else—ergonomics, AF, video, buffer depth, and flexibility with MRAW options—into a truly…
The Viltrox EVO series has hit the sweet spot for a lot of people. First came the 85mm F2, then the 35mm and 55mm F1.8 full frame options, each of which has proven to be both critical and commercial successes.…
The Viltrox EVO series has hit the sweet spot for a lot of people. First came the 85mm F2, then the 35mm and 55mm F1.8 full frame options, each of which has proven to be both critical and commercial successes.…