I’ve owned the outstanding Voigtländer APO-Lanthar 65mm F2 Macro for several years now, and was intrigued with Voigtländer announced the Voigtländer APO-Lanthar 110mm F2.5 Macro lens. My access to Voigtländer lenses in Canada is limited, so I jumped on a…
Here’s an updated long term review on what I call the “best lens that no one is using”. The Zeiss Milvus 135mm F2 APO Sonnar is one of the best optical instruments in the world, but it is in few…
I recently began a series of long term reviews to explore the lenses that have lasted in my personal kit and continue to be favorites. One of the top lenses that I continue to feel is special is the Canon…
Here’s a bit of irony: the lens that has stayed in my kit the longest (nearly 10 years) is one that I’ve never reviewed…for the simple reason that it was already an old friend by the time I started doing…
I have gotten a LOT of requests to cover the Sony FE 24mm F1.4 G Master lens since its release, though it took me a while to get to it. The idea of having a premium wide aperture of F1.4…
I’ve been getting a LOT of requests to cover the Sony FE 24mm F1.4 G Master lens since its release. The idea of having a premium wide aperture of F1.4 in a wide focal length (24mm) in a reasonably compact…
I’ve been interacting with Pergear for a couple of years now as a distributor of other brands, then a retailer of those brands, but now they have gotten their feet wet with actually producing a Pergear branded lens…and at a…
Last year I reviewed the rather superb Laowa 100mm F2.8 2x Macro lens for full frame cameras. That lens featured a rare (at that price point) APO (Apochromatic) optical design that delivered incredible sharpness and extremely low chromatic aberrations. And…
Last year I reviewed the rather superb Laowa 100mm F2.8 2x Macro lens for full frame cameras. That lens featured a rare (at that price point) APO (Apochromatic) optical design that delivered incredible sharpness and extremely low chromatic aberrations. And…
Fuji shooters have had a binary choice between two standard zooms – the XF 18-55mm F2.8-4 OIS (my review here) and the XF 16-55mm F2.8 (my review here). One offered image stabilization, the other offered a weather-sealed build and larger…
Fuji shooters have had a binary choice between two standard zooms – the XF 18-55mm F2.8-4 OIS (my review here) and the XF 16-55mm F2.8 (my review here). One offered image stabilization, the other offered a weather-sealed build and larger…
A couple of months ago I had a look at the Tamron 24mm F2.8 OSD M1:2 along with the 35mm F2.8 OSD M1:2 lenses. These lenses were part of a trio of highly similar prime lenses from Tamron designed specifically…
Nearly 5 years ago Canon released its first prime lens to include a new technology called Blue Spectrum Refractive Optics. When I reviewed that lens – the Canon EF 35mm F1.4L II – I concluded that it was the best…
A couple of months ago I had a look at the Tamron 24mm F2.8 OSD M1:2 along with the 35mm F2.8 OSD M1:2 lenses. These lenses were part of a trio of highly similar prime lenses from Tamron at different…
There are few lenses more important to photography than the 24-70mm F2.8 standard zoom, which covers everything from landscape focal lengths to one of the favored focal lengths for portrait photography. Most photographers could do at least 80% of their…