Tamron has pulled out the stops for its 40th anniversary of their SP brand (Super Performance). The Tamron SP 35mm F1.4 Di USD (F045) is (according to them), the finest optical instrument that they have made. It certainly is a…
It feels like Samyang AF has finally arrived…at least on the Sony FE platform! For decades Samyang was limited to producing manual focus only lenses, but a few years back they started to try their hands at the more complicated…
I recently completed a six-way comparison of all the currently available autofocusing lenses for Sony’s full frame mirrorless (FE) platform. These lenses cover a wide range of price points, from $379 (all prices USD) for the Viltrox AF 85mm F1.8,…
Tamron released their new 28-78mm F2.8 RXD lens for Sony full frame mirrorless (FE) last year to great fanfare, as it provided a legitimate alternative to the very large and very expensive Sony 24-70mm F2.8 G Master lens. The 28-75…
While I’ve done a wide variety of reviews along the way, I’ve rarely taken on the challenge of reviewing super-teles from any brand. That kind of lens isn’t really a part of my personal workflow, and I feel that the…
I recently completed a six-way comparison of all the currently available autofocusing lenses for Sony’s full frame mirrorless (FE) platform. These lenses cover a wide range of price points, from $379 (all prices USD) for the Viltrox AF 85mm F1.8,…
I recently completed a six-way comparison of all the currently available autofocusing lenses for Sony’s full frame mirrorless (FE) platform. These lenses cover a wide range of price points, from $379 (all prices USD) for the Viltrox AF 85mm F1.8,…
Godox has developed a strong following for their lighting products due to a winning combination of good engineering, reliable performance, and reasonable pricing. That trend continues to the Godox AD200 Pro Flash unit. While Godox styles this a “pocket flash”,…
Samyang has previously released a couple of very compact autofocusing prime lenses for Sony, though with only moderately wide maximum apertures of F2.8. People loved the size of the lenses, but the autofocus systems were not always quite there. Fast…
Tamron released their new 28-78mm F2.8 RXD lens for Sony full frame mirrorless (FE) last year to great fanfare, as it provided a legitimate alternative to the very large and very expensive Sony 24-70mm F2.8 G Master lens. The 28-75…
When Tamron announced the 17-35mm F2.8-4 OSD last year, I was initially nonplussed. I was surprised to see them releasing a lens without VC (which has become a mainstay on Tamron lenses), a lens with a less sophisticated autofocus system,…
One of my main projects for 2019 was a plan to pit all the current autofocus 85mm options on the full frame Sony E-mount platform head to head. I’ve done something similar for 50mm options (and, to a lesser extent,…
Last year I reviewed a clever rear filter solution for certain lenses that don’t take traditional filters from the company Aurora Aperture. But Aurora Aperture has cranked up the creativity level and designed a new filter solution that, when you…
I had a number of requests to review the Fujinon XF 18-55mm F2.8-4 OIS lens after I reviewed the XF 16-55mm F2.8 a few months ago, as many people feel like the XF 18-55mm is one of the best of…
One of my main projects for 2019 was a plan to pit all the current autofocus 85mm options on the full frame Sony E-mount platform head to head. I’ve done something similar for 50mm options (and, to a lesser extent,…