Canon’s new RF mount has unleashed Canon’s creativity and ability to do things they couldn’t before. In the past, one had to choose between wider maximum aperture (EF 16-35mm F2.8L III) or having an image stabilizer (EF 16-35mm F4L IS),…
Canon’s new RF mount has unleashed Canon’s creativity and ability to do things they couldn’t before. In the past, one had to choose between wider maximum aperture (EF 16-35mm F2.8L III) or having an image stabilizer (EF 16-35mm F4L IS),…
I was excited about the Canon EOS R5 from the moment it was announced. Finally it seemed that Canon was putting together a truly competitive camera that was ready to show that they were serious about the mirrorless space. The…
I’ve been working over the past few years to get up to speed with Fuji’s ecosystem, as I had next to no experience with the platform when Fujifilm Canada approached me with the idea of starting to review Fuji gear. …
I was excited about the Canon EOS R5 from the moment it was announced. Finally it seemed that Canon was putting together a truly competitive camera that was ready to show that they were serious about the mirrorless space. The…
I’ve been working over the past few years to get up to speed with Fuji’s ecosystem, as I had next to no experience with the platform when Fujifilm Canada approached me with the idea of starting to review Fuji gear. …
Sigma’s 105mm F2.8 Macro lens is perhaps the most popular of it’s pre “ART Series revival” reinvention in 2013. I still get a lot of questions about it today, mostly because it is a good lens with an image stabilizer…
Sigma’s 105mm F2.8 Macro lens is perhaps the most popular of it’s pre “ART Series revival” reinvention in 2013. I still get a lot of questions about it today, mostly because it is a good lens with an image stabilizer…