Photographer Dustin Abbott shares a new review of the Sigma 10-18mm F2.8 DN lens in Fuji X-mount to see if it can handle 40MP of resolution [Read more...]
Fuji
Photographer Dustin Abbott shares an updated review of the Sigma 18-50mm F2.8 DC DN lens to see how it handles moving to Fuji X-mount and 40MP [Read more...]
Photographer Dustin Abbott shares a thorough, real world review of the Fujinon GF 55mm F1.7 R WR [Read more...]
Those who are accustomed to smaller sensors are unlikely to be impressed with a maximum aperture of F1.7, but when you are talking larger medium format(ish) sensors like Fujifilm’s GFX line, this is a HUGE maximum aperture. This is only the second lens on the platform from Fuji with a maximum aperture this large, and [Read more...]
Fuji’s move to the 40MP resolution point on some of their higher end cameras has been pretty punishing on many of their existing lenses, but it also really makes it clear which lenses are exceptional. I reviewed one such lens earlier this year in the form of the XF 33mm F1.4 R LM WR, and […] [Read more...]
Fuji’s move to the 40MP resolution point on some of their higher end cameras has been pretty punishing on many of their existing lenses, but it also really makes it clear which lenses are exceptional. I reviewed one such lens earlier this year in the form of the XF 33mm F1.4 R LM WR, and […] [Read more...]
Powerzoom lenses are always a bit of the oddball in the room – caught between video and photography. The PowerZoom function is most reminiscent of the focus on camcorders or similar video cameras, but the cameras that a PZ lens will be mounted on is, at its heart, a device designed first and foremost for […] [Read more...]
Powerzoom lenses are always a bit of the oddball in the room – caught between video and photography. The PowerZoom function is most reminiscent of the focus on camcorders or similar video cameras, but the cameras that a PZ lens will be mounted on is, at its heart, a device designed first and foremost for […] [Read more...]