Sony 50-150 GM vs Tamron 35-150 VXD | DA Showdown!

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[Music]
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sony's new 50 to 150 mm f2 G Master has
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created a lot of buzz for being the
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first full-frame zoom to reach 150 mm
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with that constant maximum aperture of
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f2 but Tamron was the first genre
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boosting zoom like this back in 2021
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where they coupled a bigger zoom ratio
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from 35 to 150 mm with a still fast
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variable maximum aperture of f2 to
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f2.8 now obviously both of these lenses
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are kind of unique on E-mount in that
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there are very few other alternatives
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that are quite like them sigma does have
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a 28 to 105mm f/2.8 date however that
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lens is not as fast and certainly
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doesn't go as long and so in many ways
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these are the closest two compet
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competitors in this particular space so
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the question is is this new G Master
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lens worth twice as much as the existing
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Tamron lens that's been on the market
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for a while well this is another one of
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our head-to-head videos and we're going
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to jump in and we are going to find out
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today so the Sony is a loaner from Sony
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USA and we'll be going back to them
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after this review the Tamron is my own
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personal copy that I bought back in 2021
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we're going to start by taking a look at
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the similarities between the two lenses
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because although they look pretty
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radically different there are some
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commonalities that I think are worth
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exploring both of them have a thorough
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weather sealing and you know you might
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argue that well the the G Master is
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probably the better sealed perhaps
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that's true but they both have the same
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ingredients here they both have a gasket
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at the lens mount a flooring coating at
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the front element and then seals at all
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of the various rings and buttons inside
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so they all have those similar kind of
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capabilities they both have three of a
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of the function buttons that are placed
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at three different locations around and
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so that you have the opportunity to have
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one near at hand both of them have the
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ability to do a smooth aperture rack and
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as you can see here the Tamron does a
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good job with that and of course the
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premium G Master lens also does a very
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good job with that and so I don't know
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that I I really saw a difference i do
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prefer the G Master's setup for that and
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we'll get to that in a moment but in
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terms of doing aperture racks uh you can
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do that just as easily on the Tamron as
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you can on the G Master both of them
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share a common flaw and that they both
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have issues with flare particularly on
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the telephoto end but even on the wide
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end they do struggle a bit in certain
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situations with having particularly
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ghosting artifacts and on the telephoto
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end more likely to have a little bit of
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a loss of contrast and so unfortunately
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they both share a weakness in that
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regard now in the category of neutral
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differences areas where they're
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different but not with any kind of
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particular benefit one way or another um
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you could argue either direction one of
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them is very obviously has the white
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finish the other has a black finish
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there are people who prefer the white
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finish there are people that prefer the
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black finish and it really comes down to
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a matter of preference i don't actually
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think that in any kind of clinical way
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is better than the other but obviously
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it is a difference so we're going to
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look at some reasons to choose the
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Tamron it's been on the market now for
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quite a while and so it's a well-known
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commodity particularly to myself because
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this has been the lens that I have used
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probably more than any other over the
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last four years and so we're going to
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look at it first and some reasons to
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choose it the first of those is a
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practical reason it is much much cheaper
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and I mean much cheaper right now you
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can get it for about $1,700 as of
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today's pricing on B&H Photo the new
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Sony is a pre-order at
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$3,898 and so if you're doing the math
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that means that there's about $2,200
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difference between the two lenses you
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could buy two of the Tamron lenses and
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still have a pretty fair chunk of change
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left over to buy something else before
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you could pay for the G Master that's a
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practical consideration for a lot of
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people furthermore the Tamron has a
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bigger zoom range it starts at 35 rather
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than 50 millimeters and as I zoom in and
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out here you can see you have the
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ability to go considerably wider than
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what you you have and I will say also in
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lining things up at around 50 mm and so
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let's just say that the Tamron at 50 mm
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is wider than what the Sony is at 50 mm
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as you can pretty obviously see the
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Tamron is much smaller it is 89.2
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uh millimeters in diameter by 158
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millime in length meanwhile you can tell
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even from the front diameter
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102.8 mm for the Sony lens that is a
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significant difference in diameter and
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it is 200 millimeters long and so that's
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about 32% less lens volume in the Tamron
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now to be fair the Tamron is an
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externally zooming lens so when you zoom
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it out it's not really any shorter but
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the difference is of course for travel
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for packing it's a much easier lens to
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pack along because it is much smaller in
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its retracted state it is also
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considerably lighter it weighs in
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at,65 g whereas the Sony is 1340 g not
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terrible for what the Sony is however
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the Tamron is considerably lighter if
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you're going to need to buy filters it's
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going to be much cheaper to buy them for
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the Tamron which has an 82mm front
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filter thread that is a a pretty common
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filter size and there's a lot of filters
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that come in that particular size
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whereas here on the Sony we're jumping
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up to a 95 mm front filter thread so not
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only are filters going to be less common
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at 95 millimeters they are going to be
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more expensive as well interestingly I
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actually found in a lot of different
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tests that the Tamron is the one that
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has the lower levels of fringing the
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Sony isn't bad but in head-to-head
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comparisons I certainly found that the
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Tamron was even better corrected in that
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regard i also found that the Tamron
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produced more consistently round um call
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them bokeh balls specular highlights
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across the frame and the Sony is very
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good at maintaining a circular aperture
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as the aperture is stopped down however
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it does exhibit far more clipping near
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the edges of the frame and some of that
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clipping is not overly organic looking
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it's a little bit harsher kind of more
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of a straight line whereas the uh the
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Tamron does a little bit better job
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maintaining those specular highlights i
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also found in doing head-to-head shots
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and I'll tell you this as you'll see in
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the optical breakdown at the end there's
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some give and take in this but
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particularly at the 150 mm end I found
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that the Tamron's overall rendering was
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nicer to my eye the there's just
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something about the defocused areas that
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are more pleasing than what I saw out of
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the Sony lens i also found that in
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head-to-head comparisons I actually
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preferred the Tamron's colors to the
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Sony and I feel like the Tamron has a
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little bit more of an organic look to it
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while the Sony is just a little bit more
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clinical i'm don't blow that out of
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proportion it's a minor variance but I
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did just kind of instinctively in
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head-to-head shots I instinctively
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preferred what I saw out of the Tamron
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so there are definitely some very valid
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reasons to choose the Tamron over the
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Sony but of course you can flip that
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around and there are a lot of equally
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valid reasons to choose the Sony over
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the Tamron the first of those is a
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faster maximum aperture remember that
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the Tamron while it starts at f2 it is a
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variable aperture zoom and the truth of
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the matter is that by the time you get
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to 50 millimeters where the Sony starts
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in its focal length the Tamron has
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closed to f2.2 by the time you get to 85
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millimeters it is already at its
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smallest maximum aperture of f/2.8 which
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means that over a fair portion of the
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zoom range the Sony is going to be a
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full stop faster than what the Tamron is
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and that has all kinds of implications
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shallow depth of field light gathering
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potential etc etc
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not as significant of a difference but
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there is a little bit higher level of
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magnification on the Sony lens than what
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there is on the Tamron the Tamron has a
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0.18 times magnification the Sony has a
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0.20 times magnification and so no
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that's not a huge difference and neither
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one of these lenses are going to be
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mistaken for a macro lens but the Sony
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does a little bit better in that regard
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now while I noted that you could do just
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as good of aperture racking on the
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Tamron lens the truth of the matter is
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is that the Tamron it kind of has a a
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backwards way of going about giving you
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aperture control if you want to control
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it that way what it does is gives you a
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custom switch that allows you to change
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the manual focus ring into an aperture
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ring so it means it's always going to be
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decllicked because it's just a
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constantly moving ring the damping feels
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fine nothing wrong with that overall
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however I have found that I actually
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don't love the aperture control through
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this i end up doing a lot of times just
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controlling aperture from within the
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camera because I find that it just moves
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way too quickly too quickly and so you
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don't have as precise control as what
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you would like the G Master has Sony's
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full G Master approach to aperture or
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traditional aperture ring you can either
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click or declick it's got an iris lock
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it's just got a whole lot better
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implementation of aperture control
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i would also say that both while both of
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these lenses are very nicely built the
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Sony is next level i mean it does have a
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build quality that in many ways kind of
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suggest their high-end super telephoto
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lenses and so it's just it's a little
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bit better constructed a little bit more
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featurerich now to the Tamron's credit
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it also has a nice metal body i've had a
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copy that I've been using for years and
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it's held up very well i have zero
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complaints about it however in just the
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overall feel of the lenses I would say
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that the Sony is the more premium of the
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two one big advantage when you're in the
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field is that it is an internally
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zooming lens and we've already seen that
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the Tamron is an externally zooming lens
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but it just means that you're going to
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be able to do things like zooming during
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video for example you can do that more
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smoothly here you can make more quick
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changes means that there's far less
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likelihood of ever sucking in any kind
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of dust into the lens because it's much
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easier to seal overall i mean I so far I
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think the Tamron's actually done well i
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can't really see dust inside my copy
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however the there's just definite
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advantages to having that internally
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zooming design the Sony does have a
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tripod foot whereas the Tamron does not
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i have found that the Tamron while it's
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heavy it's not so heavy that I feel like
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I definitively needed a tripod collar or
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foot on it but obviously that is better
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implemented into the Sony design and so
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it definitely with this lens I feel like
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it's going to balance better and perform
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better if you're using the tripod foot
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and so that certainly is an advantage
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there less of a big deal because they
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both keep a good circular shape but I
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did find that there are 11 blades on the
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Sony lens there are nine blades on the
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Tamron lens and so it just means that it
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is a little bit better in terms of
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keeping that circular shape as you stop
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it down now there is a more significant
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advantage for the Sony lens when it
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comes to the uh autofocus capabilities
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this is I mean for a fast lens like this
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this is as good as what I've seen it's
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got quad XD linear motors and so
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autofocus is pretty much instantaneous
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there is a single VXD motor in the the
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Tamron and while it's a similar type
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motor and it does focus quickly um it
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isn't at the level of the Sony and the
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Sony can track just effortlessly it
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picks up from the very first frame and
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on my Alpha 1 for example it was just
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flawless in tracking across the frame
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very very impressive in that regard on
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the video side of things I also found
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that there is less focus breathing
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actually the Tamron is is better than
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what I expected in this regard but the
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Sony is both natively better and then it
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also has the advantage of Sony's focus
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breathing compensation um that only
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works for Sony lenses and so any kind of
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breathing that was there you can just
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mathematically eliminate through those
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algorithms and the Tamron doesn't have
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that advantage also you're going to find
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that that f2 aperture means that there
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are plenty of situations where you can
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create a more shallow depth of field and
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again it's a fairly significant
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difference at f2.8 and so that just
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means that backgrounds are going to be
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more out of focus there's a little bit
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more separation of your subject from the
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background in my optical test I found
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that while both of these lenses are
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extremely sharp and extremely high
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contrast the Sony is more consistently
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so and I I found that in a lot of shots
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particularly in my chart test that there
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were just areas where the Sony sharpness
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was more consistent across the frame
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it's definitely sharper in the corners
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almost all the time and so it has some
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definite optical advantages in terms of
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sharpness it also typically has better
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contrast relative to the Tamron when it
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comes to just to head-to-head
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comparisons now that higher contrast may
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be part of why I like the defocus
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backgrounds a little bit better on the
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Tamron uh sometimes a higher contrast
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lens there's a trade-off when it comes
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in that regard but anyway uh there's
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definitely better contrast if that's a
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priority for you and then of course
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there are a number of bakedin Sony perks
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that are really important here uh
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unfortunately the use of teleconverters
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is not one of those things so I will
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give another dig over that but you can
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unlock the full burst potential of your
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camera so even if you're shooting on an
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A9 Mark III you can shoot all the way up
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to 120 frames per second you put this
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Tamron lens on the same camera and
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you're going to be capped at 15 frames
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per second because that is going to be
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the cap across all of Sony's camera
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bodies and so it just means that if
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you're happen to use the lens for sports
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this is going to be a more obvious
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choice because you're going to get that
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full potential from it so my conclusion
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is this while there are similarities
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between these two lenses there's also a
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lot of differences and I would say that
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if you are a portrait shooter or even a
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basic event shooter and you already own
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the Tamron lens I I still think that the
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Tamron is perfectly adequate for that
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however if you are someone who shoots
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sports particularly court sports or you
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know smaller venue sports this Sony lens
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is I think it's an amazing lens for that
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and I think that it would be fantastic
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in that setting i think that it it
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really can become the most desirable
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lens that's out there for that setting
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and I think it's got a lot of advantages
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over a 70 to 200 millimeter f2.8 and so
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I think it's well worth considering on
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that
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front as probably an event lens I would
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also consider it as being superior it's
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going to allow you to just have you know
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a brighter uh light intake in all of
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those settings so if you're shooting in
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dim venues you combine that with a
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superior autofocus system and it just
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means that you're going to be able to
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work in the margins more effectively
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than what you can with the Tamron and so
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I think in a lot of ways the Sony is the
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better lens but of course it begs the
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question is it more than two times
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better and the I think the answer for
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some photographers will be yes probably
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for a equally if not larger amount of
16:14
photographers the answer will be no it
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actually depends on what you need out of
16:19
the lens and what you plan to do with it
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both of these are very very capable
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lenses and as always we are an extremely
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spoiled to have such amazing options
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available to us at radically different
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price points and so I hope that this has
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helped you to kind of quantify which one
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of these lenses maybe makes more sense
16:36
for you now if you want even more
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information you can either check out my
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full reviews of both lenses and I've got
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both the video and text reviews linked
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in the description down below or you can
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stay tuned with me right now and we'll
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go into an optical breakdown and I'll
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demonstrate to you how I arrived at the
16:52
conclusions I did previously so let's
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dive in and let's take a look okay for
16:56
this comparison I'm going or series of
16:58
comparisons I'm always going to have the
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Tamron on the left and the Sony on the
17:01
right so you know what you're looking at
17:04
here I'm going to start comparing at 50
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millimeters so at 50 millimeters this is
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on 61 megapixels A7R Mark 5 and 200%
17:12
magnification you can see looking at the
17:14
center of the frame they're both
17:15
extremely sharp they both have good
17:17
contrast but the Sony has superior
17:19
contrast and you can see that the text
17:21
definitely looks more crisp than what it
17:24
does on the Tamron the mid-frame I would
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say there is a very slight advantage for
17:29
the Sony however it's largely in
17:31
contrast you'll see the ink here looks
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inkier than what it does here a more
17:36
significant advantage is down here in
17:38
the right corner where you can see that
17:40
the Sony really looks superior that's
17:43
less true up here on the left corner
17:46
however where the Tamron looks I would
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say about equally good and so not much
17:52
of a difference there if we pop down
17:53
here I would say that they're close i
17:56
like the Sony a little bit better and
17:58
then in the upper right corner again
18:00
they're close but I slightly prefer the
18:03
Sony performance if we stop both lenses
18:06
down to f2.8 we can see that they both
18:10
have improved but I would say that the
18:12
Sony still has an advantage in the
18:15
center of the frame in the mid-frame I
18:17
would say there's a very very slight
18:19
Sony advantage up in this corner i look
18:22
at them and they're very very close it's
18:25
hard to distinguish much of a difference
18:27
between the two there but still in this
18:29
lower right corner the Sony has the
18:31
advantage now if we move on to 100 mm
18:35
you'll see that the Tamron's already at
18:37
f2.8 the Sony is still at f2 at least
18:40
for this comparison again they're close
18:42
but contrast favors the Sony there and I
18:45
would say looking at the text it's not
18:47
just contrast it's resolving at a little
18:49
bit higher level and the mid-frame again
18:52
the Sony is giving just a little bit
18:54
more detail look in the hair here
18:56
compared to where it looks a little bit
18:57
more smeared on the Tamron they're both
18:59
good don't get me wrong but the Sony is
19:02
better up here in the corner I see a
19:04
Sony advantage there higher contrast and
19:07
higher detail right out to the edge of
19:09
the frame and in the lower right corner
19:11
definitely Sony that is a superior place
19:15
more similar on this side though a
19:17
little bit Sony advantage and up in this
19:20
corner again it's closer but it's a Sony
19:24
advantage here as well now if we stop
19:26
the Sony down to f2.8 you would expect
19:29
that advantage to grow even more and I
19:32
think that it does you can see that it
19:34
looks better everywhere that we've
19:36
looked so far up in this corner it looks
19:38
better and down here it was already
19:41
better and it looks much better now over
19:43
on this side it's a more clear advantage
19:45
so at equivalent apertures the Sony is
19:48
definitely the sharper higher contrast
19:50
lens at 100 millm now at 150 mm Tamron
19:53
at f2.8 Sony at f2 you can see once
19:56
again that the uh Sony lens is sharper
20:00
and higher contrast again the Tamron is
20:02
extremely good this is 200%
20:04
magnification so it looks great but the
20:06
Sony is clearly demonstrabably better
20:09
and here again the margins are close but
20:12
you can just see all of that text the
20:14
fine detail here contrast definitely
20:16
favors the Sony lens up in this corner
20:20
the Sony looks to be the sharper higher
20:23
contrast of the two and down in this
20:25
corner for once it's not a huge
20:27
advantage for the Sony it's very very
20:30
close over on this side it's close but I
20:33
think the contrast is better on the Sony
20:35
lens and up in this corner the same is
20:38
true you can see that just the text
20:40
looks a little bit crisper there and as
20:42
before if you stop the Sony down to f2.8
20:44
it definitely has an advantage that
20:46
contrast advantage grows and it's also
20:49
just resolving higher you can see that
20:51
that's just popping off the page where
20:53
it looks just a little dingier on the
20:55
Tamron lens likewise up here looking
20:58
better there and down into this corner
21:00
looking better with better contrast
21:02
though not significantly so but a little
21:05
bit more obvious difference here so the
21:07
big question is are you going to see
21:08
that difference out in the real world
21:11
well the answer is complicated at 100%
21:14
magnification which is the typical way
21:16
you're going to look at things you can
21:17
see that really the detail and contrast
21:20
looks really quite similar and there's a
21:23
little bit of give and take as I pan
21:24
around but they are a very very similar
21:28
performance this is of course f2.8 for
21:32
the Tamron lens and f2 for the Sony i
21:35
also feel like at this stage that Sony's
21:37
bokeh looks relatively good compared to
21:41
the Tamron now where I think that's less
21:44
true is if you'll see in the Tamron in
21:46
the transition towards defocus even
21:48
though it's got uh not as you know
21:51
shallow a depth of field and so this
21:53
should favor the Sony you can see in
21:56
that transition towards defocus that
21:58
it's handled more smoothly on the Tamron
22:00
whereas on the Sony there's just a
22:02
little bit more distracting elements
22:04
that are there now as you get more
22:07
deeply out of focus for example here the
22:10
advantage of having that more shallow
22:11
depth of field favors the Sony where
22:13
things are just a little bit more out of
22:15
focus and thus attract the eye a little
22:17
bit less and so even in this zone I
22:20
think that it looks a little bit softer
22:22
on the Sony if I move on to 150 mm again
22:25
Tamron being f2.8 date Sony being F2 you
22:30
can see here that in the area of focus I
22:33
actually think that the Tamron has
22:35
higher contrast and more detail in the
22:37
real world shot here and if we pan
22:40
around a little bit you can see that
22:42
that remains true it's a little bit
22:45
better here for the Sony and again as we
22:47
get towards these transition areas some
22:50
of this stuff is just a little bit more
22:51
distracting on the Sony as we transition
22:54
towards defocus now if I stop the Sony
22:56
down to f2.8 you can see that now they
22:59
look pretty much identical and I don't
23:02
think that there's any advantage for the
23:03
Tamron any longer in the areas of
23:06
texture and sharpness and as we move
23:08
towards defocus you know they're they're
23:11
just highly similar in many ways in this
23:14
shot for example looking at them
23:16
globally you can see that the Sony's
23:17
background is more defocused at f2
23:20
versus f2.8 as far as the real world
23:23
sharpness and contrast I do think it's a
23:25
little bit higher on the Sony but as you
23:27
can see at 100% magnification you know
23:30
without them side by side I don't know
23:32
that you would see that difference now
23:34
in this comparison the more shallow
23:36
depth of field provided by the Sony you
23:39
can see globally it does have an
23:40
advantage if we look at the contrast and
23:43
detail here I think the Tamron is
23:46
holding up a little bit better here and
23:48
more importantly in the transition
23:50
towards defocus here I do feel like it's
23:52
a little bit smoother on the Tamron than
23:55
what it is on the Sony once again
23:58
however if I stop the Sony down to uh
24:01
f2.8 you can see that now the contrast
24:04
and detail it definitely matches that of
24:07
the Tamron though I still like the
24:09
overall look of the Tamron's transition
24:11
zone to defocus and that's where I think
24:13
the Tamron wins is in that uh transition
24:16
zone there's just more edging more
24:18
circular shapes and so you can see that
24:21
the background area it looks busier on
24:24
the Sony relative to the Tamron which
24:26
transitions to a nicer defocus now
24:28
looking at the images globally I don't
24:30
know that you see that as much i mean
24:32
you can jump in here and look at that
24:35
and a lot of this is just out of focus
24:37
and so it's hard to determine too much
24:39
from that here's another good example
24:41
overall and so again looking at the
24:43
image globally you can tell that the
24:44
background is more defocused from the
24:46
Sony looking at the contrast and the
24:48
detail on the subject you know they both
24:51
look good is the Sony better it very
24:53
likely is slightly better but you can
24:56
tell when you get into these real world
24:57
images and away from the test chart it's
24:59
it's a little bit harder a read but
25:02
where again the Tamron I prefer is in
25:04
these transition zones so as you move
25:06
towards the defocus if you look in this
25:08
area here the Sony is kind of busy
25:11
whereas you get more of just that kind
25:13
of glow creamy background on the Tamron
25:16
as it moves towards defocus now when you
25:19
get you know seriously defocused I don't
25:22
know that there is much of a difference
25:23
there it's more in that kind of
25:25
transition area where the Tamron just is
25:27
a little bit smoother than what the Sony
25:29
is even though the Sony has the
25:31
advantage of the more shallow depth of
25:32
field if I swap to the f2.8 8 version of
25:36
the image you know it gives the Sony
25:39
more contrast and detail i'm not sure
25:41
that that was needed all that much but
25:44
what it also does is you can see that at
25:47
apples to apples f2.8 to f2.8 that
25:50
transition zone is definitely smoother
25:51
on the Tamron lens and now of course the
25:54
Sony doesn't have the advantage of
25:56
having a more defocused background and
25:58
so I think that some of these things
26:00
just become a little bit more obvious a
26:02
little busier looking on the Sony versus
26:05
the Tamron lens and it's really that
26:08
transition zone above all so how about
26:10
for a portrait shot and so here looking
26:13
at the overall backgrounds backgrounds
26:16
uh obviously the Sony is more defocused
26:18
at f2 then look tremendously different
26:21
in this kind of setting as we've seen
26:24
previously when there it's f2.8 versus
26:27
f2 i do feel like the Tamron often shows
26:30
just a little bit more contrast and
26:31
detail part of that has to do with the
26:33
fact that the depth of field is very
26:35
very shallow on the Sony lens if I swap
26:38
to the f2.8 shot you can see that now
26:41
the contrast I would say in detail
26:43
favors the Sony lens and if we look at
26:46
the background again in this case I
26:48
don't think that it's really all that
26:50
radically different you're probably not
26:52
going to see much of a difference just
26:54
kind of looking at what's defocused here
26:57
and they look more similar than
26:58
different I would say now finally on the
27:00
note of magnification you can see that
27:03
there is very slightly higher
27:04
magnification for the Sony image here
27:08
however it's not radically different you
27:10
know neither one of these is going to
27:12
fill the frame even with this mediumsiz
27:14
lens so don't mistake them for macro
27:16
lenses probably more significant if you
27:18
buy either one of these lenses that you
27:20
can see that there is slightly higher
27:22
magnification here on the GM lens on the
27:25
50mm versus the Phil 50mm end but you
27:28
can see that it's there's a little bit
27:31
of a perspective distortion just for
27:33
being so close um here at 50 mm whereas
27:36
you've got a flatter plane of focus at
27:39
150 mm and a more compressed blurred out
27:42
background even though the magnification
27:44
is lower so in some ways I kind of favor
27:46
this than getting here where I feel like
27:49
it feels a little bit stretched and
27:51
distorted so as you can see these are
27:53
very different lenses and there are
27:56
certain similarities and other areas
27:57
where they're not similar at all and
27:59
hopefully the optical breakdown has
28:00
helped you to decide which one is the
28:02
lens for you as always thanks for
28:04
watching have a great day and let the
28:06
light in
28:08
[Music]

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