Sigma 35mm F1.2 DG II | ART Review
Sigma has been releasing one hit after another in 2025, and it feels like a full time job just to keep up with all the new lenses. This most recent tranche of lenses has a number of huge releases: the…
Dustin Abbott
Viltrox AIR 14mm F4 FE Review
Viltrox’s AIR series has become one of the most fascinating lineups in the lens market today. Not because they are fancy (they aren’t) or feature rich (ditto), but because they are small, light, inexpensive, and, most importantly, optically impressive. While…
Laowa AF 180mm F4.5 1.5x Ultra Macro APO Review
You’ve heard of autofocus lenses, and you’ve heard of manual focus lenses, but what about lenses that are a little of both? Laowa’s new 180mm F4.5 1.5x Ultra Macro APO is a first for me – it’s an autofocus lens…
Sigma 135mm F1.4 DG | ART Review
Sigma has been releasing one hit after another in 2025, and it feels like a full time job just to keep up with all the new lenses. This most recent tranche of lenses has a number of huge releases: the…
Viltrox Pro AF 56mm F1.2 E Review
Each one of Viltrox’s Pro series lenses have proven to be serious disruptors in the lens market. The 75mm F1.2 set the bar from what was optically achievable in a fast APS-C telephoto, while the 27mm F1.2 proved to be…
Sigma 12mm F1.4 DC | Contemporary Review
About five weeks I reviewed the new Viltrox 15mm F1.7 from their AIR series, and while I was researching competitors for that lens I realized that Sigma didn’t have anything wider than 16mm in their APS-C prime lenses specifically designed…
TTArtisan AF 40mm F2 E-Mount Review
In 2024 TTArtisan released their first full frame lens in the form of the AF 75mm F2, which I gave a largely positive review here. It offered a compact size, nice build, and good performance in an inexpensive package. Autofocus…
Sigma 200mm F2 DG OS | SPORT Review
Sigma is on a roll. They have essentially saturated the market with both traditional focal lengths and then more extreme prime and zoom lenses, often releasing focal length and aperture combinations previously unseen on Sony E and Leica L. But…