Modern cameras are almost equally as capable as video recording devices as they are at capturing still images, and Samyang (also sold as Rokinon) has launched an interesting new lineup of lenses that are really targeted at that hybrid audience – the V-AF series.   Cine lenses are designed around a different set of priorities than typical photography lenses.  Uniformity is important, as a setup with gearing, or focus follow, or even the balancing on a gimbal relies on being to swap lenses without a complicated process of rebalancing or setting gearing for a different diameter or location.  Often a cine lens maker will have a variety of focal lengths with similar sizes, diameters, and location of the focus and/or aperture rings.  But what the modern photographer who is also a videographer, or vice versa? Samyang has recognized that increasingly there isn’t two separate audiences for photography and videography equipment but just one audience, and what this new hybrid audience needs is true hybrid lenses that work equally well for photo and video work.  Enter the V-AF (Video Autofocus) lens series that tries to merge the strengths of both style of lenses into one lens/series of lenses.  You can see my overview look at the series and its concept here, but I’m also taking a look at each release in the series individually starting with the Samyang V-AF 24mm T1.9.

I gave the Samyang AF 24mm F1.8 lens from their “Tiny Series” a very positive review due to hitting a new high for the series in terms of features and for delivering a strong autofocusing and optical performance.  It joined the 45mm and 75mm F1.8 lenses as my personal favorite lenses optically in the series.  This new V-AF version ratchets up the usefulness, however, with an improved build quality, smoother autofocus, more advanced weather sealing, and all of the other V-AF perks.

The downsides of the V-AF series is that they are larger and heavier than the “Tiny” counterparts (though still compact and light) and that they cost considerably more, though, to be fair, they come offering a lot more.  You can see my general review of the whole series in this video here or by reading this article. That’s true of the V-AF 24mm T1.9 as well, which is a genuinely useful lens for both video and photography work. (and yes, the lighting was just this dynamic – the shot below has had almost no processing).

1. Samyang V-AF 20mm T1.9 Review | Image Gallery
2. Samyang V-AF 24mm T1.9 Review | Image Gallery
3. Samyang V-AF 35mm T1.9 Review | Image Gallery
4. Samyang V-AF 45mm T1.9 Review | Image Gallery
5. Samyang V-AF 75mm T1.9 Review | Image Gallery

So should you consider the Samyang/Rokinon V-AF 24mm T1.9 for your photography and video work?  You can either watch my video review or read my text review to help form that opinion….or just enjoy the photos below.

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Thanks to Samyang for sending me review copies of the V-AF series.  As always, this is a completely independent review.  *The tests and most of the photos that I share as a part of my review cycle have been done with the Sony a7IV along with the Sony Alpha 1 which will serve as my benchmark camera for the foreseeable future (my review here).

Samyang V-AF 24mm Build and Design

Samyang V-AF 24mm Optical Performance

Purchase the Samyang V-AF 24mm T1.9 @ B&H Photo | Adorama | Amazon | Amazon Canada | Amazon UK | Amazon Germany | Ebay 

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