Viltrox 85mm F1.8 MF FE Review

I first heard of Viltrox late in 2018 when they announced three new lenses for Sony and Fuji mirrorless systems. One of those lenses (the first that I reviewed) was a 20mm F1.8 fully manual lens for Sony FE. The…

I first heard of Viltrox late in 2018 when they announced three new lenses for Sony and Fuji mirrorless systems. One of those lenses (the first that I reviewed) was a 20mm F1.8 fully manual lens for Sony FE. The…

The Canon RF 35mm F1.8 Macro IS STM is the the least expensive Canon RF-mount lens at the moment, so it makes a logical pairing with the Canon EOS RP – lowest point of entry into a mirrorless full frame…

Sigma has been on somewhat of a roll as of late as they continue to refine their process of lens development in the ART series. Early on I found the ART series somewhat frustrating, as there was frequently a blend…

The first Kamlan lens I ever tested was the predecessor of this lens. I reviewed it in 2017, and came away with the impression that while there were things I really liked (nice build and beautiful bokeh), the lens was…

The Viltrox 85mm F1.8 is a new manual focus lens designed for Sony FE. There is an autofocus version that will come later (for an additional $80), but this lens may prove to be the better option for video due…

The Samyang AF 85mm F1.4 for Sony FE has been one of the lenses I’ve been most excited about in 2019 since Samyang told me it was coming. Why? On a personal note, because I’ve been wanting a good portrait lens…

The Canon EOS RP is Canon’s second entry in the new R series of mirrorless cameras from Canada. This second full-frame mirrorless camera comes with a slightly reduced spec list and a price tag roughly $1000 less – making it…

The original idea behind mirrorless cameras was they would be smaller, lighter alternatives to DSLRs due to the differences in technology while providing similar levels of optical performance. As I’ve noted in many subsequent reviews this idea is often lost,…

Sigma has once again managed to do for mirrorless what they seemingly cannot do with DSLR lenses – make an optically excellent, COMPACT lens.  The Sigma DN 56mm F1.4 C is the 6th (by my count) of Sigma’s DN line…

Irix made their mark with a bevy of well-received wide angle lenses, including a super-wide-angle 11mm F4 lens along with a 15mm F2.4 that I reviewed last year. Their most recent lens release has set their sites in a different…

The Samyang AF 85mm F1.4 for Sony FE has been one of the lenses I’ve been most excited about since Samyang told me it was coming. Why? On a personal note, because I’ve been wanting a good portrait lens for…

The original idea behind mirrorless cameras was they would be smaller, lighter alternatives to DSLRs due to the differences in technology while providing similar levels of optical performance. As I’ve noted in many subsequent reviews this idea is often lost,…

A few months back I reviewed the newest Fujinon lens in the Fuji “trinity” of fast, F2.8 zoom lenses. That lens (the XF 8-16mm F2.8 WR) makes up the wide end of the spectrum while the XF 50-140mm F2.8 OS…

Sigma has once again managed to do for mirrorless what they seemingly cannot do with DSLR lenses – make an optically excellent, COMPACT lens.  The Sigma DN 56mm F1.4 C is the 6th (by my count) of Sigma’s DN line…

Irix made their mark with a bevy of well-received wide angle lenses, including a super-wide-angle 11mm F4 lens along with a 15mm F2.4 that I reviewed last year. Their most recent lens release has set their sites in a different…

Sony’s most recent camera seems to be specifically targeted at the Vlogging and Selfie crowd with a revised physical design of the screen that allows it to tilt up into a forward facing position. The Sony a6400 also inherits some…

I have a serious soft spot for my vintage glass (I’ve got about 12 vintage lenses that I still use adapted modern cameras). Some of my favorites are classics from Japanese-made Takumars, Soviet-made Helios lenses, and German-made Zeiss (and their…

A few months back I reviewed the newest Fujinon lens in the Fuji “trinity” of fast, F2.8 zoom lenses. That lens (the XF 8-16mm F2.8 WR) makes up the wide end of the spectrum while the XF 50-140mm F2.8 OS…