When the idea of mirrorless cameras was first floated, one of the main advantages that was touted was the ability to have an optically excellent camera system in a smaller, lighter configuration when compared to a typical DSLR/lens combination. That…
Sigma 24mm F1.4 ART FE Image Gallery The Sigma 24mm f DG HSM | ART was, I believe, the only ART series lens that I missed reviewing when it was initially released. In the past few months Sigma has been…
The original idea behind mirrorless cameras was they would be smaller, lighter alternatives to DSLRs due to the differences in technology while providing similar levels of optical performance. As I’ve noted in many subsequent reviews this idea is often lost,…
The original idea behind mirrorless cameras was they would be smaller, lighter alternatives to DSLRs due to the differences in technology while providing similar levels of optical performance. As I’ve noted in many subsequent reviews this idea is often lost,…
The release of Tamron’s new 28-75mm f RXD lens provided me a natural opportunity to bring in the premium lens in the class for Sony FE – the Sony 24-70mm f G Master lens. The Sony G Master approach is…
Towards the end of 2017 I spent time with my first Kamlan lens – the Kamlan 50mm f compact prime lens. There were things that I praised, including a very nice build quality (all metal and glass) and nice rendering…
The Kamlan 28mm f is a brand new lens from the Chinese lens maker SainSonic. I’ve been privileged to have my hands on a prerelease copy of the Kamlan 1.4 for a while and can now share some photos and…
I’ve noted in previous reviews that there are few lenses more important to a company’s lineup than a good 24-105mm lens. The reason for this is simple: more people are likely to use the lens than just about any other.…
Few lenses are more indispensable than a good 24-105mm f/4 lens, which provides good image quality with a constant aperture. Sony released a new FE 24-105mm f/4 G OSS lens alongside the new a7R III, and a lot of people…
Sigma’s approach to mirrorless lenses (DN) has come in two distinct phases. Sigma first released a series of three budget primes with moderately wide apertures (19mm, 30mm, and 60mm f DN lenses). I’ve tested all of these, and they are…
In 2016 Sigma launched a new series of lenses for mirrorless bodies (Sony E-mount and M43) – the DC DN Contemporary lenses. They started with the extremely useful (and very good) Sigma 30mm f, a nice standard prime lens with…
Sigma has done a fairly amazing job of reinventing themselves as a company in the past five years. It can be easy to forget that Sigma was known as a maker of mostly “cheap” lenses not all that long ago,…
One of Sigma’s most hotly anticipated lenses of the year is this one – the Sigma 14mm f DG HSM ART. It sets the new record for maximum aperture at such a wide angle (this is a full frame compatible…
The Canon EF 24-105mm f/4L IS II USM replaces a lens that is probably the most popular “L” series ever, but it has scarcely gotten any attention and has received relatively few reviews. Why? Photographer Dustin Abbott believes he knows…
There are few lenses more important to a manufacturer’s lineup than a 24-70mm f lens, making Sigma’s 24-70 ART one of their most significant releases this year. 24-70mm is an extremely versatile focal length, covering wide angle (24mm), standard/normal (35/50mm),…
One of Sigma’s most hotly anticipated lenses of the year is the new 24-70mm f DG OS HSM ART lens. Few lenses are more popular among working professionals than 24-70mm f zoom lenses because of their versatility and often very…
Tamron has long been the company that pushes the envelope in “all-in-one” zoom design and have held the top honors of having the largest zoom range in a DSLR lens for most of the past ten years. Years ago I…
Tamron has long been the company that pushes the envelope in “all-in-one” zoom design and have held the top honors of having the largest zoom range in a DSLR lens for most of the past ten years. Years ago I…