Nikkor Z 35mm F1.8 S Gallery

I noted in my recent review of the Nikkor Z 50mm F1.8 S that Nikon’s marketing strategy at the typical prime focal lengths (35mm, 50mm, and 85mm) is a bit unconventional. In the past the usual strategy was entry level…
Dustin Abbott has been published in such publications as PhotoPlus, Photo News, Popular Science, American Photo, Pro Photographer, and Photography Week magazines as well as the Globe and Mail newspaper. He has been featured as a guest on many photography blogs and has had either articles or photos published in local magazines in multiple countries. He writes on a regular basis as a free-lance writer for PhotoNewsFlash, Alien Skin Software Blog, CanonRumors, B&H Explora eZine, and has also written for Photography Masterclass Magazine, Henry’s Photography Blog, PhotoNews Magazine, Digital Photography School, the Zeiss LenSPIRE blog, and Pro Photographer magazine. His lens reviews are respected around the world and can be seen on YouTube, too.
I noted in my recent review of the Nikkor Z 50mm F1.8 S that Nikon’s marketing strategy at the typical prime focal lengths (35mm, 50mm, and 85mm) is a bit unconventional. In the past the usual strategy was entry level…
Sigma’s 18-35mm F1.8 that was released ten years ago became a cult favorite, particularly with the video crowd. Even full frame users often used it to help mitigate crop factors and because of the flexibility of having a zoom range…
The launch of the APS-C specific Viltrox AF 75mm F1.2 Pro for Fuji’s X-mount platform was the moment I realized that Viltrox was moving to a whole new level of optical design. I gave that lens a glowing review because…
I’ve praised Yongnuo over the past few years for being innovative rather than derivative. My first exposure to Yongnuo is when they started making cheap versions of Canon optical designs (very derivative), but more recently they’ve found their footing in…
It has a been a long time since I’ve reviewed a Samyang lens (two years, to be exact). Samyang seems to have gone through a bit of a restructuring during that time, rebranding as LK Samyang. The LK Group is…
I love my Nikon Z8. It’s a robust camera that is loaded with great features, and it just works, period. But it’s also pretty huge, so it isn’t really the camera I reach for when I’m traveling. I’ve also reviewed…
In 2024 7Artisans not only embraced autofocus but also a series slightly more upscale full frame lenses that are physically larger, have more features, and also have higher (but still inexpensive) price tag. The 7Artisans AF 50mm F1.8 lens was…
I noted in last year’s review of the Nikkor Z 50mm F1.4 that Nikon’s marketing strategy at the typical prime focal lengths (35mm, 50mm, and 85mm) is a bit unconventional. In the past the usual strategy was entry level (F1.8),…
I had the privilege in late February to be in Japan for Sigma’s announcement of a three new products along with some new branding initiatives. My favorite of those announcements was the 300-600mm F4 DG OS | SPORT lens. Sigma…
Sony’s mirrorless E-mount has reached a saturation point with more lenses available than possibly any lens mount before, so finding an actually unique lens can be hard to do. That’s not true for today’s review, however, as Sony is releasing…
We’ve known that Viltrox’s LAB series was coming for about two years, and I, for one, was very excited for the series. Viltrox has proved to be capable of doing very serious optical engineering, and, put simply, the LAB series…
This is a very important review for me. Not because the Nikkor Z 135mm F1.8 S Plena is a new and hot review (it was actually released in October of 2023, several months before I started to do Nikon reviews…
In May of 2023 I reviewed a lens that I was very excited about. Viltrox had released a next level 16mm F1.8 autofocus lens for Sony FE, and it fill a niche previously unfilled on FE – a high quality,…
Viltrox’s series of small, lightweight, and yet surprisingly high performing lenses is called the “Air” Series. We’ve seen 20mm F2.8 and 40mm F2.5 full frame lenses along with a truly excellent series of APS-C lenses, including the 25mm F1.7, 35mm…
I have owned (and loved) the Sony FE 200-600mm F5-6.3 G OSS since reviewing it back in 2020. Sony took a different tack than most competing telephoto zooms by opting for an internally zooming lens, and, while that meant that…
Yongnuo’s “Commander” series of lenses has thus far been consistently good. I’ve previously reviewed first an 11mm F1.8, then the first of the trio of faster primes at standard focal lengths. First came the 33mm F1.4, then the 23mm F1.4,…
In the fall of the 2024 I had the opportunity to review the long awaited first entry in Viltrox’s Premium LAB series – the Viltrox AF 135mm F1.8 LAB FE. I loved the lens on Sony despite it being large…
Viltrox’s series of small, lightweight, and yet surprisingly high performing lenses is called the “Air” Series. We’ve seen 20mm F2.8 and 40mm F2.5 full frame lenses, the excellent 35mm F1.7 and 56mm F1.7 APS-C lens, and now we have a…