I’ve got a major showdown brewing between the three top 50mm options for Sony FE (full frame E mount mirrorless cameras): the Sony FE 50mm f Planar T*, Sony FE 55mm f Sonnar T*, and the upstart Samyang AF 50mm…
I’ve got a major showdown brewing between the three top 50mm options for Sony FE (full frame E mount mirrorless cameras): the Sony FE 50mm f Planar T*, Sony FE 55mm f Sonnar T*, and the upstart Samyang AF 50mm…
I’ve noted in previous reviews that there are few lenses more important to a company’s lineup than a good 24-105mm lens. The reason for this is simple: more people are likely to use the lens than just about any other.…
Few lenses are more indispensable than a good 24-105mm f/4 lens, which provides good image quality with a constant aperture. Sony released a new FE 24-105mm f/4 G OSS lens alongside the new a7R III, and a lot of people…
Sigma’s approach to mirrorless lenses (DN) has come in two distinct phases. Sigma first released a series of three budget primes with moderately wide apertures (19mm, 30mm, and 60mm f DN lenses). I’ve tested all of these, and they are…
Wow! It has been a long, long time I have received a new Canon L series prime lens. It was two years ago that I reviewed the excellent Canon EF 35mm f II, and since that point I have reviewed…
In 2016 Sigma launched a new series of lenses for mirrorless bodies (Sony E-mount and M43) – the DC DN Contemporary lenses. They started with the extremely useful (and very good) Sigma 30mm f, a nice standard prime lens with…
Several years back Tamron started a new revolution of affordable supertelephoto zoom lenses with the SP 150-600mm f VC USD. The lens was an instant success and spawned a whole new class of such lenses. About this time last year…
Wow! It has been a long, long time I have received a new Canon L series prime lens. It was two years ago that I reviewed the excellent Canon EF 35mm f II, and since that point I have reviewed…
Earlier this year Sigma released a relatively affordable 100-400mm lens that delivered excellent optics competitive with the much more expensive first party options from Canon, Nikon, and Sony. I was impressed by the Sigma 100-400mm f OS Contemporary when I…
There are few lenses more important to a lens makers lineup than the 24-70mm f lens. A 24-70mm is valued because of the versatility of its zoom range, which covers a number of very important focal lengths, including 24mm, 28mm,…
One of my most popular articles that I’ve ever written was entitled, “Why I chose a Canon 6D over a 5D Mark III”. The original Canon 6D was a bit of a unicorn: on paper it wasn’t very impressive, with…
After I finished taking a look at the Zeiss Touit series for Sony APS-C mirrorless, I wanted to also take a look at Sigma’s offerings for Sony E-Mount. These are the Sigma DN lenses, and include a 19mm, 30mm, and…
While doing my recent review of the Sigma 24-70mm f OS ART I got a persistent question from my readers and viewers, “When are you going to review the new Tamron 24-70mm f G2 lens?” The answer is now! The…
I’ve had the privilege of testing some autofocus Zeiss lenses designed for Sony’s E-Mount mirrorless cameras. Zeiss has a couple of autofocus lines for mirrorless, including the full frame Batis line and then this APS-C mount Touit (pronounced “too-it”) series.…
There are few lenses more important to a manufacturer’s lineup than a 24-70mm f lens, making Sigma’s 24-70 ART one of their most significant releases this year. 24-70mm is an extremely versatile focal length, covering wide angle (24mm), standard/normal (35/50mm),…
Canon released the first SL series camera (SL1/100D) about four years ago, and, while it didn’t make an immediate splash, it grew in popularity for those looking for the compactness of a mirrorless body (or near to it) in a…
Canon’s second generation camera in the “affordable full frame” 6D line is here – the EOS 6D Mark II. As is now typical, there has been a fair bit of controversy over this camera ahead of its release as reviewers…