All of Nikon’s Z-mount F1.2 S lenses are extreme instruments. They are big, heavy, and expensive…not for the faint of heart. The Nikkor Z 50mm F1.2 S is the cheapest of this trio of extreme instruments, but will still carries…
The Tamron 35-100mm F2.8 Di III VXD is the surprise lens that not a lot of people knew that they wanted…but may change their mind after using it. The typical zoom range for a standard zoom with an F2.8 aperture…
I’ve reviewed nearly a dozen 24-105mm variants over the years, but this is my first time reviewing a lens that manages to stretch that traditional zoom range and give it a little more telephoto reach. And after spending some time…
Sigma released the second generation of their 35mm F1.2 | ART lens in the fall of 2025, and they are quickly following that up with a MK II version of their 35mm F1.4 | ART lens. The original 35mm F1.4…
Last year I reviewed a beautiful new little APS-C prime from Sigma in the form of the 12mm F1.4 DC. I really liked that lens and gave it a positive review. I had noted that Sigma hadn’t gone any wider…
Fujifilm knows how to leverage nostalgia. It seems like the majority of their camera releases are designed to evoke memories of the film era (including their emphasis on film simulations) and bring back vintage controls. The X-T30 series is one…
The buzz over Viltrox and Nikon is that the latter is currently suing the former, and while this has generated a fair bit of angst amongst Nikon Z-mount shooters, Viltrox is clearly fairly positive over the outcome, as they told…
The promise of Canon’s new RF mount is that it was going to release new and novel lens designs not possible on EF mount. I would say that in many ways that is a promise that was overstated, but every…