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Sigma was a little slow to adopt to the Sony FE platform despite embracing APS-C e-Mount years ago. 2018 brought retooled versions of a number of their ART series DSLR lenses, though those lenses had clear compromises in size and performance based on their not having been originally developed for Sony. In 2019, howev [Read more...]
The realm of super-telephotos has been nearly exclusively the domain of the first party lens makers like Canon and Nikon. At the sidelines of most major sporting events you will see a lot of “great whites” (Canons) and a few black Nikon giants, but that’s pretty much it. Building such lenses is risky, as the […] [Read more...]
The Otus series is the pinnacle of engineering on the full frame (35mm) space, and I’ve had the opportunity to spend time with each of the previous three releases (1.4/55mm, 1.4/85mm, and 1.4/28mm). Zeiss in venturing a little further into the telephoto space with another extreme instrument – the Zeiss Otus 100 [Read more...]
Tamron has pulled out the stops for its 40th anniversary of their SP brand (Super Performance). The Tamron SP 35mm F1.4 Di USD (F045) is (according to them), the finest optical instrument that they have made. It certainly is a beautifully made, beautifully performing lens, and it is extremely well priced compared to [Read more...]
It feels like Samyang AF has finally arrived…at least on the Sony FE platform! For decades Samyang was limited to producing manual focus only lenses, but a few years back they started to try their hands at the more complicated business of autofocus lenses. The first of these that I reviewed (Samyang AF 50mm F1. [Read more...]
I recently completed a six-way comparison of all the currently available autofocusing lenses for Sony’s full frame mirrorless (FE) platform. These lenses cover a wide range of price points, from $379 (all prices USD) for the Viltrox AF 85mm F1.8, to $598 (Sony 85mm F1.8), $699 (Samyang AF 85mm F1.4), $1199 (Zeiss Batis 85m [Read more...]
Tamron released their new 28-78mm F2.8 RXD lens for Sony full frame mirrorless (FE) last year to great fanfare, as it provided a legitimate alternative to the very large and very expensive Sony 24-70mm F2.8 G Master lens. The 28-75 RXD went on to be the best selling lens of the year (period!) in its […] [Read more...]
While I’ve done a wide variety of reviews along the way, I’ve rarely taken on the challenge of reviewing super-teles from any brand. That kind of lens isn’t really a part of my personal workflow, and I feel that the kinds of tests needed for such a lens are somewhat outside the scope of my […] [Read more...]
