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I’ve been getting a LOT of requests to cover the Sony FE 24mm F1.4 G Master lens since its release. The idea of having a premium wide aperture of F1.4 in a wide focal length (24mm) in a reasonably compact size is obviously an intriguing one to many people. In many ways the Sony 24mm […] [Read more...]
I’ve been interacting with Pergear for a couple of years now as a distributor of other brands, then a retailer of those brands, but now they have gotten their feet wet with actually producing a Pergear branded lens…and at a serious bargain! The Pergear 25mm F1.8 sells for only $68 USD, making it perhaps the [&h [Read more...]
Last year I reviewed the rather superb Laowa 100mm F2.8 2x Macro lens for full frame cameras. That lens featured a rare (at that price point) APO (Apochromatic) optical design that delivered incredible sharpness and extremely low chromatic aberrations. And now I hold the much smaller “mini” version for AP [Read more...]
Last year I reviewed the rather superb Laowa 100mm F2.8 2x Macro lens for full frame cameras. That lens featured a rare (at that price point) APO (Apochromatic) optical design that delivered incredible sharpness and extremely low chromatic aberrations. And now I hold the much smaller “mini” version for AP [Read more...]
Fuji shooters have had a binary choice between two standard zooms – the XF 18-55mm F2.8-4 OIS (my review here) and the XF 16-55mm F2.8 (my review here). One offered image stabilization, the other offered a weather-sealed build and larger maximum aperture. But now there is a third choice – the Fujinon XF 1 [Read more...]
Fuji shooters have had a binary choice between two standard zooms – the XF 18-55mm F2.8-4 OIS (my review here) and the XF 16-55mm F2.8 (my review here). One offered image stabilization, the other offered a weather-sealed build and larger maximum aperture. But now there is a third choice – the Fujinon XF 1 [Read more...]
A couple of months ago I had a look at the Tamron 24mm F2.8 OSD M1:2 along with the 35mm F2.8 OSD M1:2 lenses. These lenses were part of a trio of highly similar prime lenses from Tamron designed specifically for Sony FE (full frame E-mount). The third lens was not ready at the time, […] [Read more...]
Nearly 5 years ago Canon released its first prime lens to include a new technology called Blue Spectrum Refractive Optics. When I reviewed that lens – the Canon EF 35mm F1.4L II – I concluded that it was the best non-supertelephoto lens that Canon had ever made. I bought one myself not long thereafter and [Read more...]
