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All of my time spent with Fuji products to this point has been on the APS-C end of the spectrum, but I’ve had a lot of requests to dip my toes into the more extreme end of their business, which is their GFX lineup of medium format products. Fuji has been unique in their marketing […] [Read more...]
Sometimes lens makers surprise you. Most “connected” photographers have their own ideas of what a lens maker should do, and, as a gear reviewer, I typically hear most of those suggestions. But clearly lens makers often have a different roadmap, and Sigma’s latest lens release is clearly one that no [Read more...]
Sometimes lens makers surprise you. Most “connected” photographers have their own ideas of what a lens maker should do, and, as a gear reviewer, I typically hear most of those suggestions. But clearly lens makers often have a different roadmap, and Sigma’s latest lens release is clearly one that no [Read more...]
I had my first experience with a 7Artisans lens not quite a year ago when I reviewed the 55mm F1.4 from them. I had seen 7Artisans mentioned a number of times because they fill an important niche in the market. They design affordable wide aperture manual focus lenses in a variety of mounts, giving both […] [Read more...]
All of my time spent with Fuji products to this point has been on the APS-C end of the spectrum, but I’ve had a lot of requests to dip my toes into the more extreme end of their business, which is their GFX lineup of medium format products. Fuji has been unique in their marketing […] [Read more...]
In late 2019 I reviewed the Sigma 45mm F2.8 DN lens, and, while I loved the build of the lens, I concluded that it was a bit of an oddball. It was released in concert with a couple of other lenses, one being the uber-premium 35mm F1.2 DN and the other being the 24-70mm F2.8 […] [Read more...]
In late 2019 I reviewed the Sigma 45mm F2.8 DN lens, and, while I loved the build of the lens, I concluded that it was a bit of an oddball. It was released in concert with a couple of other lenses, one being the uber-premium 35mm F1.2 DN and the other being the 24-70mm F2.8 […] [Read more...]
Laowa (Venus Optics) has never been a conventional lens maker. Early Chinese lens designers typically made their reputation by offering up cheaper clones of existing lenses. They chose the most conventional lens designs as those are the easiest to reproduce. But not Laowa. It is hard to find a “conv [Read more...]
