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Sony in a very good place in terms of their lens catalogue on full frame mirrorless. They were the first of the major brands to transition to mirrorless, and they’ve had an extra camera generation or two to finetune their process and build their lens catalogue. It seems like now they have really hit their [&hel [Read more...]
Sony is on a tear with their recent lens designs. In the past couple of years we have seen one exceptional lens after another, with standouts including the 24mm F1.4 G Master (perhaps the best 24mm lenses thus far – my review here), the Sony 135mm F1.8 GM (one of the sharpest lenses I’ve ever tested [&hell [Read more...]
Sony is on a tear with their recent lens designs. In the past couple of years we have seen one exceptional lens after another, with standouts including the 24mm F1.4 G Master (perhaps the best 24mm lenses thus far – my review here), the Sony 135mm F1.8 GM (one of the sharpest lenses I’ve ever tested [&hell [Read more...]
The classic 35mm focal length is one that, until recently, was slightly underrepresented on Sony. For years the sole “professional” option was the Sony Zeiss Distagon 35mm F1.4, a lens with a very mixed reputation that seems to be due to having a lot of sample variation (some good copies, some not so good).&nbs [Read more...]
The classic 35mm focal length is one that, until recently, was slightly underrepresented on Sony. For years the sole “professional” option was the Sony Zeiss Distagon 35mm F1.4, a lens with a very mixed reputation that seems to be due to having a lot of sample variation (some good copies, some not so good).&nbs [Read more...]
What do you get when you combine the massive resolution of the Sony a7RIV (almost!), the blazing speed of the Sony a9II (and more!), and all the video capabilities of the Sony a7SIII? The answer is the Sony Alpha 1, aka the Sony A1, or, more technically, the Sony ILCE-1. The Alpha 1 is definitely […] [Read more...]
Sony has debuted a new kit lens with the a7C, a retractable zoom design. This will likely replace the unlamented FE 28-70mm F3.5-5.6 OSS lens, which, on paper, seems to have the advantage over a lens with a smaller zoom range, a slightly smaller maximum aperture on the wide end (F4 vs F3.5), and one […] [Read more...]
I only began to review Sony products in 2017, and my focus has primarily been upon the newer cameras and lenses released since that point, so I barely missed the Sony FE 90mm F2.8 Macro G OSS, which was released just a few months before I started to cover Sony. The 90G Macro (as we’ll […] [Read more...]
