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Moon Leather Dual Camera Strap Review

Dustin Abbott

January 23rd, 2019

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When I show up to do a portrait shoot, a wedding, or shoot certain events, I’m often strapping on my Cotton Carrier harness system.  It’s very functional, helping to distribute the weight across my body, gives me quick access to two cameras, and helps reduce fatigue for a long shooting day. 

It also looks like I’m wearing a flak jacket. 

While harnesses are practical, efficient ways to carry gear (particularly big telephotos), not everyone wants to look like they’ve joined the SWAT team.  If you are looking for a stylish way to carry a camera or two while retaining quick access to them, look no further than the hand-made leather straps from Moon.

I spent some time out in Alberta a few years back with a friend that owns a leather shop (and does leather repair), and it gave me a whole new appreciation for the difference between actual leather and the typical cheap bonded leather we so often see.  It made me realize that the reason a lot of my cheap belts were splitting and looked terrible after a year or so was because they were, essentially, a throw-away product with very little actual leather involved.  Genuine leather, by contrast, stands a very good chance of lasting most of your lifetime.  I started changing the kinds of belts that I buy (as you can see from the photo above), and my good quality leather belts still look great after several years of use.

Moon’s ideology is pretty similar.  Their website says this, “We make high quality leather camera straps for DSLR and film camera users. All of our camera straps are hand made. We only use high quality leather to make camera straps that will last a lifetime and look even better over time.”  I chose the Vintage Brown Dual Leather strap, and I’m actually excited to watch it age…because while it looks great now, I know the leather will just acquire more patina and personality over time.

Moon is a European company based in the small country of Latvia, and a quick look at their website shows that they’ve definitely tapped into the hipster, Instragram culture that would look at home on the pages of a fashion magazine.  The materials in my new Moon camera strap look premium with the whole assembly looking like it was designed more in a tack and bridle shop than the typical camera gear factory.  That’s intentional, of course.  There are three materials that I can see:  leather, metal in the buckles and straps, and some braided material that is a part of the “safety strap”.

The setup is pretty simple and straightforward.  You connect one (or two) of the attachment lugs (“moon candy“) to the camera strap lug on the side of your camera.  You can attach two if you want to carry the camera in a traditional fashion, though I prefer to use the secondary lug that screws into the tripod mount of your camera.  I don’t like having a strap lug on the right side of the camera as I find it far more likely to interfere with the operation of the camera.  It’s easy to quickly screw that connect in or out of the baseplate of your camera (I have grip extenders or brackets on several of my cameras, so I just choose one of the threaded holes underneath).

My one criticism of the Moon strap is here, actually.  To attach the “moon candy”, you need to use a screwdriver to loosen the threaded pin that holds the folded over leather together, connect it to the strap lug mounted on your camera, and then screw everything back down.  It was a tight fit on my Sony cameras, and the process takes a few minutes.  Peak Design’s “anchors”, by contrast, can be connected in seconds without tools.  If you utilized different carry systems for different purposes this might slow you down enough to be deal breaker. 

If you want to connect the leather lugs and leave them (which is probably the case for most of you), however, it’s very easy then to connect the “leash” connector to take the camera on or off the strap.

Once everything is attached, putting the strap carrier on is a piece of cake.  Just slide your arms through the straps and put it on like a set of suspenders.

And suspenders is really what it looks like.  Stylish, leather suspenders…that just happen to have cameras attached to them.  The secondary strap that connects to the camera moves smoothly up and down the main strap, allowing you to very quickly and easily pull up the camera for the shot and then let it slide back down out of the way.

I also find that the weight distributes surprisingly well.  I’ve attached telephotos to the cameras and it still wasn’t bad, though I would still prefer the higher mounting position of a harness for big telephotos so that they don’t dangle so far down that they are in danger of hitting things.  For moderately sized camera/lens combination (which is what most people are using!), the balance is great, though.  The closer the two cameras are in weight, the better the balance and weight distribution will be, but I even found that I could take one camera off and use the dual strap with just one camera attached without issue.  The weight felt less balanced than with two cameras, obviously, but I consider this to a valid approach.  You also have the option of disconnecting the straps from the metal joining ring in the back and just use one strap individually (these are actually two camera straps with the metal joining ring that you clip into to convert them into a harness).  You can make the conversion in less than a minute once you learn the right positioning of the metal bits in the clips and latches.

The cameras hang down in a position where they are really out of your way until you need them, and while you need to be conscious that they are there when crouching, for example, I was able to successfully do so without hitting the camera off the ground.  When shooting with one camera, the other stays down out of the way without straps interfering with each other (which happens to me sometimes when I go out with two cameras and two straps).

There is extra material there that you can adjust for your body type, though it looks to me like there is a limit to how far you can take that.  Most of the models in their advertising shots look pretty slim.  I find that using the single strap in a sling position is fairly close fitting, and I’m quite slim, though there is plenty of strap to carry it just over the shoulder (a carry position I’m not really comfortable with).  If you have a larger body type you might want to shoot them an email and ask just about the sizing to make sure it will be comfortable for you.

All in all, the Moon Dual Camera strap is a pretty sweet way to carry a few cameras comfortably while having instant access to them.  It’s stylish, functional, well made, and, while not cheap, it’s designed to last a lot longer than the cameras you’ll attach to it.  It’s pretty much perfect for those of you who shoot weddings, portraits, or events with two bodies (to avoid switching lenses)  The strap I reviewed comes in at a pretty expensive 185 Euros, but that does include taxes and free shipping to anywhere in the world.  You can use the code DUSTINABBOTT284 to get 15% off, which helps ease the sting.  Style doesn’t come cheap, but at least you are getting a handmade product that is anything but throwaway…and perhaps for you, that makes it worth the money.

 

Purchase the Moon Strap (with free shipping around the world) here: | Use code DUSTINABBOTT284 for 15% off!

Keywords: Moon Camera Straps, Moon Strap Review, Leather Camera Strap, Moon Dual Strap, Dustin Abbott, Moon Leather Strap Review, Camera Strap Review, Peak Design, Black Rapid, Cotton Carrier, Hipster, Stylish, Instagram, Moon, Moon Camera Accessories, Discount Code

DISCLAIMER: This article and description contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission. As an Amazon Associate I earn from qualifying purchases.

In Praise of Excellence

Dustin Abbott

June 3rd, 2017

In Praise of Excellence

Don’t get me wrong; I do love to post-process images.  It is that second dimension of modern photography where you can take a good photo and make it great.  About four years ago I wrote a series of articles for Alien Skin Exposure’s blog on how to take an image from good to great through post processing. (Part 1 | Part 2| Part 3)  Through quality (and nuanced) processing technique you can take a good photo and make it transcendent.  If you look at the top-rated photos at most photo sharing sites you will see a lot of fantastic images…almost all of which have received a good deal of processing work.  But today’s article and photo gallery is called, “In Praise of Excellence”, and it celebrates the exceptional nature of two of my favorite lenses in my own personal kit along with the kind of images that come right out of the camera when you are using great glass.

There are definitely some things that you can improve through processing.  Color rendition, contrast, tone curves, highlights, shadows, and more.  You can change the whole look of an image.  But there are some things that software simply cannot emulate.  The quality of the rendering, the creaminess of the bokeh, subject isolation, and that unique three-dimensional look the best lenses can give.  

I am unquestionably blessed to get to do what I do.  I have access to all the most recent lenses and gear, and it is exceptionally rare that I don’t have gear that belongs to someone else sitting around.  But can I make a rather jaded confession?  There are moments when I crave using my own gear.  I don’t want to use the latest and greatest; I just want to use what’s familiar.  I have carefully put together a kit that includes a number of my favorite lenses, and often I’m not shooting with them because I need to be covering the newest gear.  

Thursdays are my day off, and I often like to just get out in the woods for a few hours to hike, decompress, and shoot “just for the fun of it”.  Thursday arrived somewhat cool, overcast, with periodic rain.  The upside?  Colors were rich and saturated.  The downside?  After a very wet spring and a damp morning the mosquitoes are out in force.  I felt like I deserved a blood donor sticker by the time my hike was over.

When I selected the gear for my hike, this is what I chose:

Gear Used:
Canon EOS 5D Mark IV (5D4): B&H Photo | Amazon.com | Amazon Canada 
Canon EF 35mm f/1.4L II USM: B&H Photo | Amazon.com | Amazon Canada
Canon EOS 6D: B&H Photo | Amazon.com | Amazon.ca
Super Precision Matte Eg-S Interchangeable Focusing Screen
Zeiss Milvus APO Sonnar 2/135m: B&H Photo | Amazon | Amazon.ca
Cotton Carrier Camera Vest and Holster

I used the Cotton Carrier harness/vest to allow me to carry two camera bodies with lenses attached for quick access.  I find that a backpack is less practical for me on these types of hikes (where I don’t need to carry other things) for the simple reason that if I don’t have quick access to the cameras I end up passing on photo opportunities because I don’t want to mess with stopping long enough to get at the gear.  The quick access provided by the Cotton Carrier means that I come home with more photos.

I carried a 5D Mark IV with the exceptional Canon EF 35mm f/1.4L II mounted on it.  Both of these items cost too much (particularly here in Canada), but when I tested them they stood out to me as being worth the extra money.  I think that the 35L II is the best prime lens that Canon makes under 200mm.  It has the most Zeiss-like rendering of any Canon lens that I’ve used, with that amazing mix of contrast, sharpness, and three dimensional subject rendering while also offering very smooth bokeh rendering.  Combine that with one of the best builds ever in a Canon lens and fantastic autofocus, and you have a lens that just might be worth its lofty asking price.  Roger Cicala from LensRentals said this after tearing down the 35L II and inspecting its build: “Sometimes things are expensive because they’re worth it. Sometimes they’re heavy because they’re so solidly constructed. This is one of those times.”

I also carried a Canon 6D with the also exceptional Zeiss Milvus APO Sonnar T* 2/135mm lens attached.  The predecessor to this lens (APO Sonnar 2/135m “classic”) was the first modern Zeiss lens that I reviewed, and it was an eye-opening experience.  I was shocked by how badly it outperformed the Canon 135mm f/2L that I had in my kit at the time.  I definitely was interested in the lens, but it is extremely expensive…and manual focus only.  Last year I reviewed the newer Milvus version of the lens, and was again reminded of just how exceptional a lens this is.  I’ve reviewed all three of the Otus series lenses (Zeiss’ most high end line), and frankly the Milvus 2/135mm deserves to be named with them.  It definitely upholds that standard of excellence.  When I had an opportunity to add the Milvus 135mm to my kit, I didn’t hesitate.  I keep a Canon 6D body setup for MF (manual focus) glass because the 6D allows the focus screen to be easily swapped out.  I have an EG-S matte precision focus screen installed that makes manual focus a much simpler (and more enjoyable) process because you can literally watch things come into focus in the viewfinder.  The sensor on the 6D has held up really, really well, and still provides beautiful image quality.

And so, here are the images that I got from these combinations over the process of my hike.  Many of them are at very large apertures, to provide a unique depth of field look to set them apart.  None of them have had any processing other than a RAW conversion in Lightroom.  I’m sharing this article, and these photos, to let you know that while great photography is and will always be about the photographer and his or her eye, that quality gear does matter.  These photos simply wouldn’t be possible with a kit lens…no matter how much you processed them! 

Some lenses are just expensive, but others are expensive because of a wonderful excellence that sets them (and your photos) apart from the pack.  This article and gallery is in celebration of excellence.

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DISCLAIMER: This article and description contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission. As an Amazon Associate I earn from qualifying purchases.

Peak Design CapturePro Review

Dustin Abbott

December 7th, 2016

Part of what I do as a reviewer is connect with different brands.  I enjoy the process of building a relationship and getting a sense of a company.  When I began a new partnership with Simons Camera (a retailer in Quebec) I was asked if I had ever reviewed anything from Peak Design.  I hadn’t, though I was familiar with the name.  I spent a little while on their website and quickly saw a few products that caught my eye.  One was a great looking camera strap called the Slide, while the second was the product I’m reviewing here – the CapturePRO camera clip.  Once I spent some time with the products I quickly discovered the Peak Design is an aptly named company; their products stand out as not only be well engineered but “common sense” engineered.  There is some great design in the DNA. The Capture Pro is a case in point.

When you use a lot of gear (as I do), you quickly learn that it is the little things that set great products apart from the pack.  There are simple details that when you see or use them make a light bulb come on and you think, “That’s clever”, or, “That’s the way things should work.”  I had a number of such thoughts as I used the CapturePRO.  

Prefer to watch your reviews?  Check out my video review here:

Common Sense Concept

I have a lot of different carry systems.  I do a lot of different kinds of photography, I travel a fair bit, and, as a reviewer, I use a wide variety of different gear.  I have straps, bags, backpacks, harnesses, and clips.  When carrying a backpack I have frequently lamented the fact that I can have all kinds of gear on my back but actually getting at it (even for a quick shot) requires stopping, removing the backpack, accessing the camera, taking the shot, and then reversing the whole process.  While doing a review of the Canon EF-M 28mm f/3.5 macro lens this summer I was wearing such a backpack with a combo of gear, food, and water in it.  Because I kept using the camera I gave up on putting it away after the first few stops and ended up carrying it in my hands for the remainder of the three hour hike down a mountain.  I thought, “How stupid!  I’ve got a nice camera backpack on my back and I end up carrying the camera!”  What I needed was a way to clip the camera onto the strap of the backpack I was wearing for easy access.

What I needed was the Peak Design CapturePRO.

 

It is a roughly palm-sized metal device that can be attached to backpack straps, bags straps, or even a belt and has a clip mechanism that allows you to securely lock the camera onto the clip and then quickly release it by engaging the release mechanism.  On that day I could have put the CapturePRO on the strap of my backpack, clipped the camera in place, and kept my hands free while still having near instantaneous access to the camera.  The CapturePRO is a common sense device that works exceptionally well.

During my review period I quickly left my office to pop into my children’s school for an event.  I was running late, so I grabbed just the camera (a Canon 5D Mark IV with the Tamron 85mm f/1.8 VC lens attached) and the CapturePRO.  I stood at the rear of the gym to have a good angle to capture photos of the event.  I simply attached the Capture Pro to my belt and was surprised how well it worked to snap the fairly heavy camera combo into place on my belt to free my hands in between shots.  A small thing that made a big difference, which I think is a pretty apt description for the CapturePRO itself.

Peak makes a number of products in the Capture line, including one for smaller cameras (the Capture) and even one for binoculars (the CaptureBINO).  The CapturePRO is the flagship, a professional model that is more heavy duty in construction and designed to accommodate heavier pro gear.  Its all-aluminum construction is extremely durable, and, in fact, Peak states that it is capable of supporting 200 pounds of force!  That’s way more than what I’m interested in carrying!!  They call the construction on the CapturePRO “weatherproof” and “built for especially rugged environments”.  That sounds like just what I need!

 

The common sense engineering manifests itself in the design of the CapturePRO.  There are are two knobs on either side of the CapturePRO that allow you adjust for a variety of thickness (up to 1/2″/1.3cm).  The front plate rotates up, allowing you to slip the rear plate behind the strap or belt and the front plate to come down in front.  You then tighten everything down for a snug fit.  I found it easy to make adjustments to the variety of straps and belts I attached it to.  Another important point is that once in place the system is designed to hold the camera rigidly, so you get less bouncing or sagging that becomes annoying during active moments like hiking.  It works just like you think it should.

Common Sense Quick Release Plate

The camera locks into place via a quick release plate that you attach to the tripod mount of your camera.  The common sense engineering shows up here, too, in a couple of ways.  The recommended means of tightening this plate is via an allen key.  I’ve used other systems that needed an allen key, and have often thought, “I’d love to have an allen key drilled out so that I could hang it from a loop and make sure it is handy.”  What did I find when I opened the package?  An allen key with a hole drilled out so and a little keychain loop where it could be attached to a bag or strap.  Common sense.  On top of that the tightening lug is also slotted so that you can use a coin or flat edged screwdriver in a pinch.  Nice.

On top of that the quick release plate serves multiple purposes.  It is compatible with Arca-type tripods; take your camera out of CapturePRO and put it directly into your ARCA-type tripod with the included PROplate quick-release plate.  It also includes a set of adapters so that it can fit right into most Manfrotto RC-2 tripods. For a complete list of compatible models, go here.  The CapturePRO clip is designed in such a way that you can also attach the camera in multiple directions (the plate slides in from both vertical and horizontal directions), giving you even more versatility in how you attach your camera.

Beyond this, the CapturePRO has a solid aluminum backplate with a female screw thread, allowing you to screw the unit atop your tripod plate or 3/8″ head mount and used as a quick-release clamp.  This is the way that things ought to work.  It’s clear that some real photographers have contributed to the design process, as, unlike some products, the CapturePRO has been designed with more than just itself in mind.  Photographers need connectivity to the different systems that are a part of our work.  Peak has considered that in the design of this product.

Once you’ve attached the quick release plate to the camera, it slides into place with a satisfying, definite “click”.  I like this aural confirmation that everything is secure so that I can keep focusing on the task at hand.  If you want a little more reassurance you can twist the quick-release button 90 degrees and lock it, preventing accidental release.  In one final thoughtful touch there are four anchor points on the quick release plate where you can easily connect Peak Design’s Anchor attachments, which would allow you to connect one of their straps and thus save a bit more time when moving from one carry system to another.  When you want to release the camera, simply depress the red release button and it is easy to slide the camera out.  You waste very little time either attaching or removing the camera from the CapturePRO – perfect!

Real World Use of the CapturePRO

In addition to the event use I primarily used the CapturePRO for the various active things I do while carrying a camera.  Hiking, snowshoeing, cycling, etc…  It worked the way I thought it should, holding the camera secure when moving.  I particularly liked the easy of attaching and then removing the camera and felt like I wasted very little time getting the shot I wanted and then getting back into the activity.  It is a very practical tool for the kind of work and activities I do.

There are limitations, of course.  While being able to support 200 pounds sounds great in the marketing materials, there is a practical limit to what the CapturePRO’s design can actually support.  Lighter and shorter combos work the best, while trying to use longer telephotos may cause the strap you are attached onto to bulge and tilt a bit, making it less comfortable.  You need to work within the limitations of such a carry system.  I prefer a harness system for carrying heavier gear (I use the Cotton Carrier).

So forget the 200 pounds and focus on using the CapturePRO to its strengths.  If you want quick access to your camera (from mirrorless to a DSLR with medium sized lens attached), then it’s hard to beat the CapturePRO.  It just works…  The price in the US is $79.99, or $99 bucks here in Canada (use code PEAK100 to get a special gift with purchase)  While not a “bargain” item, this is a beautifully designed item that will last as long as you (it carries a Lifetime Warranty).  The added convenience over the years will probably make you think of it as a bargain in the long run.

Thanks to Simons Camera  for providing me with a retail sample loaner to test!

DISCLAIMER: This article and description contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission. As an Amazon Associate I earn from qualifying purchases.