The classic 35mm focal length is one that, until recently, was slightly underrepresented on Sony. For years the sole “professional” option was the Sony Zeiss Distagon 35mm F1.4, a lens with a very mixed reputation that seems to be due…
What do you get when you combine the massive resolution of the Sony a7RIV (almost!), the blazing speed of the Sony a9II (and more!), and all the video capabilities of the Sony a7SIII? The answer is the Sony Alpha 1,…
What do you get when you combine the massive resolution of the Sony a7RIV (almost!), the blazing speed of the Sony a9II (and more!), and all the video capabilities of the Sony a7SIII? The answer is the Sony Alpha 1,…
Sigma’s 105mm F2.8 Macro lens is perhaps the most popular of it’s pre “ART Series revival” reinvention in 2013. I still get a lot of questions about it today, mostly because it is a good lens with an image stabilizer…
Sigma’s 105mm F2.8 Macro lens is perhaps the most popular of it’s pre “ART Series revival” reinvention in 2013. I still get a lot of questions about it today, mostly because it is a good lens with an image stabilizer…
Sony has long been the revolution brand in the camera world. While they lacked the market share of Canon and Nikon, the Sony company has typically played the role of disrupter by constantly innovating and bringing new features to the…
Sony has long been the revolution brand in the camera world. While they lacked the market share of Canon and Nikon, the Sony company has typically played the role of disrupter by constantly innovating and bringing new features to the…
I only began to review Sony products in 2017, and my focus has primarily been upon the newer cameras and lenses released since that point, so I barely missed the Sony FE 90mm F2.8 Macro G OSS, which was released…
I only began to review Sony products in 2017, and my focus has primarily been upon the newer cameras and lenses released since that point, so I barely missed the Sony FE 90mm F2.8 Macro G OSS, which was released…
When I reviewed the Tamron 28-200mm F2.8-5.6 RXD in June of 2020, I theorized that it might just be the best travel option available on Sony. I put that to the test recently and traveled to Mont Tremblant, Quebec (one…
The arrival of the Sigma 85mm F1.4 in late 2016 left me very conflicted, which is reflected in my review of that lens. On one hand, there was no question that the lens was very strong optically (one of the…
The arrival of the Sigma 85mm F1.4 in late 2016 left me very conflicted, which is reflected in my review of that lens. On one hand, there was no question that the lens was very strong optically (one of the…
The Sony 24-240mm F3.5-6.3 OSS is one of Sony’s older full frame E-mount lenses, but I’ve just gotten around to reviewing it because of the release of the new Tamron 28-200mm F2.8-5.6 RXD. Not all lenses age well, and that…
Tamron continues to flesh out their lineup for Sony FE (full frame mirrorless) with another intriguing new entry. Even those who buy expensive, full frame cameras sometimes want a single lens solution for outings or travel where bringing a big…
Tamron continues to flesh out their lineup for Sony FE (full frame mirrorless) with another intriguing new entry. The Tamron 28-200mm F2.8-5.6 RXD helps to fill the role of a competent all-in-one/travel lens for full frame mirrorless, though with a…
A lot of people will be very excited upon the announcement of this newest Sigma lens – the Sigma 100-400mm F5-6.3 DN OS for Sony FE (full frame mirrorless). The 100-400mm zoom range is one of the most popular for…
A lot of people will be very excited upon the announcement of this newest Sigma lens – the Sigma 100-400mm F5-6.3 DN OS for Sony FE (full frame mirrorless). While the Sony FE 100-400mm G Master lens is an excellent…
I had a conversation with a third party lens maker last year, and they asked me essentially what lenses I felt were needed on Sony. One of the lenses I described to them was essentially the Sony FE 20mm F1.8…