
Uh oh! Just when other lensmakers were adjusting to Viltrox’s three pronged approach of budget AIR, upper mid-tier PRO, and premium LAB series of lenses, Viltrox is back with a whole new series of lenses under the label of EVO. The Viltrox AF 85mm F2 EVO FE bridges the gap between the AIR and PRO lines, with some of the features of the PRO series in a body only slightly bigger than the AIR series. We’ve got a nice build, declickable aperture ring, AF/MF switch, function button, and some basic weather sealing, but a compact body that’s just 76mm in length and weighs just 340g – 460g less than the Pro AF 85mm 1.4. The basic formula reminds me a lot of the Sigma iSeries lenses, with moderately bright maximum apertures, nice build, and excellent optical performance. But, in Viltrox’s disruptive style, this new EVO 85mm is aggressively priced at just $275 USD, 315 euro, or 265 GBP (less, if you buy from Viltrox and use the code DUSTINABBOTT for 5% off!) Has your new favorite 85mm lens arrived? Find out more in either the video review below or by reading on in the text review.
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Thanks to Viltrox for sending me a review copy of this lens. As always, this is a completely independent review. *The tests and most of the photos that I share as a part of my review cycle have been done with the Sony a7RV and the Sony A1 II. You can find the listing for the EVO 85mm F2 here.
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Viltrox EVO Series Lens Reviews
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AI SUMMARY: The Viltrox EVO 85mm F2 FE is a compact, lightweight lens that offers impressive optical performance at an exceptional price point of $275 USD. It features a robust build with a declickable aperture, weather sealing hints, and a USB-C firmware update port, making it versatile and user-friendly. The lens delivers notable sharpness, contrast, and minimal chromatic aberration across various shooting conditions, including portraits and landscapes. Overall, it fills a niche for affordable, high-performance autofocus 85mm lenses, appealing especially to budget-conscious photographers seeking quality.
Strengths:
- Outstanding sharpness and contrast, especially wide open at F2
- Compact, lightweight, and well-built with a feature-rich design (declickable aperture, programmable button, weather-sealing hints)
- Excellent value for the price, offering performance comparable or superior to more expensive alternatives
- Good autofocus performance for stills and smooth video AF, along with minimal flare and good resistance to optical issues
Weaknesses:
- Limited weather sealing, possibly only partial at mount and front element
- Some vignette and corner softness at wider apertures requiring correction
- No lens-based stabilization, reliance on in-camera stabilization
- Autofocus motor, while good, is not as silent or fast as higher-end focus systems (e.g., HyperVCM)
There are 85mm F1.4 and F1.8 lenses on Sony, but to this point no 85mm F2 autofocus lenses. The primary competitors to the EVO 85mm will be the LK Samyang 85mm F1.8 Prima (an excellent little lens), the Sony FE 85mm F1.8, and the admittedly long-in-the-tooth but still popular Viltrox AF 85mm F1.8, one of their earliest lenses. Of these three, I consider the LK Samyang to be most direct competitor, as it is another modern lens that isn’t priced in a completely different class. It is more expensive (at $399 USD), but not like the Sony ($698), or, worse still, the Zeiss Batis 85mm F1.8 at a whopping $1249 USD. I’ll reserve my comparisons to the Samyang, as it is a lens that I recently reviewed (July of 2025) and still have on hand to directly compare.

F2 is not a particularly bright maximum aperture for an 85mm lens, but the EVO 85mm compensates by delivering outstanding sharpness at F2. Images have a lot of pop, with excellent contrast, color, and detail.


In many ways a good optical analog is the Zeiss Loxia 85mm F2.4, a lens that also has a slower maximum aperture but compensates by delivering outstanding performance wide open. That Loxia lens was a manual focus lens with an MSRP well north of $1000, however, so once again Viltrox delivers extraordinary bang for the buck. I think a lot of people are going to love this new EVO 85mm because it is small, inexpensive, but delivers a feature rich build and great optics in that small package.

Let’s explore the details…
Viltrox EVO 85mm Build and Handling
I absolutely love the formula Viltrox has chosen for this new mid-level series, as it checks just about all the boxes for me. The first is a robust approach to aperture control, starting with an aperture ring that can be used with traditional “clicks” at the one-third of a stop points throughout the aperture range.

The aperture ring works perfectly here, with markings at the one third stop positions and light detents at those places if you have the “clicks” on. You also have a declick option where you can smoothly rack from F2 to F16. There is a firmer detent between F16 and the A (automatic) option which will allow aperture to be controlled from within the camera. The one aperture feature that is missing is an iris lock which would allow you to either lock into or out of the aperture ring.

I was able to perform aperture racks in the declicked mode without visible steps. It is worth noting that the EVO 85mm is the only lens in this class that has this level of feature set, which is impressive considering that it is also the cheapest (the Meike 85mm F1.8 is cheaper, yes, but it is nowhere near this class of lens).
The iris itself has 9 aperture blades, and these make for a nicely rounded aperture (though with a slight outline of the blades) even when stopped down a fair bit. Here’s what the bokeh geometry looks like from F2.8-F5.6:



When the blades are retracted, there is a pretty decent amount of glass in there.

Other features include an AF | MF switch and a custom/Fn button that can be programmed to various functions from within the camera.

We’ve got a shiny new EVO badge on the side of the lens.

Viltrox is a little more coy about the weather sealing on the EVO lineup. There is no mention of weather sealing in the packet that they sent me, though I do see a weather sealing gasket at the lens mount and the information packet does mention a special coating on the front element to resist moisture and fingerprints. I suspect that weather sealing is limited to those two seal points and doesn’t approach the more thorough level seen on the PRO and LAB series of lenses. I will update this review if I discover otherwise after public release.

You probably also noted the USB-C port in the lens mount that allows you to do firmware updates right to the lens. I’m a fan of this approach, as it eliminates the need for a separate dock or lens station for firmware updates, and I find the process a little more intuitive than even doing firmware updates through the camera. Viltrox gives you a variety of ways to do the firmware updates. Here’s the screen I got after doing a firmware update via their PC app.

The build materials feel like they fall somewhere between the AIR and PRO series. The body is engineered plastics rather than the magnesium-aluminum alloy found in the PRO series, but the finish is more upscale. It’s a great looking little lens and feels more high end than the LK Samyang Prima 85mm.

This is an extremely nice build quality for this price point.
Included is a small pouch and the lens hood. The lens hood is plastic, yes, but it is also fairly thick and robust. It bayonets on a little too tightly for my tastes, but on the upside it locks into place with good firmness and doesn’t move around.

There is no lens based stabilization, so you will need to rely upon the in-camera stabilization if your camera is so equipped.

The EVO 85mm is a moderately lightweight lens that actually competes nicely in this class of lens. The smallest and lightest lens in the class is the LK Samyang 85mm F1.8, which is just 71.5mm in length and weighs in at 272g. The EVO 85mm is a one millimeter slimmer in diameter at 69mm (2.71″) but is a bit longer at 76mm (2.99″) in length. It weighs in at 340g (12oz), though, to be fair, it has some features (like an aperture ring) that the Samyang lacks. The Sony 85mm F1.8 is both bigger (78 x 82mm) and heavier (371g) despite also lacking the aperture ring, so it feels like Viltrox has done a good job on keeping the size and weight moderate.

The front filter thread is the smallest in the class at just 58mm. Perhaps this is a byproduct of having a slightly smaller maximum aperture.

The manual focus ring is tightly ribbed and moves nicely. It has a medium weight to it, but is nicely reactive and doesn’t have any apparent lag. I was able to focus smoothly and with precision. Full time manual override is not available, however.

The EVO 85mm can focus as closely as 74cm and produces a decent 0.13x magnification. In an absolute sense, 0.13x is unimpressive, but 85mm lenses have a low standard in this metric. This is a closer minimum focus distance than all the competing lenses, and the maximum magnify either ties or betters all of them. Here’s what the magnification looks like.

Up close performance at F2 is excellent, with a nice, flat plane of focus and good sharpness and contrast.

If the Viltrox AF 85mm F2 EVO is anything to go by, the EVO series is going to hit the sweet spot for a lot of people. This is a LOT of lens for the money, but thankfully it isn’t a lot of lens when it comes to traveling! $275 (or less!) is amazing value for the quality of lens you are getting here; the build and handling are excellent.
Autofocus for Stills
Viltrox has now moved to higher end HyperVCM (voice-coil motor) focus in their recent premium lenses, but it looks like they will be sticking with their STM motors for the AIR and EVO series. These lenses have smaller optical elements to push in their focus group, so the STM (stepping motor) produces enough thrust. Focus isn’t quite GM level fast (the best are basically instant), but focus moves back and forth with almost no lag. In this shot, for example, I had to walk quickly ahead of someone who was blocking my view and snap the camera up and grab the shot before my subject moved out of the composition I wanted and before the other person walked back into frame. No problem.

Focus was also consistently accurate, locking onto very slim subjects and delivering excellent focus.

The focus motor is quiet but not as silent as their HyperVCM focus motors. There’s a very light whirring to be heard if you put your ear right up to the lens barrel.
Portrait results were flawless, delivering perfectly focused results even in a backlit situation (and, due to flash issues, no front fill!).


I had no problem tracking the moderate action of people playing lawn games.

As per usual, my recommendation for those wanting to photograph fast action on Sony is to use a first party Sony lens. They tend to have good autofocus, for one, but also Sony does a few things to advantage its own lenses and disadvantage third party lenses.
For most things, however, the EVO 85mm F2 is going to work great.

In general I found focus to be pretty great.
Video AF
STM motors definitely cover a spectrum of performance, and fortunately the STM motor in the EVO 85mm is one of the better ones. Video focus pulls were smooth and crisp, with no visible steps and confident focus lock. There is some focus breathing, but not bad for an 85mm lens. I would consider the quantity of focus breathing to be on the lower side for an 85mm, though, as a third party lens, the focus breathing compensation available on some Sony cameras will not work.

My “hand test” where I alternatively block and unblock the camera’s view of my face with my hand went well, with smooth and confident transitions from my hand to my face and back, though sometimes focus wanted to stay locked on my face rather than transitioning to my hands.
Generally autofocus for video was great in all my clips and also the episodes for my YouTube channel that I filmed on it. Focus was stable and confident on Sony FE. Viltrox has years of experience of developing autofocus lenses on Sony at this point…and it shows.
Viltrox EVO 85mm F2 Image Quality
The EVO 85mm sports a fairly simple optical design of 10 elements in 8 groups. This includes 2 ED (extra low dispersion) elements along with 2 HR (high refractive index) elements. The MTF shows an exceptionally sharp center and midframe, but a fairly steady decline from there to a fairly weak extreme corner. As has been the case with a number of recent Viltrox optical designs, the F8 performance isn’t quite at sharp in the center and midframe as F2 but stays remarkably consistent right into the far corners.


The recent LK Samyang AF 85mm F1.8 follows a similar pattern, though it isn’t quite as sharp in the center and midframe. This is an extremely sharp lens wide open. I particularly noticed the contrast and pop at medium distances, where it is exceptional.


There is a mild amount of pincushion distortion (a -2 to correct) along with a heavier amount of vignette. I needed +71 to correct for the vignette.

That vignette is enough that you’ll probably want to work to correct it.
Color fringing on the other hand is extremely low. I see little evidence of longitudinal chromatic aberrations either before or after the plane of focus.

The same is true if I look for fringing on my Dad’s old SLR. I don’t see anything on the letters on the lens nor on the shiny bits of the body.

This allows the EVO 85mm to easily handle high contrast situations, like this:


I saw next to no lateral style chromatic aberrations (LaCA) found in the contrast transitions near the edge of the frame.

Other than some vignette, this is a lens that takes care of the optical problems through optical corrections.
So how about resolution and contrast? These results are shot on a 61MP Sony a7RV and the crops are shown at roughly 200% magnification level. Here’s a look at the test chart that the crops are taken from.

If we zoom in and look at the 200% crops at F2 from the center, mid-frame, and lower right, we discover that sharpness and contrast are excellent in the center and mid-frame, with a fade into the corners (though they are far from bad).



A tight crop from a portrait shot shows a beautiful mix of sharpness and contrast on the subject’s face and a lovely degree of defocus beyond.

There’s a fantastic amount of detail even at F2.
How does that compare to the LK Samyang 85mm F1.8 Prima? If I stop the Samyang down to F2, here’s what I found:



My caveat is that I actually love the LK Samyang’s optics – the rendering and detail are great, and I’ve gotten some amazing photos with it, but there’s no question that the EVO 85mm wins in terms of sharpness and contrast all across the frame.
The only place where there is really any room for improvement is in the corners. As I stopped the lens down I found incremental improvements in the corners, with fairly even sharpness across the frame achievable by F4 and F5.6:

Landscape results look fantastic. Great colors, great contrast, and great detail.

Here’s another landscape result for you.

Diffraction is an unfortunate reality on higher resolution cameras, so you will see a faint softening by F11 and a more obvious softening by the minimum aperture of F16, though frankly results at 100% will still look fine.

There’s no question the EVO 85mm is a sharp lens, but can it also produce the kind of rendering we want from an 85mm lens?
With a maximum aperture of F2 subject isolation won’t be as pronounced as it would be with a lens with a brighter maximum aperture, but the longer focal length can still produce very shallow depth of field at close to medium distances. At the minimum focus distance and with some separation from the background, you can achieve a dramatic amount of defocus.

At a little further distances the background won’t be strongly defocused, but the rendering still looks quite good.

The intense contrast allows for the subject to pop even though the background isn’t completely defocused.
I would argue that the combination of contrast, rendering, and vignette actually reminds me a bit of Zeiss lens, which, from me, is pretty high praise.

We are far removed from the days when a budget lens like this one meant a poor optical performance. This is the busiest of the images that I took during my review period, and that’s largely because of the smaller maximum aperture which left more of the very close background in focus.

I was also pretty impressed with flare resistance. It feels like Viltrox’s coatings are getting better. I was able to shoot into intense sun with this shot and retain excellent contrast and color, with minimal ghosting and veiling.

In the critical shots where the sun was right out of frame, I got nothing more than a nice glow.

When shooting right into intense sun I saw a bit more veiling and a bit of a corona halo. At smaller apertures like F11, I saw a bit more flashing with the sun right out of the frame and some long shafts of the light from the sun that were more intrusive. The sunstar at F11 gets a little dominant.



So not a perfect performance, but in the real world situations where I was shooting (in a natural fashion), I was very happy with the results.
The bottom line: this is a fantastic optical performance for a lens that you’ll be able to buy for under $275. Amazing.

Enjoy the images in the mini-gallery here.
Conclusion
I suspect the EVO series of lenses is going to be another big hit for Viltrox. Many people love the AIR series which combines simple design with a cheap price and excellent optics, but the EVO series is really going to appeal to those want a more feature rich lens but don’t want to deal with the bulk of the PRO series. The Viltrox AF 85mm F2 EVO just works, and I love the feature set, the compact size, and, of course, those impressive optical chops don’t hurt.

We don’t get the higher end focus system reserved for the Pro and LAB series lenses, but the smaller glass elements in an F2 lens (versus F1.4 or F1.2) are easier to move anyway, and autofocus performance was generally excellent anyway.

And where Viltrox always shines is in the price-to-performance ratio. This is an excellent optical performance that bests all the other lenses in this class, and yet the price point of $275 USD undercuts almost all of them. You can use the code DUSTINABBOTT at Viltrox to shave a extra 5% off the MSRP. The EVO 85mm has a slightly smaller maximum aperture than the competition (one-third of a stop less bright), but the impeccable wide open performance helps offset that disadvantage. I love the design philosophy and packaging for this new EVO series, and definitely looking forward to future additions. I would love to see Viltrox diversify a bit more into more varied focal lengths, even if that means adopting smaller maximum apertures. How about a compact 135mm F2.8, for example, or even a 200m F4? The possibilities are definitely exciting.

Pros:
- Both compact and feature rich
- Offers more than the competitors for less
- Some weather sealing
- USB port for firmware updates
- Clean and elegant design
- STM focus motor delivers fast, quiet, and accurate autofocus
- Focus pulls are nicely damped
- Comparatively low focus breathing.
- Exceptionally sharp lens that competes with the very best
- Extremely sharp across the frame at smaller apertures
- Little distortion
- Solid control of fringing
- Colors look great
- Amazing contrast
- Gorgeous bokeh
- Amazing price to performance ratio
Cons:
- Slightly slower maximum aperture than competitors
- Fairly heavy vignette
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GEAR USED:
Purchase the Viltrox EVO 85mm F2 @ Viltrox (use code DUSTINABBOTT for 5% off) | B&H | Adorama | Amazon | Amazon Canada | Amazon UK | Amazon Germany | Pergear
Purchase the LK Samyang 85mm F1.8 P @ B&H Photo | Adorama | Amazon | Amazon Canada | Amazon UK | Amazon Germany | LK Samyang
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Purchase the Sony a7RV @ B&H Photo | Adorama | Amazon | Camera Canada | Sony Canada | Amazon Canada | Amazon UK | Amazon Germany
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Purchase the Sony a7IV @ B&H Photo | Adorama | Amazon | Camera Canada | Sony Canada | Amazon Canada | Amazon UK | Amazon Germany
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Purchase the Sony Alpha 1 @ Camera Canada | B&H Photo | Adorama | Amazon | Sony Canada | Amazon Canada | Amazon UK | Amazon Germany | Ebay
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