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The original idea behind mirrorless cameras was they would be smaller, lighter alternatives to DSLRs due to the differences in technology while providing similar levels of optical performance. As I’ve noted in many subsequent reviews this idea is often lost, as frequently lenses designed for mirrorless (like the Sony [Read more...]
The Zeiss Batis Distagon 40mm F2 CF is the newest and perhaps most unique member of the Batis family of lenses for Sony FE. It joins the 18mm, 25mm, 85mm, and 135mm lenses as the “normal” focal length but also becomes the closest thing to a macro lens in the lineup due to the CF […] [Read more...]
The original idea behind mirrorless cameras was they would be smaller, lighter alternatives to DSLRs due to the differences in technology while providing similar levels of optical performance. As I’ve noted in many subsequent reviews this idea is often lost, as frequently lenses designed for mirrorless (like the Sony [Read more...]
Samyang/Rokinon have long been known for making budget, manual everything lenses. I reviewed my first Rokinon lens in 2013, and have reviewed 9 others since (this will be the 11th Samyang/Rokinon lens I’ve reviewed). In the last two years Samyang has shifted to developing some autofocus lenses, and this is the [Read more...]
Sigma 24mm F1.4 ART FE Image Gallery The Sigma 24mm f/1.4 DG HSM | ART was, I believe, the only ART series lens that I missed reviewing when it was initially released. In the past few months Sigma has been releasing new versions of its ART series in Sony FE (full frame E-mount), so I […] [Read more...]
The original idea behind mirrorless cameras was they would be smaller, lighter alternatives to DSLRs due to the differences in technology while providing similar levels of optical performance. As I’ve noted in many subsequent reviews this idea is often lost, as frequently lenses designed for mirrorless (like the Sony [Read more...]
The original idea behind mirrorless cameras was they would be smaller, lighter alternatives to DSLRs due to the differences in technology while providing similar levels of optical performance. As I’ve noted in many subsequent reviews this idea is often lost, as frequently lenses designed for mirrorless (like the Sony [Read more...]
From the moment I added Sony full frame bodies to my own personal kit, I immediately became interested in the Voigtländer 65mm f/2 APO-Lanthar Macro lens for two reasons. Both of these reasons are Zeiss-inspired. The first is that I’ve always been tempted by the Zeiss 50mm f/2 Makro-Planar in both its  [Read more...]
