Dustin Abbott has been published in such publications as PhotoPlus, Photo News, Popular Science, American Photo, Pro Photographer, and Photography Week magazines as well as the Globe and Mail newspaper. He has been featured as a guest on many photography blogs and has had either articles or photos published in local magazines in multiple countries. He writes on a regular basis as a free-lance writer for PhotoNewsFlash, Alien Skin Software Blog, CanonRumors, B&H Explora eZine, and has also written for Photography Masterclass Magazine, Henry’s Photography Blog, PhotoNews Magazine, Digital Photography School, the Zeiss LenSPIRE blog, and Pro Photographer magazine. His lens reviews are respected around the world and can be seen on YouTube, too.
Tamron has been on a tear in the last few years on the Sony FE (full frame E-mount) platform, releasing one high-performing, reasonably priced zoom after another. This started with the very well received 28-75mm F2.8, followed by the 17-28mm…
The size of mirrorless cameras has trended ever larger as the early focus on (mostly) smaller sensors and compact lenses has shifted to high resolution full frame sensors and professional grade lenses designed to match (or exceed) what was available…
Sony has debuted a new kit lens with the a7C, a retractable zoom design. This will likely replace the unlamented FE 28-70mm F3.5-5.6 OSS lens, which, on paper, seems to have the advantage over a lens with a smaller zoom…
I’ve been working over the past few years to get up to speed with Fuji’s ecosystem, as I had next to no experience with the platform when Fujifilm Canada approached me with the idea of starting to review Fuji gear. …
Canon has promised us that the new RF mount has created the potential for a lot of new lens innovation and development. There’s certainly been evidence of that, and one of the most intriguing applications has been Canon’s surprisingly compact…
Chinese lens maker Viltrox has proved to be a very quick study for a new lens maker. They started with a few manual focus lenses (typical), but, by their third lens, graduated to autofocus lenses (not typical!) That has remained…
Canon’s new RF mount has unleashed Canon’s creativity and ability to do things they couldn’t before. In the past, one had to choose between wider maximum aperture (EF 16-35mm F2.8L III) or having an image stabilizer (EF 16-35mm F4L IS),…
Sigma’s 105mm F2.8 Macro lens is perhaps the most popular of it’s pre “ART Series revival” reinvention in 2013. I still get a lot of questions about it today, mostly because it is a good lens with an image stabilizer…
There is an ongoing debate as to whether Fujifilm’s choice to focus on APS-C is the right one. I’ve engaged in that debate myself, but I think that lenses like the Fujinon XF 23mm F2 R WR represent the most…
I only began to review Sony products in 2017, and my focus has primarily been upon the newer cameras and lenses released since that point, so I barely missed the Sony FE 90mm F2.8 Macro G OSS, which was released…
Viltrox has quickly established a name for themselves because, unlike most other new boutique lens makers, they have quickly (and successfully) accepted the challenge of designing autofocus lenses rather than just manual focus options. Many other newer brands have not…
The arrival of the Sigma 85mm F1.4 in late 2016 left me very conflicted, which is reflected in my review of that lens. On one hand, there was no question that the lens was very strong optically (one of the…
One of the unique strengths of the Fuji ecosystem is the wide range of lenses of varying quality and price points specifically designed around the APS-C sensor (in this case a 1.5x crop factor compared to 35mm/full frame). Fuji’s APS-C-centric…
It is extremely rare to see a Mark II version of a lens only about 15 months after the release of the original lens, but that is what we have in the Viltrox AF 85mm F1.8 STM II. I reviewed…
The Fuji platform has not been a particularly open one. The traditional major third party players like Sigma and Tamron have no Fuji XF mount lenses, and Samyang has no autofocus lenses for XF. The only real AF series for…
As you probably know, I review a wide variety of lenses. I’ve increasingly found myself reviewing lenses from brand-new lens makers in recent years. It seems like the rise of mirrorless cameras in particular has triggered a lot of fresh…
The Sony 24-240mm F3.5-6.3 OSS is one of Sony’s older full frame E-mount lenses, but I’ve just gotten around to reviewing it because of the release of the new Tamron 28-200mm F2.8-5.6 RXD. Not all lenses age well, and that…
In 2020 I’ve been doing a series of long term review of lenses that have managed to stay in my own personal kit for years on end. I evaluate these lenses using my current review techniques and with the unique…