I was very impressed with the size Canon’s surprisingly compact RF 70-200mm F2.8L IS USM. when I reviewed the lens (my review here). It spoke to a new design philosophy at Canon which values compact size and reduced weight over…
Fuji shooters have had a binary choice between two standard zooms – the XF 18-55mm F2.8-4 OIS (my review here) and the XF 16-55mm F2.8 (my review here). One offered image stabilization, the other offered a weather-sealed build and larger…
Fuji shooters have had a binary choice between two standard zooms – the XF 18-55mm F2.8-4 OIS (my review here) and the XF 16-55mm F2.8 (my review here). One offered image stabilization, the other offered a weather-sealed build and larger…
The realm of super-telephotos has been nearly exclusively the domain of the first party lens makers like Canon and Nikon. At the sidelines of most major sporting events you will see a lot of “great whites” (Canons) and a few…
While I’ve done a wide variety of reviews along the way, I’ve rarely taken on the challenge of reviewing super-teles from any brand. That kind of lens isn’t really a part of my personal workflow, and I feel that the…
I’ve noted in previous reviews that there are few lenses more important to a company’s lineup than a good 24-105mm lens. The reason for this is simple: more people are likely to use the lens than just about any other.…
Few lenses are more indispensable than a good 24-105mm f/4 lens, which provides good image quality with a constant aperture. Sony released a new FE 24-105mm f/4 G OSS lens alongside the new a7R III, and a lot of people…