Tamron has another game changer. This is how I felt about the Tamron 35-150mm F2-2.8 VXD zoom because it blurred the traditional F2.8 zoom focal ranges (24-70mm and 70-200mm) while also providing a larger than typical maximum aperture. I gave…
Tamron has another game changer. This is how I felt about the Tamron 35-150mm F2-2.8 VXD zoom because it blurred the traditional F2.8 zoom focal ranges (24-70mm and 70-200mm) while also providing a larger than typical maximum aperture. I gave…
I’ve previously spent time reviewing 4 different 7Artisans lenses, most all of them relatively inexpensive manual-everything lenses designed for APS-C and smaller sensors. But recently the company reached out to me and asked about the possibility of my reviewing a…
It was just a few months ago that I was reviewing a much more extreme instrument from TTArtisan – the 50mm F0.95. That lens was designated for use on APS-C, but it did a reasonable job of covering the full…
The original 24mm F1.4 ART was (I believe) the only Sigma ART lens that I missed reviewing at its time of release (in 2015). I rectified that in 2018 when I reviewed the newly released version of the lens for…
The original 24mm F1.4 ART was (I believe) the only Sigma ART lens that I missed reviewing at its time of release (in 2015). I rectified that in 2018 when I reviewed the newly released version of the lens for…
Early on photography was a hobby, not a career for me. I engaged with other photographers on Flickr, a place where my collective photos have had 30 million views at this point. In one of the Flickr communities I became…
It was April 2016 when I reviewed Sigma’s first 20mm F1.4 ART lens, a lens designed for full frame DSLRs. I came away very impressed with the optical performance of the lens and felt like the greatest negatives were a…
It was April 2016 when I reviewed Sigma’s first 20mm F1.4 ART lens, a lens designed for full frame DSLRs. I came away very impressed with the optical performance of the lens and felt like the greatest negatives were a…
Meike is one of many newer lens companies who have specialized in inexpensive manual focus lenses (though they also have a lineup of slightly higher end cine lenses). I’ve spent time with three Meike manual focus lenses in the past,…
Meike is one of many newer lens companies who have specialized in inexpensive manual focus lenses (though they also have a lineup of slightly higher end cine lenses). I’ve spent time with three Meike manual focus lenses in the past,…
I was somewhat surprised when Sigma released the Sigma 28-70mm F2.8 DG DN (my review here). It had only been 13 months since they had released the Sigma 24-70mm F2.8 DN, a lens I felt was a strong alternative in…
I was somewhat surprised when Sigma released the Sigma 28-70mm F2.8 DG DN (my review here). It had only been 13 months since they had released the Sigma 24-70mm F2.8 DN, a lens I felt was a strong alternative in…
My first encounter with the company NiSi was actually to review their first lens. NiSi has historically been a company that has made filters for other people’s lenses, and a search of their products shows a lot of filters with…
Over the past two years Sigma has easily been the most prolific lens developer on Sony FE and Leica L. We went from no full frame options from Sigma on Sony’s mirrorless platform two years ago to some 25 lenses…
Over the past two years Sigma has easily been the most prolific lens developer on Sony FE and Leica L. We went from no full frame options from Sigma on Sony’s mirrorless platform two years ago to some 25 lenses…
The Canon EOS R5 (my review here) and EOS R6 (my review here) cameras showed that Canon was serious about the full frame mirrorless space. The former remains one of the best jack-of-all-trades cameras ever made, possibly bested only by…
The Canon EOS R5 (my review here) and EOS R6 (my review here) cameras showed that Canon was serious about the full frame mirrorless space. The former remains one of the best jack-of-all-trades cameras ever made, possibly bested only by…