Dustin Abbott has been published in such publications as PhotoPlus, Photo News, Popular Science, American Photo, Pro Photographer, and Photography Week magazines as well as the Globe and Mail newspaper. He has been featured as a guest on many photography blogs and has had either articles or photos published in local magazines in multiple countries. He writes on a regular basis as a free-lance writer for PhotoNewsFlash, Alien Skin Software Blog, CanonRumors, B&H Explora eZine, and has also written for Photography Masterclass Magazine, Henry’s Photography Blog, PhotoNews Magazine, Digital Photography School, the Zeiss LenSPIRE blog, and Pro Photographer magazine. His lens reviews are respected around the world and can be seen on YouTube, too.
A lot of people will be very excited upon the announcement of this newest Sigma lens – the Sigma 100-400mm F5-6.3 DN OS for Sony FE (full frame mirrorless). The 100-400mm zoom range is one of the most popular for…
Photography is expensive, so a lot of the gear that I end up reviewing is often outside the budget of many people. Fortunately there has been a rise in the past 3-4 years of what I classify as “boutique third…
I had a conversation with a third party lens maker last year, and they asked me essentially what lenses I felt were needed on Sony. One of the lenses I described to them was essentially the Sony FE 20mm F1.8…
At the beginning of this year I was delighted when Samyang released the Samyang AF 14mm F2.8 lens in an RF mount. It was an autofocusing lens (and one that autofocuses very well on the Canon EOS R that I…
Pergear has delivered another ultra-cheap lens to follow up on the Pergear 25mm F1.8, that I reviewed earlier this year. That lens roughly corresponded to a traditional 35mm focal length on full frame (37.5mm), while the new lens, the Pergear…
In late March, Samyang contacted me to see if I wanted to look at a new lens. I agreed, but they didn’t specify what the lens was. I didn’t know until it arrived, but was very interested to discover a…
Fisheye lenses are out on the extremes of photography. Whereas often I’m evaluating lenses and critiquing if they have distortion, fisheye lenses are really all about embracing the distortion and using it in creative ways. It’s not for beginners, and…
After reviewing a few Voigtländer lenses earlier this year (110mm Macro – review here and 40mm F1.2 – review here), I had a number of requests to cover the new Voigtländer APO-Lanthar 50mm F2 lens. I explained that Voigtländer reviews…
The Sony FE 100-400mm F4.5-5.6 G Master OSS is an indispensable lens if you need versatile reach for sports or wildlife photography. Other telephoto lenses that reach beyond 400mm grow exponentially, leaving the 100-400mm to often being the smallest, lightest,…
The Tamron 70-180mm F2.8 VXD is one of the most highly anticipated lenses of 2020…and that became clear from the moment that it was announced. Tamron has taken a different approach to its fast zooms on Sony. Sony’s own zooms…
Years ago I reviewed the unique Zeiss Planar 50mm F1.4 for Canon EF. I call it unique, in that, contrary to expectations for Zeiss glass, it isn’t actually particularly sharp wide open. “Dreamy” is the euphemistic term. Yet it produces…
The Sony FE 135mm F1.8 G Master lens is one of the best lenses I’ve used. Full stop. Stop and think about that for a moment, because after spending time with hundreds of lenses, that amazes me. It also passes…
Many of the new RF-mount lenses have been ultimate performers with big price tags, but fortunately there are a few “everyman” lenses on the platform, too. One of those is arguably the most practical: the Canon RF 24-240mm F4-6.3 IS…
I’ve owned the outstanding Voigtländer APO-Lanthar 65mm F2 Macro for several years now, and was intrigued with Voigtländer announced the Voigtländer APO-Lanthar 110mm F2.5 Macro lens. My access to Voigtländer lenses in Canada is limited, so I jumped on a…
Here’s an updated long term review on what I call the “best lens that no one is using”. The Zeiss Milvus 135mm F2 APO Sonnar is one of the best optical instruments in the world, but it is in few…
I recently began a series of long term reviews to explore the lenses that have lasted in my personal kit and continue to be favorites. One of the top lenses that I continue to feel is special is the Canon…
Here’s a bit of irony: the lens that has stayed in my kit the longest (nearly 10 years) is one that I’ve never reviewed…for the simple reason that it was already an old friend by the time I started doing…
I have gotten a LOT of requests to cover the Sony FE 24mm F1.4 G Master lens since its release, though it took me a while to get to it. The idea of having a premium wide aperture of F1.4…