Japanese lensmaker Tamron has had an epiphany: rather than just produce less expensive alternatives to first party lenses they could instead forge their own path and open up new market share for themselves by thinking outside the box. Tamron has…
Brightin Star is one of many startup lens companies that is trying to make a name for themselves. I’ve reviewed a couple of their lenses previously, starting with a budget wide angle 12mm F2 for APS-C (my review here) and…
The Canon RF-S 18-150mm IS STM lens is one of two newly announced lenses that will serve as the “kit” lenses for Canon’s first APS-C cameras that utilize the RF mount. The 18-150mm is the more premium of the two,…
It was just a few months back that Laowa built on the foundation of the excellent Laowa 100mm F2.8 APO 2x Macro with a new and improved lens specifically designed for mirrorless mounts in the form of the Laowa 90mm…
Tamron has another game changer. This is how I felt about the Tamron 35-150mm F2-2.8 VXD zoom because it blurred the traditional F2.8 zoom focal ranges (24-70mm and 70-200mm) while also providing a larger than typical maximum aperture. I gave…
Tamron has another game changer. This is how I felt about the Tamron 35-150mm F2-2.8 VXD zoom because it blurred the traditional F2.8 zoom focal ranges (24-70mm and 70-200mm) while also providing a larger than typical maximum aperture. I gave…
Canon has been a new roll in the mirrorless space since with a run of amazing cameras that began with the EOS R5 (my review here) and EOS R6 (my review here), and then carrying on to the high end…
Canon has been a new roll in the mirrorless space since with a run of amazing cameras that began with the EOS R5 (my review here) and EOS R6 (my review here), and then carrying on to the high end…
I’ve previously spent time reviewing 4 different 7Artisans lenses, most all of them relatively inexpensive manual-everything lenses designed for APS-C and smaller sensors. But recently the company reached out to me and asked about the possibility of my reviewing a…
Back in May of this year I spent extended time reviewing the Viltrox AF 13mm F1.4 STM for Fuji (on a FUJIFilm X-T4 camera). I concluded that it joined the 85mm F1.8 as one of their best lenses to date…
Back in May of this year I spent extended time reviewing the Viltrox AF 13mm F1.4 STM for Fuji (on a FUJIFilm X-T4 camera). I concluded that it joined the 85mm F1.8 as one of their best lenses to date…
It was just a few months ago that I was reviewing a much more extreme instrument from TTArtisan – the 50mm F0.95. That lens was designated for use on APS-C, but it did a reasonable job of covering the full…
The original 24mm F1.4 ART was (I believe) the only Sigma ART lens that I missed reviewing at its time of release (in 2015). I rectified that in 2018 when I reviewed the newly released version of the lens for…
The original 24mm F1.4 ART was (I believe) the only Sigma ART lens that I missed reviewing at its time of release (in 2015). I rectified that in 2018 when I reviewed the newly released version of the lens for…
Early on photography was a hobby, not a career for me. I engaged with other photographers on Flickr, a place where my collective photos have had 30 million views at this point. In one of the Flickr communities I became…
It was April 2016 when I reviewed Sigma’s first 20mm F1.4 ART lens, a lens designed for full frame DSLRs. I came away very impressed with the optical performance of the lens and felt like the greatest negatives were a…
It was April 2016 when I reviewed Sigma’s first 20mm F1.4 ART lens, a lens designed for full frame DSLRs. I came away very impressed with the optical performance of the lens and felt like the greatest negatives were a…
Meike is one of many newer lens companies who have specialized in inexpensive manual focus lenses (though they also have a lineup of slightly higher end cine lenses). I’ve spent time with three Meike manual focus lenses in the past,…