There are few lenses more important to photography than the 24-70mm F2.8 standard zoom, which covers everything from landscape focal lengths to one of the favored focal lengths for portrait photography. Most photographers could do at least 80% of their…
There are few lenses more important to photography than the 24-70mm F2.8 standard zoom, which covers everything from landscape focal lengths to one of the favored focal lengths for portrait photography. Most photographers could do at least 80% of their…
This one has taken me a while to get to! I was scheduled to review the Sigma 40mm F1.4 DG HSM ART months ago, but then Sigma announced and quickly released a trio of new lenses for Sony FE (and…
This one has taken me a while to get to! I was scheduled to review the Sigma 40mm F1.4 DG HSM ART months ago, but then Sigma announced and quickly released a trio of new lenses for Sony FE (and…
Sigma was a little slow to adopt to the Sony FE platform despite embracing APS-C e-Mount years ago. 2018 brought retooled versions of a number of their ART series DSLR lenses, though those lenses had clear compromises in size and…
After dipping their toes in the Sony FE (full frame mirrorless) pool last year with retooled versions of some of their popular ART series lenses (essentially lenses with built-in adapters to make them compatible with Sony), Sigma has arrived on…
Sigma was a little slow to adopt to the Sony FE platform despite embracing APS-C e-Mount years ago. 2018 brought retooled versions of a number of their ART series DSLR lenses, though those lenses had clear compromises in size and…
Sigma was a little slow to adopt to the Sony FE platform despite embracing APS-C e-Mount years ago. 2018 brought retooled versions of a number of their ART series DSLR lenses, though those lenses had clear compromises in size and…
Sigma was a little slow to adopt to the Sony FE platform despite embracing APS-C e-Mount years ago. 2018 brought retooled versions of a number of their ART series DSLR lenses, though those lenses had clear compromises in size and…
Sigma was a little slow to adopt to the Sony FE platform despite embracing APS-C e-Mount years ago. 2018 brought retooled versions of a number of their ART series DSLR lenses, though those lenses had clear compromises in size and…
The realm of super-telephotos has been nearly exclusively the domain of the first party lens makers like Canon and Nikon. At the sidelines of most major sporting events you will see a lot of “great whites” (Canons) and a few…
While I’ve done a wide variety of reviews along the way, I’ve rarely taken on the challenge of reviewing super-teles from any brand. That kind of lens isn’t really a part of my personal workflow, and I feel that the…
Sigma has been on somewhat of a roll as of late as they continue to refine their process of lens development in the ART series. Early on I found the ART series somewhat frustrating, as there was frequently a blend…
Sigma has been on somewhat of a roll as of late as they continue to refine their process of lens development in the ART series. Early on I found the ART series somewhat frustrating, as there was frequently a blend…
Sigma has once again managed to do for mirrorless what they seemingly cannot do with DSLR lenses – make an optically excellent, COMPACT lens. The Sigma DN 56mm F1.4 C is the 6th (by my count) of Sigma’s DN line…
Sigma has once again managed to do for mirrorless what they seemingly cannot do with DSLR lenses – make an optically excellent, COMPACT lens. The Sigma DN 56mm F1.4 C is the 6th (by my count) of Sigma’s DN line…
Sigma has produced perhaps more lenses than anyone over the past five years, but few of them are as important as the Sigma 70-200mm F2.8 OS | Sport. Not only does this complete Sigma’s “trinity” of fast aperture zooms (14-24mm…
Sigma has produced perhaps more lenses than anyone over the past five years, but few of them are as important as the Sigma 70-200mm F2.8 OS | Sport. Not only does this complete Sigma’s “trinity” of fast aperture zooms (14-24mm…