There are few lenses more important to any brand’s lineup than a 35mm lens. It will be heavily used by portrait photographers, wedding and event photographers, photojournalists, street, and general purpose. It’s a very versatile focal length, and, unlike most…
The Fujifilm platform has been the place to be to get excellent APS-C lenses of all shapes and sizes. One of the favorites has been the Fujinon XF 56mm F1.2 R lens, which serves a role much like an 85mm…
Sigma was a little slow to adopt to the Sony FE platform despite embracing APS-C e-Mount years ago. 2018 brought retooled versions of a number of their ART series DSLR lenses, though those lenses had clear compromises in size and…
The realm of super-telephotos has been nearly exclusively the domain of the first party lens makers like Canon and Nikon. At the sidelines of most major sporting events you will see a lot of “great whites” (Canons) and a few…
The Otus series is the pinnacle of engineering on the full frame (35mm) space, and I’ve had the opportunity to spend time with each of the previous three releases (1.4/55mm, 1.4/85mm, and 1.4/28mm). Zeiss in venturing a little further into…
Tamron has pulled out the stops for its 40th anniversary of their SP brand (Super Performance). The Tamron SP 35mm F1.4 Di USD (F045) is (according to them), the finest optical instrument that they have made. It certainly is a…
It feels like Samyang AF has finally arrived…at least on the Sony FE platform! For decades Samyang was limited to producing manual focus only lenses, but a few years back they started to try their hands at the more complicated…
I recently completed a six-way comparison of all the currently available autofocusing lenses for Sony’s full frame mirrorless (FE) platform. These lenses cover a wide range of price points, from $379 (all prices USD) for the Viltrox AF 85mm F1.8,…
Tamron released their new 28-78mm F2.8 RXD lens for Sony full frame mirrorless (FE) last year to great fanfare, as it provided a legitimate alternative to the very large and very expensive Sony 24-70mm F2.8 G Master lens. The 28-75…
While I’ve done a wide variety of reviews along the way, I’ve rarely taken on the challenge of reviewing super-teles from any brand. That kind of lens isn’t really a part of my personal workflow, and I feel that the…
I recently completed a six-way comparison of all the currently available autofocusing lenses for Sony’s full frame mirrorless (FE) platform. These lenses cover a wide range of price points, from $379 (all prices USD) for the Viltrox AF 85mm F1.8,…
I recently completed a six-way comparison of all the currently available autofocusing lenses for Sony’s full frame mirrorless (FE) platform. These lenses cover a wide range of price points, from $379 (all prices USD) for the Viltrox AF 85mm F1.8,…
Samyang has previously released a couple of very compact autofocusing prime lenses for Sony, though with only moderately wide maximum apertures of F2.8. People loved the size of the lenses, but the autofocus systems were not always quite there. Fast…
Tamron released their new 28-78mm F2.8 RXD lens for Sony full frame mirrorless (FE) last year to great fanfare, as it provided a legitimate alternative to the very large and very expensive Sony 24-70mm F2.8 G Master lens. The 28-75…
When Tamron announced the 17-35mm F2.8-4 OSD last year, I was initially nonplussed. I was surprised to see them releasing a lens without VC (which has become a mainstay on Tamron lenses), a lens with a less sophisticated autofocus system,…
One of my main projects for 2019 was a plan to pit all the current autofocus 85mm options on the full frame Sony E-mount platform head to head. I’ve done something similar for 50mm options (and, to a lesser extent,…
One of my main projects for 2019 was a plan to pit all the current autofocus 85mm options on the full frame Sony E-mount platform head to head. I’ve done something similar for 50mm options (and, to a lesser extent,…
All year long I’ve had the goal of doing a major 85mm showdown on the Sony platform, as I’ve done something similar for 50mm options (and, to a lesser extent, 35mm options) on Sony. I’ve done a major 85mm shootout…