 The Sony telephoto wars are heating up! For a long time the big hole in the Sony lineup was anything over 200mm. I found Sony’s development of the FE 200-600mm F5-6.3 G OSS lens in 2019 very welcome because…
Most people’s impression of “kit lenses” are that they are cheap, plasticky lens that camera makers bundle with cameras so that new owners at least have something to take pictures with. You can throw that impression out the window with…
My first experience with a fisheye was actually with another TTArtisans lens, in this case the TTArtisans 11mm F2.8 Fisheye I reviewed in 2020. Fisheye lenses are unique and far from traditional, as typically we are looking for minimal distortion…
I was a bit surprised in early 2019 when Sony announced and released the Sony a6400 APS-C mirrorless camera. Many of us expected Sony to continue moving upscale with an a6500 replacement, but I concluded in my review of the…
I was a bit surprised in early 2019 when Sony announced and released the Sony a6400 APS-C mirrorless camera. Many of us expected Sony to continue moving upscale with an a6500 replacement, but I concluded in my review of the…
Lost in the midst of the high profile releases of the 35mm F1.4 G Master (my review here), the Sony FE 14mm F1.8 (my review here), and the yet untested (by me!) Sony FE 50mm F1.2 GM is a trio…
Lost in the midst of the high profile releases of the 35mm F1.4 G Master (my review here), the Sony FE 14mm F1.8 (my review here), and the yet untested (by me!) Sony FE 50mm F1.2 GM is a trio…
Lost in the midst of the high profile releases of the 35mm F1.4 G Master (my review here), the Sony FE 14mm F1.8 (my review here), and the yet untested (by me!) Sony FE 50mm F1.2 GM is a trio…
Lost in the midst of the high profile releases of the 35mm F1.4 G Master (my review here), the Sony FE 14mm F1.8 (my review here), and the yet untested (by me!) Sony FE 50mm F1.2 GM is a trio…
Lost in the midst of the high profile releases of the 35mm F1.4 G Master (my review here), the Sony FE 14mm F1.8 (my review here), and the yet untested (by me!) Sony FE 50mm F1.2 GM is a trio…
Lost in the midst of the high profile releases of the 35mm F1.4 G Master (my review here), the Sony FE 14mm F1.8 (my review here), and the yet untested (by me!) Sony FE 50mm F1.2 GM is a trio…
2021 has been the year that Tamron has adjusted their aim to include a very important (and oft-overlooked) space – Sony APS-C E-mount. There are a LOT of Sony APS-C mirrorless shooters out there, and despite the large audience, there…
2021 has been the year that Tamron has adjusted their aim to include a very important (and oft-overlooked) space – Sony APS-C E-mount. There are a LOT of Sony APS-C mirrorless shooters out there, and despite the large audience, there…
Sony in a very good place in terms of their lens catalogue on full frame mirrorless. They were the first of the major brands to transition to mirrorless, and they’ve had an extra camera generation or two to finetune their…
Sony in a very good place in terms of their lens catalogue on full frame mirrorless. They were the first of the major brands to transition to mirrorless, and they’ve had an extra camera generation or two to finetune their…
The Sony FE catalog of lenses is one of the most robust ever. Sony’s bet on developing a more open source platform and welcoming third party development has really paid off, as at most focal lengths photographers have a plethora…
The TTArtisan 21mm F1.5 ASPH is the second lens I’ve reviewed from Chinese lensmaker TTArtisan. The first was an 11mm F2.8 Fisheye lens, which is hardly a conventional lens. That lens was good enough, however, that I was open to…
The TTArtisan 21mm F1.5 ASPH is the second lens I’ve reviewed from Chinese lensmaker TTArtisan. The first was an 11mm F2.8 Fisheye lens, which is hardly a conventional lens. That lens was good enough, however, that I was open to…