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My most popular video of 2024 was a showdown between the (then) primary standard zoom options available on the Fuji X-mount platform – the Fuji XF 18-55mm F2.8-4 R LM OIS, XF 16-55mm F2.8 R LM WR, and the Sigma 18-50mm F2.8 DN. My surprising conclusion was that the Sigma actually held up the best […] [Read more...]
It was just a little over a month ago that I spent time reviewing the Yongnuo 33mm F1.4 DA DSM WL Pro lens, which I knew was the first to release from a series of three lenses in YN’s “Commander” series. I was quite impressed with the 33mm for a number of reasons, including the […] [Read more...]
It was just a little over a month ago that I spent time reviewing the Yongnuo 33mm F1.4 DA DSM WL Pro lens, which I knew was the first to release from a series of three lenses in YN’s “Commander” series. I was quite impressed with the 33mm for a number of reasons, including the […] [Read more...]
Fuji’s original 18-55mm F2.8-4 OIS was often used as proof positive that Fuji’s APS-C platform was the best. Before I began to test Fuji, I heard the lens hyped to epic proportions. When I got around to reviewing it in 2019, I was frankly a bit disappointed. In 2024 I revisited the Fuji standard zooms […] [Read more...]
Fuji’s original 18-55mm F2.8-4 OIS was often used as proof positive that Fuji’s APS-C platform was the best. Before I began to test Fuji, I heard the lens hyped to epic proportions. When I got around to reviewing it in 2019, I was frankly a bit disappointed. In 2024 I revisited the Fuji standard zooms […] [Read more...]
Sirui began their lensmaking journey with cine lenses, and, in particular, anamorphic lenses, and only later branched out to more standard autofocus lenses like the Sniper Series (APS-C) and more recently the Aurora full frame line. Perhaps it was inevitable for the two different lens lines to collide as they have in what is a [ [Read more...]
In 2024 I did a fresh review of the nearly ten year old Fujinon XF 16-55mm F2.8 R LM WR lens, and I concluded that it was due an update. It was clear that it hadn’t been engineered with future high resolution bodies in mind, and the current 40MP sensor in a camera like my […] [Read more...]
In 2024 I did a fresh review of the nearly ten year old Fujinon XF 16-55mm F2.8 R LM WR lens, and I concluded that it was due an update. It was clear that it hadn’t been engineered with future high resolution bodies in mind, and the current 40MP sensor in a camera like my […] [Read more...]
