Canon RF 35mm F1.4L VCM Gallery
Dustin Abbott
October 31st, 2024
When I began to wholesale move to mirrorless, there were certain beloved lenses that were very slow to leave my kit. I had a whole kit of Canon EF lenses, and initially I just adapted those lenses to Canon RF and even Sony. Certain third party lenses slowly began to leave my kit to be replaced with other lenses, but I had a core kit of L series lenses that I found it hard to say goodbye to. Lenses like the 24-104mm F4L IS, 100mm F2.8L Macro, the 70-300L, the 100-400L II, and the 35mm F1.4L II. One by one those lenses slowly got sold off over the years. The last of them remained until 2023, and that was the Canon EF 35mm F1.4L II. I loved that lens. Built like a tank, sharp as a tack, and with utterly reliable results that I consistently loved. It was hard for me to say goodbye to that lens, largely because there really wasn’t an RF replacement for it.
Pretty much everyone wondered when Canon would come up with a replacement, as the RF 50mm F1.2L was one of the early RF L series lenses, coming to market in 2018. I reviewed it in 2019 after finally taking the plunge and buying the extremely flawed Canon EOS R body. That means that six years have gone by without a pro series 35mm lens on RF mount, with the only 35mm prime being the RF 35mm F1.8 IS. But the wait is over, and the Canon RF 35mm F1.4L VCM has finally arrived. Is this the one you’ve been waiting for? You can get my findings in the video review here, or by reading the text review here.
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Thanks to Camera Canada for sending me a review copy of this lens. As always, this is a completely independent review. All opinions and conclusions are my own. *I have done this review on my Canon EOS R5 camera.
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Canon’s earliest full frame mirrorless cameras (the EOS R and the EOS RP) were severely flawed cameras, so my early frustration in doing RF mount reviews is that it seemed that a number of the early RF lenses were so good but the cameras were so frustrating. Ironically (at least for me), the tables have turned, as Canon has been producing a number of cameras I really like (I’ve loved owning my EOS R5 for years, and have given very positive reviews to a number of other cameras from the budget R8 to the premium R3.) But I’ve found Canon’s lens design over the past few years very frustrating, as it seems like every lens I review comes with a major caveat. The RF 100mm Macro has weird focus shift issues. The RF 14-35mm F4L IS has epic levels of distortion. The 70-200mm models can’t be used with teleconverters. The RF 100-500L can only use teleconverters at 300mm+. The RF 85mm F2 Macro IS has clunky autofocus. A number of the zooms have very slow apertures. It’s a little weird, and unfortunately that trend continues with the 35L VCM lens, as while it has great autofocus and is very sharp, there are some questionable choices in the implementation of features and optical design. Sigh.
In many ways the 35L VCM seems to be a lens designed with video in mind more than stills. There is one notable new feature that only works for video unless you have a Canon camera made in 2024 or newer. But on the other hand, Canon also knows how to make a optically strong 35mm lens, and the 35L VCM actually comes to market at a $300 discount relative to the 35L II.
While aspects of the lens are a little perplexing, the simple reality is that it is easy to make beautiful images with the Canon RF 35mm F1.4L VCM. Check out some examples in the galleries below.
Build and Handling
Photos taken with the Canon RF 35mm F1.4L VCM
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GEAR USED:
Purchase the Canon RF 35mm F1.4L VCM @ Camera Canada | B&H Photo | Adorama | Amazon | Amazon Canada | Amazon UK | Amazon Germany
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