Dustin Abbott has been published in such publications as PhotoPlus, Photo News, Popular Science, American Photo, Pro Photographer, and Photography Week magazines as well as the Globe and Mail newspaper. He has been featured as a guest on many photography blogs and has had either articles or photos published in local magazines in multiple countries. He writes on a regular basis as a free-lance writer for PhotoNewsFlash, Alien Skin Software Blog, CanonRumors, B&H Explora eZine, and has also written for Photography Masterclass Magazine, Henry’s Photography Blog, PhotoNews Magazine, Digital Photography School, the Zeiss LenSPIRE blog, and Pro Photographer magazine. His lens reviews are respected around the world and can be seen on YouTube, too.
I’ve reviewed nearly a dozen 24-105mm variants over the years, but this is my first time reviewing a lens that manages to stretch that traditional zoom range and give it a little more telephoto reach. And after spending some time…
Sigma released the second generation of their 35mm F1.2 | ART lens in the fall of 2025, and they are quickly following that up with a MK II version of their 35mm F1.4 | ART lens. The original 35mm F1.4…
Last year I reviewed a beautiful new little APS-C prime from Sigma in the form of the 12mm F1.4 DC. I really liked that lens and gave it a positive review. I had noted that Sigma hadn’t gone any wider…
The buzz over Viltrox and Nikon is that the latter is currently suing the former, and while this has generated a fair bit of angst amongst Nikon Z-mount shooters, Viltrox is clearly fairly positive over the outcome, as they told…
The promise of Canon’s new RF mount is that it was going to release new and novel lens designs not possible on EF mount. I would say that in many ways that is a promise that was overstated, but every…
The prime complaint about the Canon RF ecosystem has been that it was closed to third party development when the system launched in 2018…and here in 2026 that remains the case. Canon has allowed some development for APS-C on RF,…
What an interesting year! Earlier this year, when reviewing the Sigma 200mm F2 OS SPORT, I marveled that it had been so long since we had seen a new 200mm F2 lens, and even more so that Sigma had beaten…
Canon’s 50mm lineup had perhaps the biggest gap in modern camera systems, with the RF 50mm F1.8 STM (my review here) clocking in at roughly $200 MSRP and with the high-end RF 50mm F1.2L (my review here) carrying a price…
It is rare that we see true innovation in camera lenses, but the Nikkor Z 24-70mm F2.8 S II is more than just a second generation professional standard zoom for Nikon Z-mount cameras, but is instead a significant departure from…
It has been a long eight months since I released my review of the Viltrox AF 35mm F1.2 LAB FE in April of 2025, leaving a lot of people wondering when and even if the Nikon Z-mount version was coming.…
I’ve reviewed a few Meike lenses before, but never one like this one. My early experience with Meike lenses was that they were budget lenses that stood out above all for their bargain price rather the quality of their performance.…
Viltrox’s full frame jump into their “Pro” series took off with a bang in spring of 2025 with the release of the Pro AF 85mm F1.4, a lens that I gave a very positive review. They followed that up the…
Last year I reviewed the first full frame prime lens in Sirui’s Aurora series last year – the Aurora 85mm F1.4. It fell into a nice budget space of under $600 and added a nice build and features along with…
Tamron’s early relationship with Nikon in the mirrorless age was very unique. Nikon, like Canon, was technically closed to third party autofocus lenses, but Tamron’s popular trilogy of fast zoom lenses (the 17-28mm F2.8, 28-75mm F2.8, and 70-180mm F2.8) made…
The Tamron 28-200mm F2.8-5.6 RXD was one of the lenses from the past five years that really surprised me. I initially reviewed in back in June of 2020, and I was unexpectedly surprised by how good it was optically for…
Uh oh! Just when other lensmakers were adjusting to Viltrox’s three pronged approach of budget AIR, upper mid-tier PRO, and premium LAB series of lenses, Viltrox is back with a whole new series of lenses under the label of EVO.…
Viltrox’s Pro AF 85mm F1.4 kicked off the jump of their Pro series into the full frame space with a bang. I gave the lens a pretty glowing review (my review here) as did many, many other reviewers. I’ve liked…
SongRaw? Who is SongRaw? SongRaw is the most recent lensmaker to rise up in China, and they are starting in a much more ambitious space than most new lensmakers. Their first lens is a full frame autofocus 50mm F1.2, something…