Fuji Standard Zoom Showdown Part 2

My most popular video of 2024 was a showdown between the (then) primary standard zoom options available on the Fuji X-mount platform – the Fuji XF 18-55mm F2.8-4 R LM OIS, XF 16-55mm F2.8 R LM WR, and the Sigma…
My most popular video of 2024 was a showdown between the (then) primary standard zoom options available on the Fuji X-mount platform – the Fuji XF 18-55mm F2.8-4 R LM OIS, XF 16-55mm F2.8 R LM WR, and the Sigma…
Fuji’s original 18-55mm F2.8-4 OIS was often used as proof positive that Fuji’s APS-C platform was the best. Before I began to test Fuji, I heard the lens hyped to epic proportions. When I got around to reviewing it in…
Fuji’s original 18-55mm F2.8-4 OIS was often used as proof positive that Fuji’s APS-C platform was the best. Before I began to test Fuji, I heard the lens hyped to epic proportions. When I got around to reviewing it in…
In 2024 I did a fresh review of the nearly ten year old Fujinon XF 16-55mm F2.8 R LM WR lens, and I concluded that it was due an update. It was clear that it hadn’t been engineered with future…
In 2024 I did a fresh review of the nearly ten year old Fujinon XF 16-55mm F2.8 R LM WR lens, and I concluded that it was due an update. It was clear that it hadn’t been engineered with future…
One of the indictments against Fuji’s medium format GF lineup has been in the limited number and variety of lenses. Until recently there were only 15 lenses available, and the longest focal length amongst them was the GF 250mm F4…
One of the indictments against Fuji’s medium format GF lineup has been in the limited number and variety of lenses. Until recently there were only 15 lenses available, and the longest focal length amongst them was the GF 250mm F4…
Photographer Dustin Abbott shares a thorough, real world review of the Fujifilm GFX-100S II medium format camera system
Photographer Dustin Abbott shares a thorough, real world review of the Fujinon XF 56mm F1.2 R WR update of their classic portrait lens.
Photographer Dustin Abbott shares a gallery of images from the Fujinon XF 56mm F1.2 R WR premium telephoto prime lens.
Photographer Dustin Abbott revisits the venerable Fujinon XF 18-55mm R LM WR in 2024 on a 40MP sensor to see if it holds up
Photographer Dustin Abbott shares a new review of the Sigma 10-18mm F2.8 DN lens in Fuji X-mount to see if it can handle 40MP of resolution
Photographer Dustin Abbott shares an updated review of the Sigma 18-50mm F2.8 DC DN lens to see how it handles moving to Fuji X-mount and 40MP
Photographer Dustin Abbott shares a thorough, real world review of the Fujinon GF 55mm F1.7 R WR
Those who are accustomed to smaller sensors are unlikely to be impressed with a maximum aperture of F1.7, but when you are talking larger medium format(ish) sensors like Fujifilm’s GFX line, this is a HUGE maximum aperture. This is only…
Fuji’s move to the 40MP resolution point on some of their higher end cameras has been pretty punishing on many of their existing lenses, but it also really makes it clear which lenses are exceptional. I reviewed one such lens…
Fuji’s move to the 40MP resolution point on some of their higher end cameras has been pretty punishing on many of their existing lenses, but it also really makes it clear which lenses are exceptional. I reviewed one such lens…
Powerzoom lenses are always a bit of the oddball in the room – caught between video and photography. The PowerZoom function is most reminiscent of the focus on camcorders or similar video cameras, but the cameras that a PZ lens…