Canon EF-S 35mm f/2.8 Macro IS STM Review

Last year Canon introduced a novel concept that might have been lost on a lot of Canon shooters due to it being implemented on a lens for Canon’s mirrorless EOS M system – the EF-M 28mm f Macro IS STM…

Last year Canon introduced a novel concept that might have been lost on a lot of Canon shooters due to it being implemented on a lens for Canon’s mirrorless EOS M system – the EF-M 28mm f Macro IS STM…

Canon’s second generation camera in the “affordable full frame” 6D line is here – the EOS 6D Mark II.  As is now typical, there has been a fair bit of controversy over this camera ahead of its release as reviewers…

One of Sigma’s most hotly anticipated lenses of the year is the new 24-70mm f DG OS HSM ART lens.  Few lenses are more popular among working professionals than 24-70mm f zoom lenses because of their versatility and often very…

There are few focal lengths more important to a lens makers lineup than the 35mm focal length. It, along with the 50mm, tend to makeup the most commonly used focal lengths for those using prime lenses. When Zeiss launched the…

Tamron has long been the company that pushes the envelope in “all-in-one” zoom design and have held the top honors of having the largest zoom range in a DSLR lens for most of the past ten years. Years ago I…

Tamron has long been the company that pushes the envelope in “all-in-one” zoom design and have held the top honors of having the largest zoom range in a DSLR lens for most of the past ten years. Years ago I…

Canon has just released a brand new lens for it’s EF-S (APS-C crop sensor) cameras – the new Canon EF-S 35mm f Macro IS.  This lens offers a different approach to macro than the existing EF-S 60mm f USM lens.…

First impressions matter. My first two impressions when opening the box and pulling out Sigma’s newest lens – the 100-400mm f DG OS HSM Contemporary – were 1) the lens was smaller than I anticipated (not a lot bigger than…

The Carl Zeiss company recently announced another high end prime lens in the Milvus series – the Zeiss Milvus Distagon T* 35mm f  The Milvus 35mm f is a completely new optical formula and covers one of the the most important…

Lost in the midst of the higher profile ART series announcements was the announcement of a lens that makes a whole lot more sense for many photographers.  The Sigma 100-400mm f OS Contemporary helps to fill an important gap –…

 My Quiet Rebellion We live in a day of ever-larger lenses. High resolution, pixel dense camera bodies like the Nikon D800, then the Sony A7R II, and then the even more pixel dense Canon EOS 5Ds/R have a tendency…

 Sigma has established a very clear objective with their ART series primes: deliver large aperture prime lenses with class-leading (or near to it) resolution. On multiple occasions they have pushed the envelope of what was possible in maximum aperture…

The twin brands of Samyang and Rokinon have long been known for manufacturing inexpensive manual focus lenses that have often had excellent optical performance.  The very first Rokinon lens I used/reviewed was the Rokinon 14mm f wide angle lens.  At the…

 So I finally have in my hands an autofocusing Zeiss with image stabilization to boot. Have I died and gone to heaven? Not quite. It is then that I wake up and realize that the Batis 135 isn’t actually for…

Another long awaited lens from the Sigma ART series has arrived – the new Sigma 135mm f ART.  It looks nearly identical to the 85 ART, though just a tiny bit smaller in every dimension.  Optically it pushes the envelope…

 APS-C shooters can be forgiven for feeling like they sometimes get left out in the cold when it comes to quality development for their platform. Canon, for example, has an interesting dichotomy. Many of their lens releases for full…

 I’ve already done a full review of the new Tamron SP 150-600mm f VC USD G2 lens in the late fall of 2016, but at that time the lens was just coming to market and my review time was…

So, for the first time I have my hands on an autofocusing Zeiss with image stabilization.  Only one problem:  it is made for a camera system (Sony E-mount) that I don’t own!  That hasn’t cooled my enthusiasm for this beautiful…